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The average American listens to the radio three hours a day. In light of recent technological developments such as internet radio, some argue that the medium is facing a crisis, while others claim we are at the dawn of a new radio revolution. The Concise Encyclopedia of American Radio is an essential single-volume reference guide to this vital and evolving medium. It brings together the best and most important entries from the three-volume Museum of Broadcast Communications Encyclopedia of Radio, edited by Christopher Sterling. Comprised of more than 300 entries spanning the invention of radio to the Internet, The Concise Encyclopedia of American Radio addresses personalities, music genres, regulations, technology, programming and stations, the "golden age" of radio and other topics relating to radio broadcasting throughout its history. The entries are updated throughout and the volume includes nine new entries on topics ranging from podcasting to the decline of radio. The Concise Encyclopedia of American Radio include suggestions for further reading as complements to most of the articles, biographical details for all person-entries, production credits for programs, and a comprehensive index.
Produced in association with the Museum of Broadcast Communications in Chicago, the Encyclopedia of Radio includes more than 600 entries covering major countries and regions of the world as well as specific programs and people, networks and organizations, regulation and policies, audience research, and radio's technology. This encyclopedic work will be the first broadly conceived reference source on a medium that is now nearly eighty years old, with essays that provide essential information on the subject as well as comment on the significance of the particular person, organization, o.
The Concise Encyclopedia of American Radio is an essential single-volume reference guide to this vital and evolving medium. Comprised of more than 300 entries spanning the invention of radio to the Internet, this refernce work addresses personalities, music genres, regulations, technology, programming and stations, the "golden age" of radio and other topics relating to radio broadcasting throughout its history. The entries are updated throughout and the volume includes nine new entries on topics ranging from podcasting to the decline of radio.
In this revised, expanded and corrected edition, the acclaimed Encyclopedia of American Radio, 1920-1960 (Booklist Editors' Choice; "recommended"--Library Journal) offers even better coverage of the performers and programming on American radio from its inception to its golden age. This work is the definitive source for scholars of communication, social and cultural history and the popular arts, as well as devoted fans of radio history. New entries include information on such fascinating topics as gender discrimination in radio; holidays on the airwaves; husband and wife teams; minstrel shows, vaudeville, and burlesque; Scopes "monkey" trial broadcasts; and super heroes. Also included is additional information on broadcasters of the twenties, thirties, and forties, as well as on unique entertainers ranging from astrologists and musical saw soloists to yodelers and whistlers. These new additions offer even fuller understanding of radio's important role in American social and cultural history.
The Biographical Encyclopedia of American Radio presents the very best biographies of the internationally acclaimed three-volume Encyclopedia of Radio in a single volume. It includes more than 200 biographical entries on the most important and influential American radio personalities, writers, producers, directors, newscasters, and network executives. With 23 new biographies and updated entries throughout, this volume covers key figures from radio’s past and present including Glenn Beck, Jessie Blayton, Fred Friendly, Arthur Godfrey, Bob Hope, Don Imus, Rush Limbaugh, Ryan Seacrest, Laura Schlesinger, Red Skelton, Nina Totenberg, Walter Winchell, and many more. Scholarly but accessible, this encyclopedia provides an unrivaled guide to the voices behind radio for students and general readers alike.
Articles covering North American radio since the 1920s profile the programs and personalities of vintage radio as well as the new stars and popular programs of today
This revised, expanded and corrected edition offers even more coverage of the performers and programming on American radio from its inception to its golden age. This work is the definitive source for scholars of communication, social and cultural history and the popular arts, as well as devoted fans of radio history.New entries include information on such fascinating topics as gender discrimination in radio; holidays on the airwaves; husband and wife teams; minstrel shows, vaudeville, and burlesque; Scopes ""monkey"" trial broadcasts; and super heroes.
With thousands of outlets worldwide and growing, audio drama is the new frontier in storytelling. From family dramas tales to epic space battles and period pieces to large-cast musicals, it is a medium without limits, because the audience creates the visual world in their mind. In Stories Told through Sound, audio-dramatist Barry M. Putt, Jr. lays out the essentials of the form in an engaging, easy-to-understand manner. He offers dozens of tactics and strategies: the top reasons audiences don’t connect with a character and how to avoid them, ways to create exciting plot twists, career pitfalls to watch out for, and how to draft a dynamic marketing plan that will keep your work in the forefront of any industry professional’s mind. It includes tips from a number of top-tier professionals to help give a deeper understanding of how to find success in a new and exciting creative industry. Dust off that story idea you’ve been wanting to develop and learn how to craft an engaging script that can become a fully realized production. In audio drama, everything is possible!
Produced in association with the Museum of Broadcast Communications in Chicago, the Encyclopedia of Radio includes more than 600 entries covering major countries and regions of the world as well as specific programs and people, networks and organizations, regulation and policies, audience research, and radio's technology. This encyclopedic work will be the first broadly conceived reference source on a medium that is now nearly eighty years old, with essays that provide essential information on the subject as well as comment on the significance of the particular person, organization, or topic being examined.
The Handbook of Communication History addresses central ideas, social practices, and media of communication as they have developed across time, cultures, and world geographical regions. It attends to both the varieties of communication in world history and the historical investigation of those forms in communication and media studies. The Handbook editors view communication as encompassing patterns, processes, and performances of social interaction, symbolic production, material exchange, institutional formation, social praxis, and discourse. As such, the history of communication cuts across social, cultural, intellectual, political, technological, institutional, and economic history. The volume examines the history of communication history; the history of ideas of communication; the history of communication media; and the history of the field of communication. Readers will explore the history of the object under consideration (relevant practices, media, and ideas), review its manifestations in different regions and cultures (comparative dimensions), and orient toward current thinking and historical research on the topic (current state of the field). As a whole, the volume gathers disparate strands of communication history into one volume, offering an accessible and panoramic view of the development of communication over time and geographical places, and providing a catalyst to further work in communication history.