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Color Vision, first published in 2000, defines the state of knowledge about all aspects of human and primate color vision.
Visual Perception explores fundamental topics underlying the field of visual perception, including the perception of brightness and color, the physics of light, and the optics of the eye. Although the text leans heavily on physical and physiological concepts, explanations of the relevant physics and physiology are considered. This book is organized into 16 chapters and begins with an overview of the relationship between information assimilation and the physiology of the visual system based on data gathered both in physiological and perceptual experiments. More specifically, this text discusses the nature of the human perceptual system in terms of the kinds of information that are assimilated from the world, and how this selection of information is governed by the structure of receptors and the neural circuits that are connected to them. The relationships between symbols and their corresponding physical and physiological variables are also examined. Finally, the book addresses the presence of strong lateral inhibition in the visual system and how it fits the concept of evolution. This book is aimed at undergraduate and graduate students, regardless of their academic backgrounds.
Imagine you are sitting at Starbuck glancing at the blue coffee mug in front of you. The mug is blue on the outside, white on the inside. It's large for a mug. And it's nearly full of freshly made coffee. In the envisaged case, you see all those aspects of the scene in front of you, but it remains a question of ferocious debate whether the visual experience that makes up your seeing is a direct “perceptual” relation between you and your environment or a psychology state that has a content that represents the mug. If your experience involves an external “perceptual” relation to an external, mind-independent object, it is unlike familiar mental states such as belief and desire states, which are widely considered psychological states with a representational content that stands between you and the external world. Your belief that the coffee mug in front of you is blue has a content that represents the coffee mug as being blue. Your desire that the coffee in the mug is still hot has a content that represents a state of affairs that may or may not in fact obtain, namely the state of affairs that the coffee in the mug is still hot. In this book, Brit Brogaard defends the view that visual experience is like belief in having a representational content. Her defense differs from most previous defenses of this view in that it begins by looking at the language of ordinary speech. She provides a linguistic analysis of what we say when we say that things look a certain way or that the world appears to us to be a certain way. She then argues that this analysis can be used to argue for the view that visual experience has a representation content that mediates between you and the world when you visually perceive.
The Cone of Perception is a work that confronts the perceptually evident purely geometric truth. The difference in circumferences of two circles equals an arc length, and this can be applied to the Pythagorean theorem and the realm of relativistic physics. Over 500 pages of mathematical formulas and graphs at your fingertips. This is the research of several years piecing together potential visualizations of the perceptual cone phenomenon. Extensive, in depth description of perceptual forms. However, with all these equations, finding a new solution is not difficult. Great for anyone who needs to come up with a mathematical thesis in algebra, geometry, topology, or philosophy.
We perceive color everywhere and on everything that we encounter in daily life. Color science has progressed to the point where a great deal is known about the mechanics, evolution, and development of color vision, but less is known about the relation between color vision and psychology. However, color psychology is now a burgeoning, exciting area and this Handbook provides comprehensive coverage of emerging theory and research. Top scholars in the field provide rigorous overviews of work on color categorization, color symbolism and association, color preference, reciprocal relations between color perception and psychological functioning, and variations and deficiencies in color perception. The Handbook of Color Psychology seeks to facilitate cross-fertilization among researchers, both within and across disciplines and areas of research, and is an essential resource for anyone interested in color psychology in both theoretical and applied areas of study.
The text that bridges the gap between basic visual science and clinical application – now in full color Includes 3 complete practice exams! A Doody's Core Title for 2011! This comprehensive text on visual science is unique in that it highlights the fundamental aspects of monocular visual perception that are necessary to successful clinical practice. Recognized for its engaging, enjoyable style and ability to explain difficult topics in simple, easy-to-understand terms, Visual Perception goes well beyond the basics, including information from anatomy to perception. Covering a broad range of clinically-relevant topics, including color vision and its defects, spatial vision, temporal aspects of vision, psychophysics, physiology, and development and aging, the Fourth Edition of Visual Perception has been updated to include full-color figures and many new clinical images. Each chapter has been revised to keep up with the latest advances in the basic sciences, and throughout the text the linkage between basic psychophysics and clinical practice has been strengthened. Features New full-color presentation with 250 illustrations, including color vision tests and fundus photographs 3 practice exams (more than 200 multiple-choice questions) Self-assessment questions at the end of each chapter Current references from leaders in each subfield Enjoyable to Read AND Comprehensive! Experimental Approaches,Introductory Concepts,The Duplex Retina,Photometry,Color Vision,Anomalies of Color Vision,Spatial Vision,Temporal Aspects of Vision,Motion Perception,Depth Perception,Psychophysical Methodology,Functional Retinal Physiology,Parallel Processing,Striate Cortex,Information Streams and Extrastriate Processing,Gross Electrical Potentials,Development and Maturation of Vision,Practice Exams,Answers to Self-Assessment Questions,Answers to Practice Exams,References
This book is designed to help students organize their thinking about psychology at a conceptual level. The focus on behaviour and empiricism has produced a text that is better organized, has fewer chapters, and is somewhat shorter than many of the leading books. The beginning of each section includes learning objectives; throughout the body of each section are key terms in bold followed by their definitions in italics; key takeaways, and exercises and critical thinking activities end each section.
Astronomy Book of the Year, Mercury Magazine (Astronomical Society of the Pacific) Do we really know what we see through a telescope? How does the ocular system construct planetary images, and how does the brain interpret them? Drawing on both astronomical and psychological data, William Sheehan offers the first systematic analysis of the perceptual and cognitive factors that go into the initial structuring of a planetary image and its subsequent elaboration. Sheehan details the development of lunar and planetary astronomy, beginning with Galileo’s study of the moon, and focuses particularly on the discover of “canals” on Mars. Through each episode he underscores a perceptual or psychological theme, such as the importance of differences in vision, tachistoscopic perceptual effects, the influence of expectation and suggestion on what one sees, and the social psychology of scientific discovery. Planets and Perception is a provocative book that will intrigue anyone who has ever looked through a telescope. In addition, it offers the psychologically oriented reader a case history in the processes of perception unlike any other in the literature.