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“At last we get Paul Levinson's superb forensic sleuth, Phil D'Amato, in a full-length novel. If you know Phil from his previous appearances, I need say no more. If you don't, kick back and enjoy a mystery that spans the ages,” said Jack McDevitt of The Silk Code, the first Phil D'Amato novel. Now, D'Amato, hero of a number of stories published in Analog, is back. The Consciousness Plague is about memory -- more particularly, how the loss of memory, in slivers of time deducted from a growing number of individuals, can subtly undermine and play havoc with everything from the investigation of serial stranglings to candlelight dinners. Dr. D'Amato, NYPD forensic detective, investigates a spate of unusual cases of memory loss and finds evidence of a bacteria-like organism that has lived in our brains since our origin as a species and may be responsible for our very consciousness. There's evidence for this consciousness bug in the ancient Phoenician and Viking cultures and everywhere he looks in our world. A new antibiotic crosses the blood-brain barrier and inadvertently kills this essential bug. Phil himself is a victim of the memory drain, and must struggle to get the proper authorities to pay attention before everyone loses so much memory that they forget that they forgot in the first place.
A stirring and sobering diagnosis of the challenges that confront anyone laboring to renew America’s tradition of ordered liberty. Classicist Bruce Thornton’s Plagues of the Mind is a forceful vindication of the West’s tradition of rational, critical inquiry—a legacy now largely jettisoned in favor of a host of new deities, environmentalism, feminism, primitivism, New Age, and the cult of the therapeutic among them.
A sweeping germ’s-eye view of history from human origins to global pandemics Plagues upon the Earth is a monumental history of humans and their germs. Weaving together a grand narrative of global history with insights from cutting-edge genetics, Kyle Harper explains why humanity’s uniquely dangerous disease pool is rooted deep in our evolutionary past, and why its growth is accelerated by technological progress. He shows that the story of disease is entangled with the history of slavery, colonialism, and capitalism, and reveals the enduring effects of historical plagues in patterns of wealth, health, power, and inequality. He also tells the story of humanity’s escape from infectious disease—a triumph that makes life as we know it possible, yet destabilizes the environment and fosters new diseases. Panoramic in scope, Plagues upon the Earth traces the role of disease in the transition to farming, the spread of cities, the advance of transportation, and the stupendous increase in human population. Harper offers a new interpretation of humanity’s path to control over infectious disease—one where rising evolutionary threats constantly push back against human progress, and where the devastating effects of modernization contribute to the great divergence between societies. The book reminds us that human health is globally interdependent—and inseparable from the well-being of the planet itself. Putting the COVID-19 pandemic in perspective, Plagues upon the Earth tells the story of how we got here as a species, and it may help us decide where we want to go.
National Book Award Finalist: “This man’s ideas may be the most influential, not to say controversial, of the second half of the twentieth century.”—Columbus Dispatch At the heart of this classic, seminal book is Julian Jaynes's still-controversial thesis that human consciousness did not begin far back in animal evolution but instead is a learned process that came about only three thousand years ago and is still developing. The implications of this revolutionary scientific paradigm extend into virtually every aspect of our psychology, our history and culture, our religion—and indeed our future. “Don’t be put off by the academic title of Julian Jaynes’s The Origin of Consciousness in the Breakdown of the Bicameral Mind. Its prose is always lucid and often lyrical…he unfolds his case with the utmost intellectual rigor.”—The New York Times “When Julian Jaynes . . . speculates that until late in the twentieth millennium BC men had no consciousness but were automatically obeying the voices of the gods, we are astounded but compelled to follow this remarkable thesis.”—John Updike, The New Yorker “He is as startling as Freud was in The Interpretation of Dreams, and Jaynes is equally as adept at forcing a new view of known human behavior.”—American Journal of Psychiatry
"In this science fiction thriller, brothers are pitted against each other as a pandemic threatens to destabilize world governments by exerting a subtle mind control over survivors"--
The Plague's origins were mysterious, but its consequences were all too obvious: quarantined cities, safe-sex machines, Sex Police, the outlawing of old-fashioned love. Four people hold the fate of humanity in their hands...A sexual mercenary condemned to death as a foot soldier in the Army of the Living Dead; a scientist who's devoted his whole life to destroying the virus and now discovers he has only ten weeks to succeed; a God-fearing fundamentalist on his way to the presidency before he accepts a higher calling; and a young infected coed from Berkeley on a bizarre crusade to save the world with a new religion of carnal abandon. Each will discover that the only thing more dangerous than the Plague is the cure.
This is the first systematic scholarly study of the Ottoman experience of plague during the Black Death pandemic and the centuries that followed. Using a wealth of archival and narrative sources, including medical treatises, hagiographies, and travelers' accounts, as well as recent scientific research, Nükhet Varlik demonstrates how plague interacted with the environmental, social, and political structures of the Ottoman Empire from the late medieval through the early modern era. The book argues that the empire's growth transformed the epidemiological patterns of plague by bringing diverse ecological zones into interaction and by intensifying the mobilities of exchange among both human and non-human agents. Varlik maintains that persistent plagues elicited new forms of cultural imagination and expression, as well as a new body of knowledge about the disease. In turn, this new consciousness sharpened the Ottoman administrative response to the plague, while contributing to the makings of an early modern state.
The Black Death was the fourteenth century's equivalent of a nuclear war. It wiped out one-third of Europe's population, taking millions of lives. The author draws together the most recent scientific discoveries and historical research to pierce the mist and tell the story of the Black Death as a gripping, intimate narrative.
The book ranges playfully from riffs on the gag cartoon to paranoid soliloquies of a surrealistic apocalypse, with references to contemporary politics, pop culture, and religion, plays on language, and sequential abstractions. Stories intertwine, branch off, dead end and double back. These are experimental, absurdist art comics, but the book is a page-turner, and some of it is laugh-out-loud funny. Reading it is not so much like reading comics as it is watching the artist make connections between ideas, find patterns, and set down the story as it happens. It's a tour de force, beautifully and uniquely packaged, in black and white and color, by one of the most fascinating new cartoonists of the decade. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.9px Arial; color: #424242}