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Arresting and beautiful, The Consolation of Maps tells a story of ill-fated passion. Theodora Appel runs a company that is more like a family. When young Kenji Tanabe moves from Tokyo to Washington, he's initiated into her rarefied world of antiquarian cartography. But Theodora - brilliantly successful, beguilingly secretive - has another obsession. It is in Florence, where past clashes with present and even love has a price, that her impossible dream will threaten them all.
Kenji Tanabe finds maps easier to read than people. At the elite Tokyo gallery where he works, he sells antique maps by selling the stories that he sees within their traces: their contribution to progress, their dramatic illustrations, their exquisite compasses. But no compass or cartography can guide him through the events that will follow the sudden and unexpected offer of a job in America. There, Theodora Appel runs a company that is more like a family. Brilliantly successful, beguilingly secretive, she gradually initiates Kenji into her rarefied world. Only someone like him - quiet, intensely committed and discreet - could be allowed to see beneath the surface to what his employer is hiding. Theodora has never recovered from the death of her lover, and her obsession to reclaim the past threatens them all. Moving across countries and cultures, The Consolation of Maps charts an attempt to understand the tide of history, the geography of people and the boundless territory of loss.
Throughout Antiquity and the Middle Ages, literature was read with the ear as much as with the eye: silent reading was the exception; audible reading, the norm. This highly original book shows that Boethius's Consolation of Philosophy - one of the most widely-read texts in Western history - aims to affect the listener through the designs of its rhythmic sound. Stephen Blackwood argues that the Consolation's metres are arranged in patterns that have a therapeutic and liturgical purpose: as a bodily mediation of the text's consolation, these rhythmic patterns enable the listener to discern the eternal in the motion of time. The Consolation of Boethius as Poetic Liturgy vividly explores how in this acoustic encounter with the text philosophy becomes a lived reality, and reading a kind of prayer.
NATIONAL BESTSELLER • From the author of the widely acclaimed The Book of Ruth comes a harrowing, heartbreaking drama about a rural American family and a disastrous event that forever changes their lives. "It takes a writer of rare power and discipline to carry off an achievement like A Map of the World. Hamilton proves here that she is one of the best." —Newsweek The Goodwins, Howard, Alice, and their little girls, Emma and Claire, live on a dairy farm in Wisconsin. Although suspiciously regarded by their neighbors as "that hippie couple" because of their well-educated, urban background, Howard and Alice believe they have found a source of emotional strength in the farm, he tending the barn while Alice works as a nurse in the local elementary school. But their peaceful life is shattered one day when a neighbor's two-year-old daughter drowns in the Goodwins' pond while under Alice's care. Tormented by the accident, Alice descends even further into darkness when she is accused of sexually abusing a student at the elementary school. Soon, Alice is arrested, incarcerated, and as good as convicted in the eyes of a suspicious community. As a child, Alice designed her own map of the world to find her bearings. Now, as an adult, she must find her way again, through a maze of lies, doubt and ill will. A vivid human drama of guilt and betrayal, A Map of the World chronicles the intricate geographies of the human heart and all its mysterious, uncharted terrain. The result is a piercing drama about family bonds and a disappearing rural American life.
John Freeman's first poetry collection charts the impact of place on human experience. In Beirut, Rio de Janeiro, Paris, Rome, and the foothills of a childhood hometown, Freeman navigates legacies of ruin and construction, illness and memory. Warm, mournful, and distinctly urban, Maps offers a compassionate perspective from the experience of one American embroiled in empire. From "You Are Here:" The city grinds its molars at night, carefully mined explosions boring cavities beneath Manhattan, while other lines ride all hours in yellow light, gliding to stops at the zebra-painted beam halfway down each platform, conductor always pointing up, as if to say, yes, you are here. "At the intersection of art and heart, this magnificent sheaf of voyages leads us through the di fficult and picturesque atlas of a life.... This is an enduring and rapturous account of a life’s journey to plumb the depths of the known in order to reveal the hidden and unknown." —D.A. Powell "What is mapped here, in John Freeman’s exquisite and robust poetry debut, are the territories of loss, pain, violence, and reckoning that make up a life. And also those of love, remembrance, and unabashed passion that make that same life livable. Maps is a consolation and a delight." —Tracy K. Smith "John Freeman’s astonishing book of poems shows us first an America that could once and sometimes still be experienced in a vacuum, removed from the brutal struggles that are the daily life of much of the world. Then he takes us into that world, where human tenderness is martyred and buried, day after day. In Freeman’s hands the most minimal scenes, the smallest gestures, record our persistence and fragility. Disconsolate, loving, burdened by memory, undeceived but somehow still doggedly hopeful, these poems help us to see a world we’re just beginning to map." —Mark Doty John Freeman is an American writer and literary critic. A graduate of Swarthmore College, Freeman is the editor of Freeman’s, a literary biannual, and author of two books of nonfiction, The Tyranny of E-mail and How to Read a Novelist. He has also edited two anthologies of writing on inequality, Tales of Two Cities and Tales of Two Americas. The former editor of Granta, he lives in New York, where he teaches at The New School and is writer-in-residence at New York University. The executive editor at LitHub, he has published poems in Zyzzyva, The New Yorker, The Paris Review, and The Nation. His work has been translated into more than twenty languages.
Translocality in Contemporary City Novels responds to the fact that twenty-first-century Anglophone novels are increasingly characterised by translocality—the layering and blending of two or more distant settings. Considering translocal and transcultural writing as a global phenomenon, this book draws on multidisciplinary research, from globalisation theory to the study of narratives to urban studies, to explore a corpus of thirty-two novels—by authors such as Chimamanda Ngozi Adichie, Dionne Brand, Kiran Desai, and Xiaolu Guo—set in a total of ninety-seven cities. Lena Mattheis examines six of the most common strategies used in contemporary urban fiction to make translocal experiences of the world narratable and turn them into relatable stories: simultaneity, palimpsests, mapping, scaling, non-places, and haunting. Combining and developing further theories, approaches, and techniques from a variety of research fields—including narratology, human geography, transculturality, diaspora spaces, and postcolonial perspectives—Mattheis develops a set of cross-disciplinary techniques in literary urban studies.
The fourteenth novel in the classic Aubrey-Maturin series finds Aubrey and Maturin shipwrecked, harassed by pirates and then in the brutal penal colonies of New South Wales.
Human beings are grieving animals. ‘Consolation’, or an attempt to assuage grief, is an age-old response to loss which has various expressions in different cultural contexts. Over the past century, consolation has dropped off the West’s cultural radar. The contributions to this volume highlight this neglect of consolation in popular and academic discourses and explore the usefulness of the concept of consolation for analysing spatio-temporal constellations. Consolationscapes in the Face of Loss brings together scholars from geography, philosophy, history, anthropology and religious studies. The chapters use spatial and conceptual mappings of grief and consolation to analyse a range of spaces and phenomena around grief, bereavement and remembrance, comfort and resilience, including battlefield memorials, crematoria, graveyards and natural burial sites in Europe. Authors shift the discussion beyond the Global North by including responses to traumatic grief in post-conflict African societies, as well as Australian Aboriginal traditions of ritual consolation. The book focuses on the relationship between space/place and consolation. In so doing, it offers a new lens for research on death, grief and bereavement. It offers new insights for students and researchers interrogating contemporary bereavement, as well as those interested in meaning-making, emerging socio-cultural practices and their role in personal and collective resilience.
From the author of How Proust Can Change Your Life, a delightful, truly consoling work that proves that philosophy can be a supreme source of help for our most painful everyday problems. Perhaps only Alain de Botton could uncover practical wisdom in the writings of some of the greatest thinkers of all time. But uncover he does, and the result is an unexpected book of both solace and humor. Dividing his work into six sections -- each highlighting a different psychic ailment and the appropriate philosopher -- de Botton offers consolation for unpopularity from Socrates, for not having enough money from Epicurus, for frustration from Seneca, for inadequacy from Montaigne, and for a broken heart from Schopenhauer (the darkest of thinkers and yet, paradoxically, the most cheering). Consolation for envy -- and, of course, the final word on consolation -- comes from Nietzsche: "Not everything which makes us feel better is good for us." This wonderfully engaging book will, however, make us feel better in a good way, with equal measures of wit and wisdom.
Mappa mundi texts and images present a panorama of the medieval world-view, c.1300; the Hereford map studied in close detail. Filled with information and lore, mappae mundi present an encyclopaedic panorama of the conceptual "landscape" of the middle ages. Previously objects of study for cartographers and geographers, the value of medieval maps to scholars in other fields is now recognised and this book, written from an art historical perspective, illuminates the medieval view of the world represented in a group of maps of c.1300. Naomi Kline's detailed examination of the literary, visual, oral and textual evidence of the Hereford mappa mundi and others like it, such as the Psalter Maps, the '"Sawley Map", and the Ebstorf Map, places them within the larger context of medieval art and intellectual history. The mappa mundi in Hereford cathedral is at the heart of this study: it has more than one thousand texts and images of geographical subjects, monuments, animals, plants, peoples, biblical sites and incidents, legendary material, historical information and much more; distinctions between "real" and "fantastic" are fluid; time and space are telescoped, presenting past, present, and future. Naomi Kline provides, for the first time, a full and detailed analysis of the images and texts of the Hereford map which, thus deciphered, allow comparison with related mappae mundi as well as with other texts and images. NAOMI REED KLINE is Professor of Art History at Plymouth State College.