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Presents the first systematic and cross-cultural examination of ideas of orthodoxy and heresy in a group of major religious traditions.
Presents the first systematic and cross-cultural examination of ideas of orthodoxy and heresy in a group of major religious traditions.
To what extent can concepts such as orthodoxy and heresy - originating from a different religious and cultural tradition - be applied in an Islamic context? This new Major Work synthesises the latest scholarship to address and answer this question. It explores the terminology on religious 'deviation' found in Islamic texts, and looks at specific debated issues that shed light on the implications of the theoretical discussions. The issue of sectarianism and its different aspects is also examined, as are different cases of accusations of religious deviation and the consequences. The set also details cases of accusations of apostasy and blasphemy both against God and against the Prophet.
Heresy is a central concept in the formation of Orthodox Christianity. Where does this notion come from? This book traces the construction of the idea of ‘heresy’ in the rhetoric of ideological disagreements in Second Temple Jewish and early Christian texts and in the development of the polemical rhetoric against ‘heretics,’ called heresiology. Here, author Robert Royalty argues, one finds the origin of what comes to be labelled ‘heresy’ in the second century. In other words, there was such as thing as ‘heresy’ in ancient Jewish and Christian discourse before it was called ‘heresy.’ And by the end of the first century, the notion of heresy was integral to the political positioning of the early orthodox Christian party within the Roman Empire and the range of other Christian communities. This book is an original contribution to the field of Early Christian studies. Recent treatments of the origins of heresy and Christian identity have focused on the second century rather than on the earlier texts including the New Testament. The book further makes a methodological contribution by blurring the line between New Testament Studies and Early Christian studies, employing ideological and post-colonial critical methods.
This book presents the first systematic and cross-cultural exploration of ideas of heresy, as well as orthodoxy, in a group of major religious traditions, including Neo-Confucianism, Sunni Islam, rabbinic Judaism, and early Christianity. It shows how authorities in all four of these traditions used common strategies to distinguish orthodox truth from heretical error. These same strategies often appear in modern ideological polemics and studies of deviance as well as in traditional religious controversies. The party that most effectively uses these strategies often gains a decisive advantage in the struggle among competing claimants to orthodoxy. The author also shows how orthodoxy depends on heresy. Without heresy, or at least ideas of heresy, orthodoxy could not establish or perpetuate itself. In fact, in all four traditions orthodoxy constructed itself by creating an inversion of the heretical other. By highlighting the common patterns in constructions of orthodoxy and heresy in four major religious traditions, this book also sets in relief subtler variations that give each tradition a special character. In this way this study strikes a balance between the universal and the particular: it illuminates a general pattern in world intellectual history, but also shows how the traditions that illustrate this pattern are distinctive.
The category of the “West” has played a particularly significant role in the modern Eastern Orthodox imagination. It has functioned as an absolute marker of difference from what is considered to be the essence of Orthodoxy and, thus, ironically has become a constitutive aspect of the modern Orthodox self. The essays collected in this volume examine the many factors that contributed to the “Eastern” construction of the “West” in order to understand why the “West” is so important to the Eastern Christian’s sense of self.
Irenaeus, Joseph Smith, and God-Making Heresy seeks both to demonstrate the salience of “heresy” as a tool for analyzing instances of religious conflict far beyond the borders of traditional historical theology and to illuminate the apparent affinity for deification exhibited by some persecuted religious movements. To these ends, the book argues for a sociologically-informed redefinition of heresy as religiously-motivated opposition and applies the resulting concept to the historical cases of second-century Christians and nineteenth-century Mormons. Ultimately, Irenaeus, Joseph Smith, and God-Making Heresy is a careful application of the comparative method to two new religious movements, highlighting the social processes at work in their early doctrinal developments.
In Modernist Heresies, Damon Franke presents the discourse of heresy as central to the intellectual history of the origins of British modernism. The book examines heretical discourses from literature and culture of the fin de siècle and the Edwardian period in order to establish continuities between Victorian blasphemy and modernist obscenity by tracing the dialectic of heresy and orthodoxy, and the pragmatic shifting of both heterodox and authoritative discourses. Franke documents the untold history of the Cambridge Heretics Society and places the concerns of this discussion society in dialogue with contemporaneous literature by such authors as Pater, Hardy, Shaw, Joyce, Woolf, Lawrence, and Orwell. Since several highly influential figures of the modernist literati were members of the Heretics or in dialogue with the group, heresy and its relation to synthesis now become crucial to an understanding of modernist aesthetics and ethics. From the 1880s through the 1920s, heresy commonly appears in literature as a discursive trope, and the literary mode of heresy shifts over the course of this time from one of syncretism to one based on the construction of modernist artificial or "synthetic" wholes. In Franke's work, the discourse of heresy comes forth as a forgotten dimension of the origins of modernism, one deeply entrenched in Victorian blasphemy and the crisis in faith, and one pointing to the censorship of modernist literature and some of the first doctrines of literary criticism.
A comparative history of heresy in Latin and Greek Christianity, Judaism, and Islam, spanning the fourth to the sixteenth century.