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"Lawyer Ralph Merritt buys a house in a white neighborhood bordering Harlem. In their reactions to Merrit and to one another, Fisher's characters—including the prejudiced Miss Cramp, who "takes on causes the way sticky tape picks up lint," Merrit's housekeeper Linda, and Shine, his piano mover—provide an invaluable view of the social and philosophical milieu of the times. Thematically, Fisher focuses on the idea of black unity and the discovery of the self. The biblical tale of Joshua is evoked to illustrate his concern for the black person's search for a "true nature." it is in this spiritual battle that the divergent segments of Harlem are drawn together in order to battle the "establishment" inside the walls of Jericho"--Publisher's description (a later edition).
One of Buzzfeed’s Most Anticipated Books of 2021. “This trailblazing work of fiction is notable for its depiction of Harlem’s African American society and culture in the 1930s” –Bookpage
An unmissable entry in the esteemed Library of Congress Crime Classics, an exciting new classic mystery series created in exclusive partnership with the Library of Congress to highlight the best of American crime fiction When the body of N'Gana Frimbo, the African conjure-man, is discovered in his consultation room, Perry Dart, one of Harlem's ten Black police detectives, is called in to investigate. Together with Dr Archer, a physician from across the street, Dart is determined to solve the baffling mystery, helped and hindered by Bubber Brown and Jinx Jenkins, local boys keen to clear themselves of suspicion of murder and undertake their own investigations. This groundbreaking mystery is the first ever to feature a Black detective and all Black characters, written by Black author Rudolph Fisher, who was a principal writer of the Harlem Renaissance.
HARLEM RENAISSANCE: Four Novels of the 1930s traces the flowering of the Renaissance in diverse genres and forms. It opens with Langston Hughes's Not Without Laughter (1931), an elegantly realized coming-of-age tale that follows a young man from his rural origins to the big city. Suffused with childhood memories, it is the poet's only novel. George S. Schuyler's Black No More (1931), a satire founded on the science fiction premise of a wonder drug permitting blacks to change their race, skewers public figures white and black alike in a raucous, carnivalesque send-up of American racial attitudes. Considered the first detective story by an African American writer, Rudolph Fisher's The Conjure-Man Dies (1932) is a mystery that comically mixes and reverses stereotypes, placing a Harvard-educated African "conjureman" at the center of a phantasmagoric charade of deaths and disappearances. Black Thunder (1936), Arna Bontemps's stirring fictional recreation of Gabriel Prosser's 1800 slave revolt, which, though unsuccessful, shook Jefferson's Virginia to its core, marks a turn from aestheticism toward political militancy in its exploration of African American history. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
Screenwriter Nunn draws on her true-life experience growing up in Africa to create this darkly romantic crime novel set in 1950s apartheid South Africa. Detective Emmanuel Cooper is caught up in a time and place where racial tensions and the raw hunger for power make for dangerous times.
Curiosity and the desire to grasp the specificity of an abundantly read African American genre born as the 20th century was beginning are the research intentions that inspire this volume. Indeed, only recently has African-American detective fiction drawn the attention of scholars in spite of its very diverse blossoming since the 1960s. Diverse, because it has moved out of its birth place, East coast cities, and because female novelists have contributed their own production. At the heart of this popular genre, as novelists BarbaraNeely, Paula Woods and Gar Haywood tell us, is black existence: black memory, black living places and the human environments that build the individual - hence a détour to the French Caribbean.
An African king with a degree from Harvard who set himself up as a "conjure-man", a fortune teller, is murdered in 1930s Harlem. This is the first known mystery novel written by an African American.
*INSTANT NATIONAL BESTSELLER Detectives dig into the dark side of Toronto when a serial killer targets homeless people camped out near one of the city’s most exclusive enclaves in this latest crime thriller from bestselling author Robert Rotenberg. Exactly what is one person’s death worth? For decades, the Humber River Golf Course has been one of the city’s most elite clubs. All is perfect in this playground for the rich, until homeless people move into the pristine ravine nearby, and tensions mount between rich and poor and reach a head when two of the squatters are brutally murdered. The killings send shockwaves through the city, and suspicion immediately falls upon the members of the club. Protests by homeless groups and their supporters erupt. Suddenly the homelessness problem has caught the attention of the press, politicians, and the public. Ari Greene, now the head of the homicide squad, leaves behind his plush new office and, with his former protégé Daniel Kennicott in tow, returns to the streets to investigate. Meanwhile, Greene’s daughter, Alison, a dynamic young TV journalist, reports on the untold story of extreme poverty in Toronto. With all the attention focused on the murders, pressure is on Greene to find the killer—now. He calls on his old contacts and his well-honed instincts to pursue the killer and save the city and the people he loves. But then a third body is found. A riveting page-turner ringing with authenticity, Downfall is a scathing look at the growing disparity between rich and poor in Canada’s wealthiest city.
One of the premier writers of the Harlem Renaissance, Rudolph Fisher wrote short stories depicting the multifaceted black urban experience that are still acclaimed today for their humor, grace, and objective view of Harlem life. Through his words, wrote the New York Times Book Review, “one feels, smells, and tastes his Harlem; its people come alive and one cares about them.” A definitive collection of Fisher’s short stories, The City of Refuge offers vibrant tales that deal with the problems faced by newcomers to the city, ancestor figures who struggle to instill a sense of integrity in the young, problems of violence and vengeance, and tensions of caste and class. This anthology has now been expanded to include seven previously unpublished stories that take up such themes as marital infidelity and passing for black and also relate the further adventures of Jinx and Bubber, the comic duo who appeared in Fisher’s two novels. This new edition also includes two unpublished speeches and the popular article “The Caucasian Storms Harlem,” describing the craze for black music and dance. John McCluskey’s introduction has been updated to place the additional works within the context of Fisher’s career while situating his oeuvre within the broader context of American writing during the twenties. Fisher recognized the dramatic and comic power in African American folklore and music and frequented Harlem’s many cabarets, speakeasies, and nightclubs, and at the core of his work is a strong regard for music as context and counterpoint. The City of Refuge now better captures the sounds of the city experience by presenting all of Fisher’s known stories. It offers a portrait of Harlem unmatched in depth and range by Fisher’s contemporaries or successors, celebrating, as Booklist noted, “the complexity of black urban life in its encounter with the dangers and delights of the city.” This expanded edition adds new perspectives to that experience and will enhance Fisher’s status for a new generation of readers.