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Chrétien de Troyes's reference to Macrobius on the art of description is indicative of the link between the vernacular literary tradition of rewriting and the Latin tradition of imitation. Crucial to this study are writings that bridge the span between elementary school exercises in imitation and the masterpieces of the art in Latin and French. The book follows the development of the medieval art of imitation through Macrobius and commentaries on Horace's Art of Poetry and then applies it to the interpretation of works on the Trojan War, consent in love and marriage, and lyric and vernacular insertions.
A reference to Macrobius by Chretien de Troyes links his own writing and, by implication, medieval writing in general, to the larger late antique and medieval Latin conception of rewriting as original imitation.
Chrodegang of Metz (c. 712-766) was a leading figure of the late Merovingian and early Carolingian Church. Born to one of the principal aristocratic families in Austrasia, he served as referendary of Charles Martel, and was appointed bishop of Metz in the 740s. As bishop, Chrodegang became one of the foremost churchmen in Francia, chairing councils, founding monasteries, and beginning a reform of the lives of the canons of the Metz cathedral. This book is a major study in the English language on Chrodegang, examining his preoccupation with the creation of communities of faith and concord modelled on the early Church. It explores his attempts to unite the Frankish episcopacy, his rule for the cathedral clergy in Metz - the Regula canonicorum - and his introduction of new liturgical practices that sought to transform his see into a hagiopolis, a holy city which provided a model for later Carolingian reform.
Explores the afterlife of the classical Greek symposium in the Greco-Roman and early Christian culture of the Roman Empire. Argues that writing about consumption and conversation continued to matter, communicating distinctive ideas about how to talk and think, and distinctive and often destabilising visions of human identity and holiness.
In The History of the Destruction of Troy, Dares the Phrygian boldly claimed himself as eyewitness to the Trojan War, challenging the accounts of two of the ancient world's most canonical poets, Homer and Virgil. For over a milennium, Dares' work was circulated as the first pagan history. It promised facts and only facts about what really happened at Troy--precise casualty figures, no mentions of mythical phenomena, and a claim that Troy fell when Aeneas and other Trojans betrayed their city and opened gates to the Greeks. But for all its intrigue, the work was as sensational as it was fake. From the late antique encyclopedist Isidore of Seville to Thomas Jefferson, The First Pagan Historian offers the first comprehensive account of Dares' rise and fall. Along the way, it reconstructs Dares' central place in longstanding debates over the nature of history, fiction, criticism, philology, and myth, from ancient Rome to the Enlightenment.
This volume is the second of the thirteen in preparation that will offer the first complete scholarly edition of the poetry and music of Guillaume de Machaut, the foremost practitioner of these related arts at the end of the Middle Ages in France. It provides a freshly prepared edition based on the most reliable manuscript of two of Machaut's best known dits, the Remede de Fortune (Remedy for Fortune) and the Confort d'ami (Consolation from a Friend), both of which adapt the central ideas of Boethian philosophy to the love poetry tradition. The French texts are accompanied by facing English translations, and the musical passages are presented in situ in a performance-accessible form.
This book is the first major collection of articles by Berndt Hamm in English translation. The articles employ previously neglected sermons, devotional and pastoral treatises to reassess the question of continuity and change between late-medieval and Reformation theology and piety.
Forging Boethius in Medieval Intellectual Fantasies reconsiders the influence of the thirteenth-century Pseudo-Boethian forgery De disciplina scolarium on medieval understandings of Boethius (d. 524). Tracing the medieval popularity of De disciplina’s reimagined vision of Boethius alongside the current scholarly neglect of this forged Boethian persona offers insight into how medieval schoolmen saw themselves and the past, and how modern scholars imagine the medieval past. In exploring this alternate Boethian persona through a variety of different works including texts of translatio studii et imperii, common school texts, the poetry of Geoffrey Chaucer, and humanist writings, this book reveals a new vein of medieval Boethianism that is earthy, practical, and even humorous. Forging Boethius is an essential reference book for students and researchers in the fields of medieval literature and philosophy, as well as for anyone interested in gaining a better understanding of one the most significant authors of the Middle Ages.
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The corpus of Palaiologan romances consists of about a dozen works of imaginative fiction from the thirteenth to the fifteenth centuries which narrate the trials and tribulations of aristocratic young lovers. This volume brings together leading scholars of Byzantine literature to examine the corpus afresh and aims to be the definitive work on the subject, suitable for scholars and students of all levels. It offers interdisciplinary and transnational approaches which demonstrate the aesthetic and cultural value of these works in their own right and their centrality to the medieval and early modern Greek, European and Mediterranean literary traditions. From a historical perspective, the volume also emphasizes how the romances represent a turning point in the history of Greek letters: they are a repository of both ancient and medieval oral poetic and novelistic traditions and yet are often considered the earliest works of Modern Greek literature.