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In 1994, James Raven encountered a letterbook from the Charleston Library Society detailing the ordering, processing, and shipping of texts from London booksellers to their American customers. The 120 letters, covering the period 1758-1811, provided unique material for understanding the business of London booksellers (for whom very little correspondence has survived) and Raven decided to publish an annotated edition of the letters. The letterbook, reproduced in its entirety, forms an appendix to the present volume, but Raven's study has blossomed from a relatively narrow examination of booksellers and their customers to a larger exploration of the role of books and institutions such as the Library Society in the formation of elite cultural identity on the fringes of empire. As a result, this meticulously researched book has much to offer scholars of gentry culture and community in the eighteenth-century British Atlantic world as well as historians of the book--Publisher's Description.
In John Bunyan's The Pilgrim's Progress, the pilgrims cannot reach the Celestial City without passing through Vanity Fair, where everything is bought and sold. In recent years there has been much analysis of commerce and consumption in Britain during the long eighteenth century, and of the dramatic expansion of popular publishing. Similarly, much has been written on the extraordinary effects of the evangelical revivals of the eighteenth century in Britain, Europe, and North America. But how did popular religious culture and the world of print interact? It is now known that religious works formed the greater part of the publishing market for most of the century. What religious books were read, and how? Who chose them? How did they get into people's hands? Vanity Fair and the Celestial City is the first book to answer these questions in detail. It explores the works written, edited, abridged, and promoted by evangelical dissenters, Methodists both Arminian and Calvinist, and Church of England evangelicals in the period 1720 to 1800. Isabel Rivers also looks back to earlier sources and forward to the continued republication of many of these works well into the nineteenth century. The first part is concerned with the publishing and distribution of religious books by commercial booksellers and not-for-profit religious societies, and the means by which readers obtained them and how they responded to what they read. The second part shows that some of the most important publications were new versions of earlier nonconformist, episcopalian, Roman Catholic, and North American works. The third part explores the main literary kinds, including annotated bibles, devotional guides, exemplary lives, and hymns. Building on many years' research into the religious literature of the period, Rivers discusses over two hundred writers and provides detailed case studies of popular and influential works.
George Crabbe: A Reappraisal is centered on the belief that Crabbe, particularly in his verse-tales, is an important, even major, poet whose work has been and still is seriously undervalued. After an introductory chapter, the next five chapters in Part 1 offer a straightforward account of the changes in Crabbe's poetry up to its pinnacle of achievement in 1812, tracing its development from the generalized discursive poetical essays of the 1780s through the particularized character sketches and anecdotes of The Parish Register and much of The Borough to the full-length verse-tales that reach their full maturity in Tales (1812).
In 1450 very few English men or women were personally familiar with a book; by 1850, the great majority of people daily encountered books, magazines, or newspapers. This book explores the history of this fundamental transformation, from the arrival of the printing press to the coming of steam. James Raven presents a lively and original account of the English book trade and the printers, booksellers, and entrepreneurs who promoted its development. Viewing print and book culture through the lens of commerce, Raven offers a new interpretation of the genesis of literature and literary commerce in England. He draws on extensive archival sources to reconstruct the successes and failures of those involved in the book trade—a cast of heroes and heroines, villains, and rogues. And, through groundbreaking investigations of neglected aspects of book-trade history, Raven thoroughly revises our understanding of the massive popularization of the book and the dramatic expansion of its markets over the centuries.