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Concise accounts of editions and studies of the Old French fabliaux. The Old French fabliaux form a corpus of over 120 short comic verse narratives from the late twelfth to the early fourteenth centuries which has been the subject of very active work over the last thirty years, building on continuous though less intensive interest over the previous century. There are many editions, a society and a journal devoted to fabliaux study but, until now, no bibliographical survey. The author of this analytical bibliography takes a wide view of the definition of the genre in French but does not include work primarily on Chaucerian fabliaux or those in other languages. Around 1,000 entries offer precise, well judged and well written accounts of workspublished in this area of study. ANNE COBBY is Librarian of the Faculty of Modern & Medieval Languages at the University of Cambridge.
Explores the cultural framework within which changes in agricultural technology and economic organization occur and the ways in which changes in the social fabric influence attitudes toward rural work and the peasantry.
This long tradition would certainly not be a reason in itself to keep or restore the subject, had it not something to do with the subject itself. All of the associations between the past and literature, all of the signs that point towards an essential link between the notion of literature and a feeling for the past, are crystallized in medieval literature. The curiosity that medieval literature has aroused since it was rediscovered at the dawn of Romanticism presupposes such associations. The very forms of this literature bear indications of them. They encourage us to consider jointly the interest of modern times in the medieval past and the signs of the past with which the Middle Ages marked its own literature. Even more, they invite us to seek in the relationship with the past a defining criterion for literature, a most necessary task with reference to a time when words are not understood in their modern sense, and there is no guarantee that a corresponding notion exists. The best reason to continue with this hundred-and-fifty-year-old teaching is that its object may not even exist.
Wide-ranging study of gender and the underlying ideologies of Old French and Occitan literature.
In this second edition of The Repeating Island, Antonio Benítez-Rojo, a master of the historical novel, short story, and critical essay, continues to confront the legacy and myths of colonialism. This co-winner of the 1993 MLA Katherine Singer Kovacs Prize has been expanded to include three entirely new chapters that add a Lacanian perspective and a view of the carnivalesque to an already brilliant interpretive study of Caribbean culture. As he did in the first edition, Benítez-Rojo redefines the Caribbean by drawing on history, economics, sociology, cultural anthropology, psychoanalysis, literary theory, and nonlinear mathematics. His point of departure is chaos theory, which holds that order and disorder are not the antithesis of each other in nature but function as mutually generative phenomena. Benítez-Rojo argues that within the apparent disorder of the Caribbean—the area’s discontinuous landmasses, its different colonial histories, ethnic groups, languages, traditions, and politics—there emerges an “island” of paradoxes that repeats itself and gives shape to an unexpected and complex sociocultural archipelago. Benítez-Rojo illustrates this unique form of identity with powerful readings of texts by Las Casas, Guillén, Carpentier, García Márquez, Walcott, Harris, Buitrago, and Rodríguez Juliá.