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Atlantis is at the early stage of its development. A ruthless and devious baron hires a group of assassins to murder the royal family. The baron then declares himself Emperor. In turn the assassins are betrayed and killed by the new Emperors soldiers. They find themselves in the deepest depths of Hell, as a result of a curse by a witch they murdered. The Empress, who has escaped the slaughter of the royal family, facilitates her sons escape. A mysterious wise man known as the Monitor takes the prince under his care. Under the Monitors skilful tutorage the prince acquires great skills and they have many adventures together, in the dangerous environment around them. The Monitor is from a distant world, in another galaxy and relates the story of the development of his planet, Galenos. The planet has developed much like earth and the Monitor describes how it confronted issues like global warming, economic turbulence and conflict between the various nations. This conflict eventually resulted in global nuclear war, where the planets population is reduced from 8 to less than 2 billion people. A star ship appears over Galenos, crewed by a species known as the Watchers. They assist the planet recover from the war and forge a united, golden future. The Watchers then leave Galenos and eventually take up orbit around the Earth. Due to severe star ship malfunction, exacerbated when travelling through an unstable worm hole in space, they are responsible for the destruction of the dinosaurs.
The Time Tripper Chronicles -We Are Forever is a series of fantasy sci-fi stories written by American author Marvin Eugene Smith. The series chronicles the adventures of young siblings from the future Terry, Troi and Trey Tripper, the children of Sam Tripper, the "Thomas Edison of his time" and their spectacular clashes with alien terrorists through the ages armed with stolen time travel technology intent on destroying Earth from within.
Coming to prominence during the rubber fever of the late-nineteenth and early-twentieth centuries, the Putumayo has long been a site of political turmoil, a place of mass immigration, exile, subjugation, insurgency, and violence, all of which have fostered a long, international literary history. Colombia's Forgotten Frontier maps a literary map of this history for the first time. Lesley Wylie looks at works by writers from Latin America, the United States, and Europe— including works by Roger Casement, José Eustasio Rivera, and Williams Burroughs—in order to examine Colombia's literary legacy of marginality and conflict.
From Colonial to Modern examines representations of girls in Canadian, Australian, and New Zealand girls' literature to trace how colonial authors transformed British feminine norms to produce transnational ideals and modern, nationalised femininities.
Death is inevitable. But bad deaths-- accompanied by unnecessarily prolonged pain and suffering, often aggravated by immensely costly and frequently futile medical treatments-- can be avoided. This book offers clear and valuable examples of how, through frank communication with caregivers and loved ones and the use of Advance Medical Directives such as living wills, those who are facing the possibility of death in the foreseeable future, and those who help them cope, can greatly minimize or eliminate end-of-life turmoil, family dissension, and pain.
This is an excellent guide to Haruki Murakami's extraordinary novel. It features a biography of the author (including an interview), a full-length analysis of the novel, and a great deal more. If you're studying this novel, reading it for your book club, or if you simply want to know more about it, you'll find this guide informative and helpful. This is part of a new series of guides to contemporary novels. The aim of the series is to give readers accessible and informative introductions to some of the most popular, most acclaimed and most influential novels of recent years - from 'The Remains of the Day' to 'White Teeth'. A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question.
Film Noir and the Cinema of Paranoia is an overview of 20th- and 21st-century noir and fatalist film practice from 1945 onwards. The book demonstrates the ways in which American cinema has inculcated a climate of fear in our daily lives, as reinforced, starting in the 1950s, by television, and later videocassettes, the web, and the Internet, to create, by the early 21st century a hypersurveillant atmosphere in which no one can avoid the barrage of images that continually assault our senses. The book begins with the return of American soldiers from World War II, 'liberated' from war in the Pacific by the newly created atomic bomb, which will come to rule American consciousness through much of the 1950s and 1960s and then, in a newer, more small-scale way, become a fixture of terrorist hardware in the post-paranoid ear of the 21st century. Film Noir and the Cinema of Paranoia is constructed in six chapters, each highlighting a particular 'raising of the cinematic stakes' in the creation of a completely immersible universe of images. Selling points:*Expands the definition of noir to include numerous lesser known works.*Deals with Red Scare films of the 1950s in the US.*Examines the 'dark side' of the 1960s, or films that questioned the emerging counterculture.*Explores such neo-noir films as The Last Seduction (1993), Angel Heart (1987), The Grifters (1990), Red Rock West (1993), The Usual Suspects (1995), Mulholland Drive (2001), L.A. Confidential (1997), and Memento (2000).*Details the 'noir' aspects of the cybernetic age, both in online and videogame uses.
B. Ruby Rich designated a brand new genre, the New Queer Cinema (NQC), in her groundbreaking article in the Village Voice in 1992. This movement in film and video was intensely political and aesthetically innovative, made possible by the debut of the camcorder, and driven initially by outrage over the unchecked spread of AIDS. The genre has grown to include an entire generation of queer artists, filmmakers, and activists. As a critic, curator, journalist, and scholar, Rich has been inextricably linked to the New Queer Cinema from its inception. This volume presents her new thoughts on the topic, as well as bringing together the best of her writing on the NQC. She follows this cinematic movement from its origins in the mid-1980s all the way to the present in essays and articles directed at a range of audiences, from readers of academic journals to popular glossies and weekly newspapers. She presents her insights into such NQC pioneers as Derek Jarman and Isaac Julien and investigates such celebrated films as Go Fish, Brokeback Mountain, Itty Bitty Titty Committee, and Milk. In addition to exploring less-known films and international cinemas (including Latin American and French films and videos), she documents the more recent incarnations of the NQC on screen, on the web, and in art galleries.
divThis pioneering book reevaluates the place of converts from Judaism in the narrative of Jewish history. Long considered beyond the pale of Jewish historiography, converts played a central role in shaping both noxious and positive images of Jews and Judaism for Christian readers. Focusing on German Jews who converted to Christianity in the sixteenth through mid-eighteenth centuries, Elisheva Carlebach explores an extensive and previously unexamined trove of their memoirs and other writings. These fascinating original sources illuminate the Jewish communities that the converts left, the Christian society they entered, and the unabating tensions between the two worlds in early modern German history. The book begins with the medieval images of converts from Judaism and traces the hurdles to social acceptance that they encountered in Germany through early modern times. Carlebach examines the converts’ complicated search for community, a quest that was to characterize much of Jewish modernity, and she concludes with a consideration of the converts’ painful legacies to the Jewish experience in German lands. “Carlebach’s reading of autobiographical texts by converts from Judaism is careful, intelligent, and skeptical--a model of how to treat spiritual memoirs.”--Todd M. Endelman, University of Michigan “This superb book highlights the ambiguous identities of these boundary crossers and their impact on both German and Jewish self-definitions.”--Paula E. Hyman, Yale University Elisheva Carlebach is professor of history at Queens College and the Graduate Center, City University of New York. She is the author of The Pursuit of Heresy: Rabbi Moses Hagiz and the Sabbatian Controversies, winner of the National Jewish Book Award for Jewish History, and coeditor of Jewish History and Jewish Memory. /DIV