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Now in paperback! Cloth edition 0-8108-2964-9 originally published in 1995.
This text was developed for use in a standard college-level "introduction to graduate studies" course in musicology that I taught for thirty-three years at the University of Redlands.
This volume explores twentieth-century organ music through in-depth studies of the principal centers of composition, the most significant composers and their works, and the evolving role of the instrument and its music. The twentieth-century was a time of unprecedented change for organ music, not only in its composition and performance but also in the standards of instrument design and building. Organ music was anything but immune to the complex musical, intellectual, and socio-political climate of the time. Twentieth-Century Organ Music examines the organ's repertory from the entire period, contextualizing it against the background of important social and cultural trends. In a collection of twelve essays, experienced scholars survey the dominant geographic centers of organ music (France, the Netherlands, Scandinavia, the United States, and German-speaking countries) and investigate the composers who made important contributions to the repertory (Reger in Germany, Messiaen in France, Ligeti in Eastern and Central Europe, Howells in Great Britain). Twentieth-Century Organ Music provides a fresh vantage point from which to view one of the twentieth century's most diverse and engaging musical spheres.
A Spiritual Home explores congregational life inside British and American Reformed churches between 1830 and 1915. At a time when scholars have become interested in the day-to-day experience of local congregations, this book reaches back into the nineteenth century, a critically formative period in Anglo-American religious life, to examine the historical roots of congregational life.Taking the perspective of the laity, Cashdollar ranges widely from worship and music to fund-raising and administration, from pastoral care to social work, from prayer meetings to strawberry festivals, from the sanctuary to the kitchen. Firmly rooted in broader currents of gender, class, notions of middle-class respectability, increasing expectations for personal privacy, and patterns of professionalization, he finds that there was a gradual shift in emphasis during these years from piety to fellowship. Based on records, publications, and memorabilia from about 150 congregations representing eight denominations, A Spiritual Home gives us a comprehensive, composite portrait of religious life in Victorian Britain and America.