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J. S. Fletcher (b. 1863, d. 1935) was a prolific British author and journalist. He wrote over 230 titles, both fiction and non fiction. He was one of foremost writers of detective fiction during the Golden Age of murder mystery novels.
In Coffin Honey, his seventh book of poems, celebrated poet Todd Davis explores the many forms of violence we do to each other and to the other living beings with whom we share the planet. Here racism, climate collapse, and pandemic, as well as the very real threat of extinction—both personal and across ecosystems—are dramatized in intimate portraits of Rust-Belt Appalachia: a young boy who has been sexually assaulted struggles with dreams of revenge and the possible solace that nature might provide; a girl whose boyfriend has enlisted in the military faces pregnancy alone; and a bear named Ursus navigates the fecundity of the forest after his own mother’s death, literally crashing into the encroaching human world. Each poem in Coffin Honey seeks to illuminate beauty and suffering, the harrowing precipice we find ourselves walking nearer to in the twenty-first century. As with his past prize-winning volumes, Davis, whose work Orion Magazine likens to that of Wendell Berry and Mary Oliver, names the world with love and care, demonstrating what one reviewer describes as his knowledge of “Latin names, common names, habitats, and habits . . . steeped in the exactness of the earth and the science that unfolds in wildness.”
“A rose can rest in the casket for a thousand years without fading. An egg can remain there for centuries without going bad. A person could lie there for a hundred years, a thousand years, ten thousand years, completely protected from time." What happens when the world starts to fall apart, and no one will take responsibility for mending it? Sigrun’s family, along with everyone else, finds refuge from the crisis in a new technology called TimeBox®, which lets you hibernate until the world’s problems solve themselves. But Sigrun’s TimeBox® opens early, and she wakes to a city in chaos, overrun by nature. Sigrun joins a roving band of kids and a wise researcher named Grace, who tells them of the ancient kingdom of Pangea, and the greedy king who wanted to protect his daughter Obsidiana from pain, gloomy days, and growing older by putting her in a silken casket that time could not penetrate. But Obsidiana learns that sabotaging time is a dangerous business, with effects that ripple outward even to the present day. Sigrun realizes it’s up to her and her friends to face the crisis, break the curse, and fix the world before it’s too late! Winner of The Icelandic Literary Prize for Children and Young People’s Books Winner of The Icelandic Booksellers Prize for Best Teenage Book of the Year Nominated for the Nordic Council Children and Young People’s Literature Prize Winner of the The West Nordic Literature Prize Winner of the Reykjavik Children’s Literature Prize “The story confronts the concept of time and twists old fairy-tale memories with a passionate creativity.” —The Nordic Council Children and Young People’s Literature Prize Citation “Andri Snær Magnason has created an intimate epic that floats effortlessly between genres as diverse as fairy tale and political commentary, science fiction and social realism. The Casket of Time spans the chasm between ‘once upon a time’ and ‘have you heard the news today’ in a way that makes his philosophical fable feel both timely and timeless.” —Bjarke Ingels “The largest box of chocolate written in the Icelandic language that I have ever laid my hands on... This is confectionery for the mind!... This is a book for the 3 year old, the 30 year old, the 300 year old.” —Audur Haraldsdóttir, Channel 2, National Radio (Iceland) “The power of story animates a tale that communicates—but is not overpowered by—urgent messages.” — Kirkus Reviews
The Collected Works of R. Austin Freeman (Illustrated Edition) is a riveting collection of classic detective fiction stories written by the esteemed author R. Austin Freeman. The book features a unique blend of intricate plotlines, compelling characters, and scientific reasoning that sets Freeman's work apart in the realm of mystery literature. Each story incorporates Freeman's background as a medical doctor, adding a layer of authenticity and intellectual depth to the narratives. Written in a style that is both engaging and thought-provoking, this collection reflects the golden age of detective fiction and showcases Freeman's mastery of the genre. From locked room mysteries to elaborate crime scenes, these stories will captivate readers with their clever twists and turns. Fans of Sherlock Holmes and Agatha Christie will find delight in Freeman's well-crafted tales. R. Austin Freeman, a pioneer of the inverted detective story, was a medical doctor whose scientific expertise greatly influenced his writing. His background in forensic pathology is evident throughout his works, as he employs logic and rational thinking to solve complex cases. Freeman's thorough understanding of human nature and meticulous attention to detail make his stories both intellectually stimulating and entertaining. The Collected Works of R. Austin Freeman offers readers a comprehensive look at the author's impressive body of work, spanning multiple novels and short stories. I highly recommend The Collected Works of R. Austin Freeman (Illustrated Edition) to fans of classic detective fiction and those who appreciate a well-crafted mystery. Freeman's stories are a testament to his skill as a writer and his contributions to the genre are truly remarkable. This collection is a must-read for anyone who enjoys engaging narratives, clever plotting, and intriguing characters.
Includes spinning wheel puzzle in plastic pouch.
Beleaguered Police Detective Frank Coffin is on the trail of a firebug in Fire Season, the third in this sharply witty mystery series set in Provincetown, Massachusetts Until a replacement can be found, Frank Coffin is pulling double duty as a detective and interim police chief for the Provincetown, Mass. Police. The off-season has just started for this tourist town and the streets should be quiet. But they're not. When three fires are sparked in quick succession, it looks like there's a firebug on the loose. A firebug who doesn't care who he hurts. With a deputy terrified of UFOs, a severed head in a lobster tank, and the fact that Frank's mother is setting some fires of her own, it's another busy season in P'town in Fire Season, an excellent addition to Jon Loomis' acclaimed series.
The coffin published in this book represents a type that had some popularity in southern Upper Egypt in the early Middle Kingdom, but which, despite its extraordinary decoration had not attracted attention so far. The most striking feature of the decoration is that the object friezes - the pictorial rendering of ritual implements usually found on coffin interiors of the period - also include complete ritual scenes, some of which are attested only here. Apart from this, the decoration includes an extensive selection of the religious texts know as the Coffin Texts. The author first studies the archaeological context and dating of the coffin and attempts a reconstruction of the construction procedures from his technical description of the monument. The detailed account of the decoration in the rest of the book interprets the ritual iconography and offers fresh translations and interpretations of the Coffin Texts. A methodological innovation is that he regards the scenes and texts not as individual decoration elements, but as components of an integral composition. The background of this composition is argued to be a view of life in the hereafter in which the deceased is involved in an unending cycle of ritual action which reflects the funerary rituals that were actually performed on earth. On the one hand, these netherworldly rituals aim at bringing the deceased to new life by mummification, on the other the newly regenerated deceased partakes in embalming rituals for gods representing his dead father (Osiris or Atum). These gods, in their turn, effectuate the deceased's regeneration. The entire process results in a cycle of resuscitation in which the afterlife of the deceased and of the 'father gods' are interdependent. The sociological bias of this interpretation, with its emphasis on kinship relations, differs significantly from earlier attempts to explain Egyptian funerary religion.