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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T107400 With a half-title. London: printed for W. Locke, 1793. 100p.; 8°
In bringing biography and celebrity together, the essays in Making Stars interrogate contemporary and current understandings of each. Although biography was not invented in the eighteenth century, the period saw the emergence of works that focus on individuals who are interesting as much, if not more, for their everyday, lived experience than for their status or actions. At the same time, celebrity emerged as public fascination for the private lives of publicly visible individuals. Biography and celebrity are mutually constitutive, but in complex and varied ways that this volume unpacks. Contributors to this volume present us a picture of eighteenth-century celebrity that was mediated across multiple sites, demonstrating that eighteenth-century celebrity culture in Britain was more pervasive, diverse and, in many ways, more egalitarian, than previously supposed.
A pioneering, diverse collection that provides insight into the powerful motive of self-expression that inspired women autobiographers around the eighteenth century.
Thompson presents a re-appraisal of the 'scandalous memoirists' Costantia Phillips and Laetitia Pilkington, who feature with a cast of other 18th century apologists, and overturns scholarship's traditional discrediting of them.
Binding Men tells stories about men, violence and law in late Victorian England. It does so by focusing upon five important legal cases, all of which were binding not only upon the males involved but also upon future courts and the men who appeared before them. The subject matter of Prince (1875), Coney (1882), Dudley and Stephens (1884), Clarence (1888) and Jackson (1891) ranged from child abduction, prize-fighting, murder and cannibalism to transmitting gonorrhoea and the capture and imprisonment of a wife by her husband. Each case has its own chapter, depicting the events which led the protagonists into the courtroom, the legal outcome and the judicial pronouncements made to justify this, as well as exploring the broader setting in which the proceedings took place. In so doing, Binding Men describes how a particular case can be seen as being a part of attempts to legally limit male behaviour. The book is essential reading for scholars and students of crime, criminal law, violence, and gender. It will be of interest to those working on the use of narrative in academic writing as well as legal methods. Binding Men’s subject matter and accessible style also make it a must for those with a general interest in crime, history and, in particular, male criminality.
The story of the English marriage is unique and eccentric. Long after the rest of Europe and neighbouring Scotland had reformed their marriage laws, England clung to the chaotic and contradictory laws of the medieval Church, making it all too easy to enter into a marriage but virtually impossible to end an unhappy one. If England was a 'paradise for wives' it could only have been through the feistiness of the women. Married women were placed in the same legal category as lunatics. While Englishmen prided themselves on their devotion to liberty, their wives were no freer than slaves. It was a husband's jealously guarded right to beat his wife, as long as the stick was no bigger than his thumb. Only after 1882 could a married woman even retain her own property. But then marriage was all about property in a society which was both mercenary and violent, where a girl was virtually sold into marriage and a price was put on a wife's chastity. With a cast of hundreds, from loyal and devoted wives in troubled times to those who featured in notorious trials for adultery, from abusive husbands whose excesses were only gradually curbed by the law to the modern phenomenon of the toxic wife, acclaimed historian Maureen Waller draws on intimate letters, diaries, court documents and advice books to trace the evolution of the English marriage. It is social history at its most revealing, astonishing and entertaining.