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Communism and the Conscience of the West revolves around the single, disconcerting idea that Communism, in both its ideological and practical forms, is on the conscience of the Western world. Because the West has broadly lost that spiritual sensibility which made it great, thus reducing both man and cosmos to wholly material and base realities, Fulton J. Sheen argues, there is nothing to prevent the dissolution of the old order into a new and terrifying totality. And thus appears Communism: the recalcitrant, neurotic child of a permissive, neglectful parent. Since it first appeared in 1948, during the initial frigid days of the Cold War, Communism and the Conscience of the West has proven to be a prophetic witness to the grave dangers of decadent, individualistic liberalism and atheistic, collectivist totalitarianism alike. While the Cold War has ended and Soviet Union passed away, these dangers have endured and even metastasized. For the basic struggle remains: the moral and spiritual struggle for the very soul of mankind.
Markov-Grinberg, 1907-2006, is perhaps best known for his pictures of red stars replacing double-headed eagles on the Kremlin towers, or his portrait of miner Nikita Izotov - images which helped to define the culture of the USSR in the 1930s and recorded a fast-changing society emerging into a new world. The pictures chosen for this book reflect many of the themes that obsessed Markov-Grinberg during a creative life which saw him ranked alongside the likes of Rodchenko in the annals of great Soviet image-makers.
With astonishing authority and clarity, Richard Pipes has fused a lifetime’s scholarship into a single focused history of Communism, from its hopeful birth as a theory to its miserable death as a practice. At its heart, the book is a history of the Soviet Union, the most comprehensive reorganization of human society ever attempted by a nation-state. This is the story of how the agitation of Karl Marx and Friedrich Engels, two mid-nineteenth-century European thinkers and writers, led to a great and terrible world religion that brought down a mighty empire, consumed the world in conflict, and left in its wake a devastation whose full costs can only now be tabulated.
When he first visited the Czech Republic in the 1990s, Matthew Monteith was taken with the details of ordinary life in this country in transition. Captivated by the ineffablea mood, a sense of placehe made repeated visits and in 20013 traveled throughout the country photographing with the hope of creating a contemporary allegory that reflected ideals he had found in old postcards and Czech photography from the 1920s and 30s. With their restraint, brilliant color, and thoughtful attention to the uncanny within the everyday, Monteiths photographs parallel a venerable tradition staked out by masters such as Joel Sternfeld and embodied in contemporary work by practitioners such as Alec Soth. Though at times foreboding, Monteiths work is pervaded by an energetic optimism and humor. Meticulously composed and beautifully produced images focus on individuals, landscapes, oddly stilled cityscapes, and the worn traces of the countrys long and complex history. Czech Eden is not a literal description or documentation, but rather a parable in which the viewer encounters individuals and environments that are cohesive yet contradictory, beautiful but unsettling.
A short zine collecting an introduction to the concept by Matt Colquhoun that appeared in 'krisis journal for contemporary philosophy Issue 2, 2018: Marx from the Margins' and the unfinished introduction to the unfinished book on Acid Communism that Mark Fisher was working on before his death in 2017. "In this way ‘Acid’ is desire, as corrosive and denaturalising multiplicity, flowing through the multiplicities of communism itself to create alinguistic feedback loops; an ideological accelerator through which the new and previously unknown might be found in the politics we mistakenly think we already know, reinstantiating a politics to come." —Matt Colquhoun
No other radical historian has reached so many hearts and minds as Howard Zinn. It is rare that a historian of the Left has managed to retain as much credibility while refusing to let his academic mantle change his beautiful writing style from being anything but direct, forthright, and accessible. Whether his subject is war, race, politics, economic justice, or history itself, each of his works serves as a reminder that to embrace one's subjectivity can mean embracing one's humanity, that heart and mind can speak with one voice. Here, in six sections, is the historian's own choice of his shorter essays on some of the most critical problems facing America throughout its history, and today.
The ABC of Communism is a book written by Nikolai Bukharin and Evgenii Preobrazhensky in 1919, during the Russian Civil War. Originally written to convince the proletariat of Russia to support the Bolsheviks, it became "an elementary textbook of communist knowledge". It became the best known and most widely circulated of all pre-Stalinist expositions of Bolshevism and the most widely read political work in Soviet Russia. Long out of print, and often only being available with the abridged first few chapters, this version includes completed new transcriptions of the last eight chapters along with the Programme of the Communist Party of Russia, a glossary, and a new word index. The ABC of Communism is written to be a systematic description of communism and the proletarian condition under capitalism, away from the reality of Soviet life, into a redirection towards a militant optimism on the horizon. This book in the Radical Reprint series from Pattern Books is made to be accessible and as close to manufacturing cost as possible.
“If you are curious and open to the life around you, if you are troubled as to why, how and by whom political power is held and used, if you sense there must be good intellectual reasons for your unease, if your curiosity and openness drive you toward wishing to act with others, to ‘do something,’ you already have much in common with the writers of the three essays in this book.” — Adrienne Rich With a preface by Adrienne Rich, Manifesto presents the radical vision of four famous young rebels: Marx and Engels’ Communist Manifesto, Rosa Luxemburg’s Reform or Revolution and Che Guevara’s Socialism and Humanity.
“Before I knew that I was Jewish or a girl I knew that I was a member of the working class.” So begins Vivian Gornick’s exploration of how the world of socialists, communists, and progressives in the 1940s and 1950s created a rich, diverse world where ordinary men and women felt their lives connected to a larger human project. Now back in print after its initial publication in 1977 and with a new introduction by the author, The Romance of American Communism is a landmark work of new journalism, profiling American Communist Party members and fellow travelers as they joined the Party, lived within its orbit, and left in disillusionment and disappointment as Stalin’s crimes became public. From the immigrant Jewish enclaves of the Bronx and Brooklyn and the docks of Puget Sound to the mining towns of Kentucky and the suburbs of Cleveland, over a million Americans found a sense of belonging and an expanded sense of self through collective struggle. They also found social isolation, blacklisting, imprisonment, and shattered hopes. This is their story--an indisputably American story.