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Set near the concentration camps of Auschwitz, an accaimed historical thriller of the end of World War II that has been called “A masterpiece of empathetic imagination and storytelling flair” (BBC History Magazine, “Historical Novel of the Year”) 1944. Paul Brandt, a soldier in the German army, returns wounded and ashamed from the bloody chaos of the Eastern Front to find his village changed and in the dark shadow of an SS rest hut—a luxurious retreat for officers recuperating from their injuries and for those who manage the nearby concentration camps of Auschwitz. The hut is run with the help of a small group of female prisoners from the camps who, against all odds, have survived the war so far. When, by chance, Brandt glimpses one of these prisoners, he realizes he must find a way to access the hut. For inside is the woman to whom his fate has been tied since their arrest five years earlier, and now he must do all he can to protect her. As the Russian offensive moves closer and partisans press from the surrounding woodlands, the days of this rest hut and its SS inhabitants are numbered. And while hope for Brandt and the female prisoners grows tantalizingly close, the danger is greater than ever. In a forest to the east, a young female Soviet tank driver awaits her orders to advance . . . The Constant Soldier has been hauled as “a masterpiece” and “a modern classic” and praised on its UK publication as “An extraordinary novel, with the intensity and pace of a thriller and a wisdom and subtlety all of its own. I was gripped to the very last page” (Antonia Hodgson).
Latro, a mercenary soldier, lost his memory after a head wound and must continually rediscover his identity. However, he is now able to converse with supernatural creatures which is both a triumph and a danger.
When the train pulls into the station in Jenkensville, Arkansas, Patty Bergen senses something exciting is going to happen. German prisoners of war have arrived to make their new home in the prison camp. To the rest of the town these prisoners are only Nazis, but to Patty, a young Jewish girl with a turbulent home life, one of the young soldiers becomes an unlikely friend. Anton understands her in a way her parents never could and Patty is willing to lose her own family, friends and even freedom for a boy who becomes the most important part of her life.
A 2020 Bank Street Best Children's Book of the Year A 2020 Children's Book Council Notable Social Studies Book for Young People Over a quarter million underage British boys fought on the Allied front lines of the Great War, but not all of them fought on the battlefield—some fought beneath it, as revealed in this middle-grade historical adventure about a deadly underground mission. Secret Soldiers follows the journey of Thomas, a thirteen-year-old coal miner, who lies about his age to join the Claykickers, a specialized crew of soldiers known as “tunnelers,” in hopes of finding his missing older brother. Thomas works in the tunnels of the Western Front alongside three other soldier boys whose constant bickering and inexperience in mining may prove more lethal than the enemy digging toward them. But as they burrow deeper beneath the battlefield, the boys discover the men they hope to become and forge a bond of brotherhood. Secret Soldiers is another stunning story of strength, perseverance, and love from Keely Hutton. This title has common core connections.
The definitive biography of Harold G. Moore, hero of the Vietnam War and author of the bestselling memoir of the battle at Ia Drang. Hal Moore, one of the most admired American combat leaders of the last fifty years, has until now been best known to the public for being portrayed by Mel Gibson in the movie We Were Soldiers. In this first-ever, fully illustrated biography, we finally learn the full story of one of America’s true military heroes. A 1945 graduate of West Point, Moore’s first combats occurred during the Korean War, where he fought in the battles of Old Baldy, T-Bone, and Pork Chop Hill. At the beginning of the Vietnam War, Moore commanded the 1st Battalion of the 7th Cavalry in the first full-fledged battle between US and North Vietnamese regulars. Drastically outnumbered and nearly overrun, Moore led from the front, and though losing seventy-nine soldiers, accounted for 1,200 of the enemy before the Communists withdrew. This Battle of Ia Drang pioneered the use of “air mobile infantry”—delivering troops into battle via helicopter—which became the staple of US operations for the remainder of the war. He later wrote of his experiences in the bestselling book We Were Soldiers Once . . . and Young. Following his tour in Vietnam, he assumed command of the 7th Infantry Division, forward-stationed in South Korea, and in 1971, he took command of the Army Training Center at Fort Ord, California. In this capacity, he oversaw the US Army’s transition from a conscript-based to an all-volunteer force. He retired as a lieutenant general in 1977. Hal Moore graciously allowed the author interviews and granted full access to his files and collection of letters, documents, and never-before-published photographs.
What happens to members of the United States Armed Forces after they die? Why do soldiers endanger their lives to recover the remains of their comrades? Why does the military spend enormous resources and risk further fatalities to recover the bodies of the fallen, even decades after the cessation of hostilities? Soldier Dead is the first book to fully address the complicated physical, social, religious, economic, and political issues concerning the remains of men and women who die while serving their country. In doing so, Michael Sledge reveals the meanings of the war dead for families, soldiers, and the nation as a whole. Why does recovering the remains of servicepeople matter? Soldier Dead examines this question and provides a thorough analysis of the processes of recovery, identification, return, burial, and remembrance of the dead. Sledge traces the ways in which the handling of our Soldier Dead has evolved over time and how these changes have reflected not only advances in technology and capabilities but also the shifting attitudes of the public, government, and military. He also considers the emotional stress experienced by those who handle the dead; the continuing efforts to retrieve bodies from Korea and elsewhere; and how unresolved issues regarding the treatment of enemy dead continue to affect U.S. foreign relations. Skillfully incorporating excerpts from interviews, personal correspondence and diaries, military records, and journalistic accounts-as well as never-before-published photographs and his own reflections-Michael Sledge presents a clear, concise, and compassionate story about what the dead mean to the living. Throughout Soldier Dead, the voices of the fallen are heard, as are those of family members and military personnel responsible for the dead before final disposition. At times disturbing and at other times encouraging, they are always powerful as they speak of danger, duty, courage, commitment, and care.
When "Don't Ask, Don't Tell," the official U.S. policy on gays serving in the military, was repealed in September 2011, soldier Stephen Snyder-Hill (then Captain Hill) was serving in Iraq. Having endured years of this policy, which passively encouraged a culture of fear and secrecy for gay soldiers, Snyder-Hill submitted a video to a Republican primary debate held two days after the repeal. In the video he asked for the Republicans' thoughts regarding the repeal and their plans, if any, to extend spousal benefits to legally married gay and lesbian soldiers. His video was booed by the audience on national television. Soldier of Change captures not only the media frenzy that followed that moment, placing Snyder-Hill at the forefront of this modern civil rights movement, but also his twenty-year journey as a gay man in the army: from self-loathing to self-acceptance to the most important battle of his life-protecting the disenfranchised. Since that time, Snyder-Hill has traveled the country with his husband, giving interviews on major news networks and speaking at universities, community centers, and pride parades, a champion of LGBT equality.
In the tradition of Michael Herr's Dispatches, a National Guardsman's account of the war in Iraq. John Crawford joined the Florida National Guard to pay for his college tuition, willingly exchanging one weekend a month and two weeks a year for a free education. But in Autumn 2002, one semester short of graduating and newly married—in fact, on his honeymoon—he was called to active duty and sent to the front lines in Iraq. Crawford and his unit spent months upon months patrolling the streets of Baghdad, occupying a hostile city. During the breaks between patrols, Crawford began recording what he and his fellow soldiers witnessed and experienced. Those stories became The Last True Story I'll Ever Tell—a haunting and powerful, compellingly honest book that imparts the on-the-ground reality of waging the war in Iraq, and marks as the introduction of a mighty literary voice forged in the most intense of circumstances.
It was the last-chance moment of the war. In January 2007, President George W. Bush announced a new strategy for Iraq. He called it the surge. "Many listening tonight will ask why this effort will succeed when previous operations to secure Baghdad did not. Well, here are the differences," he told a skeptical nation. Among those listening were the young, optimistic army infantry soldiers of the 2-16, the battalion nicknamed the Rangers. About to head to a vicious area of Baghdad, they decided the difference would be them. Fifteen months later, the soldiers returned home forever changed. Pulitzer Prize-winning Washington Post reporter David Finkel was with them in Bagdad, and almost every grueling step of the way. What was the true story of the surge? And was it really a success? Those are the questions he grapples with in his remarkable report from the front lines. Combining the action of Mark Bowden's Black Hawk Down with the literary brio of Tim O'Brien's The Things They Carried, The Good Soldiers is an unforgettable work of reportage. And in telling the story of these good soldiers, the heroes and the ruined, David Finkel has also produced an eternal tale—not just of the Iraq War, but of all wars, for all time.
My new friends have begun to suspect I haven’t told them the full story of my life. “Why did you leave Sierra Leone?” “Because there is a war.” “You mean, you saw people running around with guns and shooting each other?” “Yes, all the time.” “Cool.” I smile a little. “You should tell us about it sometime.” “Yes, sometime.” This is how wars are fought now: by children, hopped-up on drugs and wielding AK-47s. Children have become soldiers of choice. In the more than fifty conflicts going on worldwide, it is estimated that there are some 300,000 child soldiers. Ishmael Beah used to be one of them. What is war like through the eyes of a child soldier? How does one become a killer? How does one stop? Child soldiers have been profiled by journalists, and novelists have struggled to imagine their lives. But until now, there has not been a first-person account from someone who came through this hell and survived. In A Long Way Gone, Beah, now twenty-five years old, tells a riveting story: how at the age of twelve, he fled attacking rebels and wandered a land rendered unrecognizable by violence. By thirteen, he’d been picked up by the government army, and Beah, at heart a gentle boy, found that he was capable of truly terrible acts. This is a rare and mesmerizing account, told with real literary force and heartbreaking honesty.