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Excellent sample of strikingly original poems includes The Wreck of the Deutschland, "Carrion Comfort," "The Caged Skylark," and more.
Undeniably one of the modern world's greatest literary figures, Charles Baudelaire (1821-67) left behind a correspondence documenting in intimate detail a life as intense in its extremes as his poetry. This extensive selection of his letters—many translated for the first time into English—depicts a poet divided between despair and elation, thoughts of suicide and intimations of immortality; a man who could write to his mother, "We're obviously destined to love one another, to end our lives as honestly and gently as possible," and say in the next sentence, "I'm convinced that one of us will kill the other"; who courted and then suffered the controversy provoked by his masterpiece, Les Fleurs du mal; who struggled throughout his life with syphilis contracted in his youth, near-intolerable financial restrictions imposed by his stepfather, and conflicting feelings of failure and revolt dating from his school days. Writing to family, friends, and lovers, Baudelaire reveals the incidents and passions that went into his poetry. In letters to editors, idols, and peers—Hugo, Flaubert, Vigny, Wagner, Cladel, among others—he elucidates the methods and concerns of his own art and criticism and comments tellingly on the arts and politics of his day. In all, ranging from childhood to days shortly before his death, these letters comprise a complex and moving portrait of the quintessential poet and his time.
Treasury of 44 poems recalls British character and attitudes at the height of the Empire. "Gunga Din," "Danny Deever," "If," "The White Man s Burden," many others, reprinted from standard texts. Notes."
The most inclusive single-volume anthology of Latin American poetry intranslation ever produced.
"The definitive work on Stalin's purges, the author's The Great Terror was universally acclaimed when it first appeared in 1968. Provides accounts of on everything form the three great 'Moscow Trials' to methods of obtaining confessions, the purge of writers and other members of the intelligentsia, on life in the labor camps, and many other key matters. On the fortieth anniversary of thew first edition, it is remarkable how many of the most disturbing conclusions have born up under the light of fresh evidence." --
Originally published as: Mountain interval. New York: H. Holt and Co., 1916.
In which Marinetti used the language of machines and explosions to express his view of poetry as reportage from the front: "Words in Freedom," in which he declared war on poetry by destroying syntax and spelling and by experimenting with typography; and finally love poems to his wife, Benedetta, in which he returned in part to subjects and forms that he had previously rejected.