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Last Stands from the Alamo to Benghazi examines how filmmakers teach Americans about the country’s military past. Examining twenty-three representative war films and locating them in their cultural and military landscape, the authors argue that Hollywood’s view of American military history has evolved in two phases. The first phase, extending from the very beginnings of filmmaking to the Korean War, projected an essential patriotic triumphalism. The second phase, from the Korean and Vietnam Wars to the present, reflects a retreat from consensus and reflexive patriotism. In describing these phases, the authors address recurring themes such as the experience of war and combat, the image of the American war hero, race, gender, national myths, and more. With helpful film commentaries that extend the discussion through popular movie narratives, this book is essential for anyone interested in American military and film history.
“The authors of the bestselling Halsey’s Typhoon do a fine job recounting one brutal, small-unit action during the Korean War’s darkest moment.” —Publishers Weekly November 1950, the Korean Peninsula. After General MacArthur ignores Mao’s warnings and pushes his UN forces deeper into North Korea, his 10,000 First Division Marines find themselves surrounded and hopelessly outnumbered by 100,000 Chinese soldiers near the Chosin Reservoir. Their only chance for survival is to fight their way south through the Toktong Pass, a narrow gorge that will need to be held open at all costs. The mission is handed to Captain William Barber and the 234 Marines of Fox Company, a courageous but undermanned unit of the First Marines. Barber and his men climb seven miles of frozen terrain to a rocky promontory overlooking the pass, where they will endure four days and five nights of nearly continuous Chinese attempts to take Fox Hill. Amid the relentless violence, three-quarters of Fox’s Marines are killed, wounded, or captured. Just when it looks like they will be overrun, Lt. Colonel Raymond Davis, a fearless Marine officer who is fighting south from Chosin, volunteers to lead a daring mission that will seek to cut a hole in the Chinese lines and relieve the men of Fox. This is a fast-paced and gripping account of heroism in the face of impossible odds.
This wide-ranging and exhaustively researched book is an attempt to grasp the very nature of war. It takes us through the soldier's experience in its entirety - from the humiliation of basic training and the intense comradeship of army life, to the terror, isolation and exhaustion of battle.
“Brilliantly reveals the extraordinary courage of those who fought the final, bitter, bloody, costly days of the Korean War” (Gen. Jack I. Gregory, USAF Ret.). By the summer of 1953, the Korean War had long since reached a stalemate. As peace negotiations dragged on, units of the US 7th Infantry Division rebuilt the defenses of Hill 255, one of numerous outposts in front of the Main Line of Resistance extending across the peninsula. Better known by its nickname, Pork Chop Hill, the outpost had twice been the scene of some of the fiercest fighting of the spring. Now, the soldiers tasked with its rebuilding and defense hoped they would not be the last men to die in what had already become known as “the Forgotten War.” On the night of July 6th, under the cover of a heavy monsoon rainstorm, forces of the Chinese 23rd Army attacked. For five hellish days, the opposing forces engaged in devastating artillery assaults, brutal hand-to-hand fighting, and round-the-clock attacks and counterattacks. Less than three weeks after the smoke on Pork Chop Hill cleared, the Korean Armistice Agreement was signed. On Hallowed Ground is the riveting story of this epic battle. Drawing on previously classified documents, interviews, and letters from survivors, author Bill McWilliams details the strategy and tactics behind the conflict and pays stirring tribute to the heroic soldiers and medics who were willing to make the ultimate sacrifice to hold “the Chop.”
The Encyclopedia of Military Science provides a comprehensive, ready-reference on the organization, traditions, training, purpose, and functions of today’s military. Entries in this four-volume work include coverage of the duties, responsibilities, and authority of military personnel and an understanding of strategies and tactics of the modern military and how they interface with political, social, legal, economic, and technological factors. A large component is devoted to issues of leadership, group dynamics, motivation, problem-solving, and decision making in the military context. Finally, this work also covers recent American military history since the end of the Cold War with a special emphasis on peacekeeping and peacemaking operations, the First Persian Gulf War, the events surrounding 9/11, and the wars in Afghanistan and Iraq and how the military has been changing in relation to these events. Click here to read an article on The Daily Beast by Encyclopedia editor G. Kurt Piehler, "Why Don't We Build Statues For Our War Heroes Anymore?"
The concluding volume of Richard Slotkin's highly acclaimed trilogy draws on a wide range of sources to examine the pervasive influence of Wild West myths on American culture and politics.
The wars that followed 1945 have changed the political and social map of the world while creating millions of casualties and refugees. The Modern Wars 1945–Present – volume seven in the Encyclopedia of Warfare Series – charts the wars and revolutions that have taken place across the globe since the end of World War II.
The Korean experience changed the way Americans viewed war. The lack of a clear-cut victory inspired filmmakers to try to make sense of fighting another country's civil war and risking American lives for an unpopular cause. This filmography details more than 90 English-language films. Each entry includes complete cast and credit listings, a plot synopsis, evaluation, review snippets, and notice of video availability. This book places each film in its historical context, assesses the essential truthfulness of each film and evaluates its entertainment value, and discusses how--and why--Korean War films differ from other Hollywood war genres. Four appendices list the films by chronology; production company and studio; level of historical accuracy; and subject and theme. Additional appendices list films with incidental references to the Korean War; documentaries on the Korean War; and South Korean films about the war. Photographs, a bibliography, and an index are included.
Traces the history of the United States during the 1950s through such primary sources as memoirs, letters, contemporary journalism, and official documents.