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Practical work in writing counterpoint! This volume emphasizes developing analytical and writing skills in the contrapuntal technique of the eighteenth century. The orientation is strongly stylistic, dealing mainly with the polyphony of the late Baroque period. Three aspects are stressed throughout: practical work in writing counterpoint, utilizing various textures, devices, and genre of the period; historical background, to establish the origins of different forms and justify the pedagogical method employed here; analysis of selections from music literature, often in voice-leading reductions. After an opening chapter that reviews some general features of the late Baroque period, there is a brief survey of melodic characteristics, and a study of procedures associated with two, three, and four voices.
Harmonic Development and Contrapuntal Techniques for the Jazz Pianist serves as a guide for harmonic expansion and development for jazz piano, offering pianists both a rationale and methods to improve contrapuntal hand techniques. The text focuses on the relationship between theory and execution and both of those components’ usefulness in creating a jazz sound at the piano. This kinaesthetic method provides the learner with a systematic approach to harmonic movement, revealing options that may not have been otherwise apparent. This method will allow pianists to add depth and dimension to their chord voicings in the same way that vocalists and wind instrumentalists give character and shape to the notes they create. Key features include musical examples ranging from singular chord construction to sophisticated harmonic progressions and song application. Performance exercises are provided throughout the text. Learners and instructors are encouraged to create their own exercises. Related ancillaries at harmoniccounterpoint.com include: Musical examples Audio tracks Performance exercises Written assignments Intended for the learner who is reasonably familiar with essential jazz harmony, this textbook will be both a significant resource for the advanced player and a fundamental component for the learner in a structured academic musical setting.
This vintage book contains a comprehensive guide to contrapuntal motion. In music theory, contrapuntal motion is the movement of two melodic lines in relation to each other. In standard four-part harmony, it is imperative that the lines remain independent - a result that can be maintained through the use of the four types of contrapuntal motion: similar motion, contrary motion, parallel motion, and oblique motion. Written in clear, plain language and full of interesting and useful information, this text is ideal for those with little previous musical knowledge, and will be of considerable utility to students. The chapters of this book include: "Two-Part Writing (Harmony Notes Only)", "Unaccented Diatonic Passing Notes used Singly", "Accented Passing Notes Used Singly", "Simultaneous Combined Unessential Notes", "Simultaneous Use of Harmony and Unessential Notes", "Two Notes to One Combined with a Longer Note", "Applied Technique", etcetera. This book is being republished in an affordable, high-quality, modern edition - complete with a specially commissioned new biography of the author.