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Irish detective fiction has enjoyed an international readership for over a decade, appearing on best-seller lists across the globe. But its breadth of hard-boiled and amateur detectives, historical fiction, and police procedurals has remained somewhat marginalized in academic scholarship. Exploring the work of some of its leading writers—including Peter Tremayne, John Connolly, Declan Hughes, Ken Bruen, Brian McGilloway, Stuart Neville, Tana French, Jane Casey, and Benjamin Black—The Contemporary Irish Detective Novel opens new ground in Irish literary criticism and genre studies. It considers the detective genre’s position in Irish Studies and the standing of Irish authors within the detective novel tradition. Contributors: Carol Baraniuk, Nancy Marck Cantwell, Brian Cliff, Fiona Coffey, Charlotte J. Headrick, Andrew Kincaid, Audrey McNamara, and Shirley Peterson.
Irish crime fiction, long present on international bestseller lists, has been knocking on the door of the academy for a decade. With a wide range of scholars addressing some of the most essential Irish detective writing, Guilt Rules All confirms that this genre has arrived. The essays collected here connect their immediate subjects—contemporary Irish crime writers—to Irish culture, literature, and history. Anchored in both canonical and emerging themes, this collection draws on established Irish studies discussions while emphasizing what is new and distinct about Irish crime fiction. Guilt Rules All considers best-sellers like Adrian McKinty and Liz Nugent, as well as other significant writers whose work may fall outside of traditional notions of Irish literature or crime fiction. The essays consider a range of themes—among them globalization, women and violence, and the Troubles—across settings and time frames, allowing readers to trace the patterns that play a meaningful role in this developing genre.
This book examines the recent expansion of Ireland's literary tradition to include home-grown crime fiction. It surveys the wave of books that use genre structures to explore specifically Irish issues such as the Troubles and the rise and fall of the Celtic Tiger, as well as Irish experiences of human trafficking, the supernatural, abortion, and civic corruption. These novels are as likely to address the national regulation of sexuality through institutions like the Magdalen Laundries as they are to follow serial killers through the American South or to trace international corporate conspiracies. This study includes chapters on Northern Irish crime fiction, novels set in the Republic, women protagonists, and transnational themes, and discusses Irish authors’ adaptations of a well-loved genre and their effect on assumptions about the nature of Irish literature. It is a book for readers of crime fiction and Irish literature alike, illuminating the fertile intersections of the two.
The first three books in the popular DCI Brendan Moran crime series in one volume. FREE short story included. Black December DCI Brendan Moran, world-weary veteran of 1970s Ireland, is recuperating from a near fatal car crash when a murder is reported at Charnford Abbey. Creatures Of Dust An undercover detective goes missing and the body of a young man is found mutilated in a shop doorway.
Collects forty-six contemporary Irish short stories featuring contributions by notables including Mary Leland, William Trevor, Mary Dorcey, Patrick McCabe, and Brian Moore.
*NATIONAL BESTSELLER* *SHORTLISTED FOR THE CWA HISTORICAL DAGGER AWARD* A Globe and Mail Best Book of the Year A New York Times Editors’ Choice Pick “Banville sets up and then deftly demolishes the Agatha Christie format…superbly rich and sophisticated.”—New York Times Book Review The incomparable Booker Prize winner’s next great crime novel—the story of a family whose secrets resurface when a parish priest is found murdered in their ancestral home Detective Inspector St. John Strafford has been summoned to County Wexford to investigate a murder. A parish priest has been found dead in Ballyglass House, the family seat of the aristocratic, secretive Osborne family. The year is 1957 and the Catholic Church rules Ireland with an iron fist. Strafford—flinty, visibly Protestant and determined to identify the murderer—faces obstruction at every turn, from the heavily accumulating snow to the culture of silence in the tight-knit community he begins to investigate. As he delves further, he learns the Osbornes are not at all what they seem. And when his own deputy goes missing, Strafford must work to unravel the ever-expanding mystery before the community’s secrets, like the snowfall itself, threaten to obliterate everything. Beautifully crafted, darkly evocative and pulsing with suspense, Snow is “the Irish master” (New Yorker) John Banville at his page-turning best. Don't miss John Banville's next novel, The Lock-up! Other riveting mysteries from John Banville: April in Spain
Best Book of 2020 New York Times |NPR | New York Post "This hushed suspense tale about thwarted dreams of escape may be her best one yet . . . Its own kind of masterpiece." --Maureen Corrigan, The Washington Post "A new Tana French is always cause for celebration . . . Read it once for the plot; read it again for the beauty and subtlety of French's writing." --Sarah Lyall, The New York Times Cal Hooper thought a fixer-upper in a bucolic Irish village would be the perfect escape. After twenty-five years in the Chicago police force and a bruising divorce, he just wants to build a new life in a pretty spot with a good pub where nothing much happens. But when a local kid whose brother has gone missing arm-twists him into investigating, Cal uncovers layers of darkness beneath his picturesque retreat, and starts to realize that even small towns shelter dangerous secrets. "One of the greatest crime novelists writing today" (Vox) weaves a masterful, atmospheric tale of suspense, asking how to tell right from wrong in a world where neither is simple, and what we stake on that decision.
A witty philosophical murder mystery with a charming twist: the crack detectives are sheep determined to discover who killed their beloved shepherd. On a hillside near the cozy Irish village of Glennkill, a flock of sheep gathers around their shepherd, George, whose body lies pinned to the ground with a spade. George has cared devotedly for the flock, even reading them books every night. Led by Miss Maple, the smartest sheep in Glennkill (and possibly the world), they set out to find George’s killer. The A-team of investigators includes Othello, the “bad-boy” black ram; Mopple the Whale, a Merino who eats a lot and remembers everything; and Zora, a pensive black-faced ewe with a weakness for abysses. Joined by other members of the richly talented flock, they engage in nightlong discussions about the crime, wild metaphysical speculations, and embark on reconnaissance missions into the village, where they encounter some likely suspects. Along the way, the sheep confront their own all-too-human struggles with guilt, misdeeds, and unrequited love. Funny, fresh, and endearing, it introduces a wonderful new breed of detectives to Canadian readers.
Twenty years after witnessing the violent disappearances of two companions from their small Dublin suburb, detective Rob Ryan investigates a chillingly similar murder that takes place in the same wooded area, a case that forces him to piece together his traumatic memories.
"With its evocative Dublin setting, lyrical prose, tough but sympathetic heroine, and a killer twist in the plot, Sarah Stewart Taylor's The Mountains Wild should top everyone's must-read lists this year!" — New York Times bestselling author Deborah Crombie In a series debut for fans of Tana French and Kate Atkinson, set in Dublin and New York, homicide detective Maggie D'arcy finally tackles the case that changed the course of her life. Twenty-three years ago, Maggie D'arcy's family received a call from the Dublin police. Her cousin Erin has been missing for several days. Maggie herself spent weeks in Ireland, trying to track Erin's movements, working beside the police. But it was to no avail: no trace of her was ever found. The experience inspired Maggie to become a cop. Now, back on Long Island, more than 20 years have passed. Maggie is a detective and a divorced mother of a teenager. When the Gardaí call to say that Erin's scarf has been found and another young woman has gone missing, Maggie returns to Ireland, awakening all the complicated feelings from the first trip. The despair and frustration of not knowing what happened to Erin. Her attraction to Erin's coworker, now a professor, who never fully explained their relationship. And her determination to solve the case, once and for all. A lyrical, deeply drawn portrait of a woman - and a country - over two decades - The Mountains Wild introduces a compelling new mystery series from a mesmerizing author.