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In today's world, the basic building blocks of a Christian world view are often missing in people's lives. To help fill in this missing information, The 52 Greatest Stories of the Bible presents a foundational, clear synthesis of the most significant narratives of the Bible along with the implications and applications of these interrelated stories. It presents the big story in such a way that it will: Connect the dots for readers of the Bible, demonstrating how each individual story is really one chapter in the larger story; Show how Jesus is the point of the story, especially his death and resurrection; and Build a biblical world view by showing the reader how the Bible answers the ultimate questions of life.
Perhaps no biblical episode is more troubling than the conquest of Canaan. But do the so-called holy war texts of the Old Testament portray a divinely inspired genocide? John Walton and J. Harvey Walton take us on an archaeological dig, reframing our questions and excavating the layers of translation and interpretation that cloud our perception of these difficult texts.
Did God condone genocide in the Old Testament? How do Christians harmonize the warrior God of Israel with the God of love incarnate in Jesus? Christians are often shocked to read that Yahweh, the God of the Israelites, commanded the total destruction--all men, women, and children--of the ethnic group known as the Canaanites. This seems to contradict Jesus' command in the New Testament to love your enemies and do good to all people. How can Yahweh be the same God as the Father of our Lord Jesus Christ? What does genocide in the Bible have to do with the politics of the 21st century? Show Them No Mercy explores the Old Testament command of God to exterminate the Canaanite population and what that implies about continuity between the Old and New Testaments. The four views presented are: Strong Discontinuity – emphasizes the strong tension, regarding violence, between the two main texts of the Bible (C.S. Cowles) Moderate Discontinuity – provides a justification of God’s actions in the Old Testament with strong emphasis on exegesis (Eugene H. Merrill) Eschatological Continuity – a reading of the warfare narratives that ties them contextually to the book of Revelation and the Second Coming (Daniel L. Gard) Spiritual Continuity – incorporates the genocidal account into the full picture of the Old and New Testaments (Tremper Longman III) The Counterpoints series presents a comparison and critique of scholarly views on topics important to Christians that are both fair-minded and respectful of the biblical text. Each volume is a one-stop reference that allows readers to evaluate the different positions on a specific issue and form their own, educated opinion.
This unique commentary generates a conversation between the biblical narrative of conquest, related biblical themes, and the American master narrative of Manifest Destiny. Writing in an accessible style and format, Hawk offers an exegesis of the biblical text with special emphasis on the ways the narrative of conquest shaped ancient Israel's identity as a people. A second level of commentary lifts key themes from the text (e.g., the land as divine gift and promise, mass killing, Israel's distinctive attributes, the construction of the Indigenous Other) and sets them within their broader biblical context. A third dimension reflects on corresponding elements in America's narrative of "westward expansion" (e.g. the conviction of America's unique character and destiny, total war and ethnic cleansing, the dehumanization of Native peoples, patriotism and homeland, the idea of the American Dream). As a whole, this book offers Joshua as a biblical resource for reading the American experience, challenging readers to reflect on how conquest shaped America's identity and how it continues to influence American attitudes and actions.
Works on Old Testament historiography, the 'Conquest', and the origins of ancient Israel have burgeoned in recent days. But while others have been issuing new reconstructions this novel work presents a close reading of the biblical text. The focus is on the literary techniques that ancient writers employed in narrating stories of conquest, and the aim is to pinpoint their communicative intentions in their own contexts. This reading is enhanced by engagement with the important discipline of the philosophy of history. Ancient Conquest accounts, replete with extensive quotations from Assyrian, Hittite and Egyptian conquest accounts, is a learned and methodologically sensitive study of a wide range of ancient Near Eastern texts as well as of Joshua 9-12.
The Anglo-Norman Bible's Joshua includes tales of spies, giants, the prostitute Rahab, the punishment of Achan, oracles, and Joshua's brilliant military victories. Joshua stops the sun. The first half of the book relates Joshua's stunning conquests in Canaan. The second half, the apportionment of the land among the tribes, detailed geographical surveys of territorial boundaries, and the death of Joshua. Skilful, well-paced story telling is a feature of the ANB's Joshua. To the accounts of Rahab and Achan we may add the chronicle of Joshua's successful, crushing campaign in the wake of the destruction of Makkedah. In rapid succession, and in an annalistic style involving staccato repetition of key phrases, the narrator relates the destruction of Libnah, Lachish, Eglon, Hebron, and Debir. The text of the ANB's Joshua is extant in British Library Royal 1 C III (base manuscript, L) and Paris, Bibliotheque nationale de France, MS francais 1 (P), both c. 1350 and both the Bibles of kings. L belonged at some point in the fifteenth century to Reading's Benedictine abbey, entering the royal library in 1530. Characteristic of L is its occasional insertion of short glosses in English or Latin to clarify or correct the Anglo-Norman text. An illustrated text, P was prepared by an English workshop for the fourth baron de Welles, John, and his wife, Maud, daughter of William, Lord Ros. This is clearly the Bible of a wealthy and well-connected English family. After the Welles family, the manuscript belonged to Louis de Bruges (1492), then to King Louis XII of France.
The Texts @ Contexts series gathers scholarly voices from diverse contexts and social locations to bring new or unfamiliar facets of biblical texts to light. Joshua and Judges focuses attention on themes and tensions at the beginning of Israel's story in the Bible. How do these books represent conquest, war, trauma, violence against women and their marginalization? How does God appear to relate to these realities? And what do contemporary men and women do with biblical ambivalence? Like other volumes in the Texts @ Contexts series, these essays de-center the often homogeneous first-world orientation of much biblical scholarship and open up new possibilities for discovery.
This updated edition by one of the world's leading apologists presents a systematic, positive case for Christianity that reflects the latest work in the contemporary hard sciences and humanities. Brilliant and accessible.
In this groundbreaking work that sets apart fact and legend, authors Finkelstein and Silberman use significant archeological discoveries to provide historical information about biblical Israel and its neighbors. In this iconoclastic and provocative work, leading scholars Israel Finkelstein and Neil Asher Silberman draw on recent archaeological research to present a dramatically revised portrait of ancient Israel and its neighbors. They argue that crucial evidence (or a telling lack of evidence) at digs in Israel, Egypt, Jordan, and Lebanon suggests that many of the most famous stories in the Bible—the wanderings of the patriarchs, the Exodus from Egypt, Joshua’s conquest of Canaan, and David and Solomon’s vast empire—reflect the world of the later authors rather than actual historical facts. Challenging the fundamentalist readings of the scriptures and marshaling the latest archaeological evidence to support its new vision of ancient Israel, The Bible Unearthed offers a fascinating and controversial perspective on when and why the Bible was written and why it possesses such great spiritual and emotional power today.
"A masterpiece of contemporary Bible translation and commentary."—Los Angeles Times Book Review, Best Books of 1999 Acclaimed for its masterful new translation and insightful commentary, The David Story is a fresh, vivid rendition of one of the great works in Western literature. Robert Alter's brilliant translation gives us David, the beautiful, musical hero who slays Goliath and, through his struggles with Saul, advances to the kingship of Israel. But this David is also fully human: an ambitious, calculating man who navigates his life's course with a flawed moral vision. The consequences for him, his family, and his nation are tragic and bloody. Historical personage and full-blooded imagining, David is the creation of a literary artist comparable to the Shakespeare of the history plays.