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Literature and the Fine Arts theme is a component of Encyclopedia of Social Sciences and Humanities in the global Encyclopedia of Life Support Systems (EOLSS), which is an integrated compendium of twenty one Encyclopedias. Literature and the fine arts exist as processes and are not the same as culture or cultural processes. The arts are by definition creative acts of human beings. The main elements of art processes are artists, audiences, and distribution, and as historical phenomena, they exist within a certain timeframe. Myth and themes like love and death do not fade over time. Changes in the arts come with new knowledge (including new materials), and with new forms of communication brought about by new audiences. Most important for the context of the arts are power structures and markets. Modernization brought a basic change but up to now still has not led to a "global village." The culture of the towns is most important for artists. In addition, the world is still divided into those who live in poverty and have no access to the arts and those who are wealthy (and sometimes have no interest in the arts). The Theme on Literature and the Fine Arts deals, in one volume, and covers several topics, with many issues such as: Artists; Audience in the Arts; Power-Structures; Media; Communication Forms; Markets and Art Processes, which are then expanded into multiple subtopics, each as a chapter. This volume is aimed at the following five major target audiences: University and College Students Educators, Professional Practitioners, Research Personnel and Policy Analysts, Managers, and Decision Makers, NGOs and GOs.
"In her examination of the eighteenth-century transition from classical to modern perspectives in British rhetorical theory, Lois Peters Agnew argues that this shift was significantly shaped by resurgent influences of Stoic ethical philosophy. Eager to preserve the stability jeopardized by changing political, social, and economic conditions, theorists of the period found in the Stoic principle of sensus communis the possibility of constructing a collective identity across a fragmented society. To that end, Agnew states, prominent rhetoricians turned to the works of the Roman Stoics and to their ethical system as adapted in the writings of Cicero and Quintilian in particular." "In tracing Stoic strains in eighteenth-century language theories, Agnew argues that writers such as Adam Smith, Henry Home, Lord Kames, Hugh Blair, George Campbell, and Richard Whately drew upon Stoic ideas and the earlier work of Lord Shaftesbury, Francis Hutcheson, and Thomas Reid in their integration of Stoic ethics and rhetorical theory. Deeply concerned with the effects of granting individuals moral autonomy, these intellectuals found in Stoicism a vocabulary for responding to this issue, as Stoic notions of individual sensory experiences, personal moral development, and public virtue confirmed and expanded the interconnectivity between private deliberation and communal cohesion. Thus, Agnew argues, their familiarity with ancient thought enabled British rhetoricians to craft from Stoic ideas distinctly eighteenth-century perspectives on how rhetoric could not only accomplish specific practical goals but also prepare individuals to fulfill their ethical potential to the community."--BOOK JACKET.
With our American Philosophy and Religion series, Applewood reissues many primary sources published throughout American history. Through these books, scholars, interpreters, students, and non-academics alike can see the thoughts and beliefs of Americans who came before us.