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The Contradictions of Love: Towards a feminist-realist ontology of sociosexuality offers a robust and multifaceted theoretical account of how, in contemporary western societies, women continue to be subordinated to men through sexual love. The book defends and elaborates Anna G. Jónasdóttir’s thesis that men tend to exploit women of their ‘love power’, by means of an innovative application of critical realism, dialectical critical realism and the philosophy of metaReality. Gunnarsson also offers a critique of the state of affairs of contemporary feminist theory. The author demonstrates that the meta-theoretical framework of critical realism offers the tools that can counter the poststructuralist hegemony still prevailing in feminist theory. On a general level, The Contradictions of Love attempts at reconciling theoretical positions which tend to appear in opposition to one another. In particular, it offers a way of bridging the gap between the notion of love as a locus of exploitation and that of love as a force which can conquer oppression. This book is a unique and timely contribution in the field of feminist theory, in that it offers the first elaborate assessment and development of Jónasdóttir’s important but relatively sidestepped work, and in that it counters poststructuralist trends from the point of view of a robust critical realist framework that has hitherto been spectacularly absent in feminist theory, although it offers solutions to metatheoretical problems at the forefront of feminist debates; in the field of critical realism broadly defined, in that it elaborates on crucial ontological themes of (dialectical) critical realism and the philosophy of metaReality via a discussion of the issues of love, sexuality, gender and power; and finally, in the field of love studies, in that it offers a sophisticated account of how gender asymmetries prevail in love despite norms of gender equality and reciprocity, and in that it reconciles feminist, conflict-oriented perspectives on love with notions of love as transcending conflict.
Drawn from the many books, writings, and interviews by Richard Rohr, one of the most popular spiritual writers today, this collections introduces many of the teachings for which he has become known, all organized around the central theme of Love.
The study begins with readings of ads, songs, films and other public representations of romance and concludes with individual interviews in order to analyze the ways in which mass messages are internalized.
Sophie is young and queer and into feminist theory. She decides to study abroad, choosing Paris for no firm reason beyond liking French comics. Feeling a bit lonely and out of place, she’s desperate for community and a sense of belonging. She stumbles into what/who she’s looking for when she meets Zena. An anarchist student-activist committed to veganism and shoplifting, Zena offers Sophie a whole new political ideology that feels electric. Enamored—of Zena, of the idea of living more righteously—Sophie finds herself swept up in a whirlwind friendship that blows her even further from her rural California roots as they embark on a disastrous hitchhiking trip to Amsterdam and Berlin, full of couch surfing, drug tripping, and radical book fairs. Capturing that time in your life where you’re meeting new people and learning about the world—when everything feels vital and urgent—The Contradictions is Sophie Yanow’s fictionalized coming-of-age story. Sophie’s attempts at ideological purity are challenged time and again, putting into question the plausibility of a life of dogma in a world filled with contradictions. Keenly observed, frank, and very funny, The Contradictions speaks to a specific reality while also being incredibly relatable, reminding us that we are all imperfect people in an imperfect world.
The essential companion to Simone de Beauvoir's celebrated novel.
Yang Gui-ja is one of Korea's major literary figures of the last generation, with a succession of literary prizes and best-sellers to her credit. Her most representative early work, the 1987 Wonmi-dong saramdeul, is available in English as A Distant and Beautiful Place. In the 1990s her writing took an increasingly personal turn with a series of popular works including Contradictions (Mosun), South Korea's best-selling novel in 1998. Contradictions is a coming-of-age tale that explores the paradoxes and contradictions of the human condition and delves into the meaning of personal happiness. The book opens with a moment of epiphany as the main character An Jin-jin awakens to the realization that her entire energy must be devoted to her own life. She struggles over whom to marry with an awareness of consequences gleaned from seeing the divergence in the lives of twin sisters--her mother and her aunt. A host of binary oppositions is also presented in the lives of the men around her: a wannabe gang boss brother, an Ivy League cousin, an alcoholic schizophrenic father, a steadfast but rigid uncle, and her two suitors. Yang skillfully develops these characters in increasingly complex threads as the novel unfolds in a series of surprises.
Where does courtly literature come from? What is the meaning of courtly love? What is the relation between religious and secular culture in the Middle Ages, and why does it matter? This book addresses these questions by way of contradiction, which is central both to medieval logic and to most modern protocols of reading.
Feminism and the Contradictions of Oppression is a penetrating and comprehensive study of the development of feminism over the last thirty years. The first part of this major new textbook examines feminist theory and feminist political strategy. The second section examines how contradictions of class, race, subculture and sexuality divide women. The final part explores ways out of the impasse. This level-headed and challenging book is one of the most notable contributions to feminism in recent years.
In this timely, insightful, and darkly funny investigation, the acclaimed author of Against Love asks: what does living in dystopic times do to our ability to love each other and the world? COVID-19 has produced new taxonomies of love, intimacy, and vulnerability. Will its cultural afterlife be as lasting as that of HIV, which reshaped consciousness about sex and love even after AIDS itself had been beaten back by medical science? Will COVID end up making us more relationally conservative, as some think HIV did within gay culture? Will it send us fleeing into emotional silos or coupled cocoons, despite the fact that, pre-COVID, domestic coupledom had been steadily losing fans? Just as COVID revealed our nation to itself, so did it hold a mirror up to our relationships. In Love in the Time of Contagion, Laura Kipnis weaves (often hilariously) her own (ambivalent) coupled lockdown experiences together with those of others and sets them against a larger backdrop: the politics of the virus, economic disparities, changing gender relations, and the ongoing institutional crack-ups prompted by #MeToo and Black Lives Matter, mapping their effects on the everyday routines and occasional solaces of love and sex.