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Magisterial analysis of human history, from the first hominid to the Great Recession of 2008. Written from the perspective of ordinary men and women.
The Concept of Resistance in Italy brings together experts from different fields to reflect in a new, comprehensive critical approach, on an event that has shaped the young Italian nation from the onset of Fascism in the early 20s. Although grounded in the Italian context, its theoretical frameworks, provided by the variety of disciplines involved in the volume, will prove beneficial for any critical discourse on the concept of resistance nowadays. Moving from a reflection on the legacy of the Italian Resistance to Fascism and the Resistance Movement born in the latest years of WWII, when Italy witnessed the presence on its territory of foreign troops from opposite corners, and was involved in a Civil War at the very same time, this collection reassesses the concept of Resistance within the Italian 20th and 21st century cultural context, moving beyond historical perspectives. The multidisciplinary scope allows for an historical, philosophical and artistic exploration of the concrete actions that define resistance to Fascism, and the Resistance Movement during WWII, their representations in literature, cinema and music, and the more abstract philosophical concept of Resistance in a rapidly changing globalized world, with oppressive political orders, new global economic structures, and emerging new philosophical fields.
"Dramatic, heartbreaking and sweeping in scope." —Wall Street Journal The acclaimed author of A Train in Winter returns with the "moving finale" (The Economist) of her Resistance Quartet—the powerful and inspiring true story of the women of the partisan resistance who fought against Italy’s fascist regime during World War II. In the late summer of 1943, when Italy broke with the Germans and joined the Allies after suffering catastrophic military losses, an Italian Resistance was born. Four young Piedmontese women—Ada, Frida, Silvia and Bianca—living secretly in the mountains surrounding Turin, risked their lives to overthrow Italy’s authoritarian government. They were among the thousands of Italians who joined the Partisan effort to help the Allies liberate their country from the German invaders and their Fascist collaborators. What made this partisan war all the more extraordinary was the number of women—like this brave quartet—who swelled its ranks. The bloody civil war that ensued pitted neighbor against neighbor, and revealed the best and worst in Italian society. The courage shown by the partisans was exemplary, and eventually bound them together into a coherent fighting force. But the death rattle of Mussolini’s two decades of Fascist rule—with its corruption, greed, and anti-Semitism—was unrelentingly violent and brutal. Drawing on a rich cache of previously untranslated sources, prize-winning historian Caroline Moorehead illuminates the experiences of Ada, Frida, Silvia, and Bianca to tell the little-known story of the women of the Italian partisan movement fighting for freedom against fascism in all its forms, while Europe collapsed in smoldering ruins around them.
From the entry of the Germans into Turin on September 10, 1943 to the liberation of the city on April 28, 1945, Ada Gobetti, translator, educator, and resistance activist, recorded an almost daily account of her life in the resistance movement against the fascist government and the Nazis. Part diary, part memoir, Gobetti's Diario partigiano (Partisan diary) provides a firsthand account of who the anti-fascist partisans in the Piedmont region of Italy were and how they fought.
A study of women's participation in the movement to overthrow the Fascist regime, expel the occupying Germans, and rebuild a progressive and democratic Italy. Between 1943 and 1945, some 50,000 Italian women engaged in resistance activities as military commanders and combatants, saboteurs and couriers, nurses, organizers, demonstrators, and political leaders. Using interviews, the author presents a profile of these Resistance women and examines the motives for their activism and the impact of their contributions. Paper edition (unseen) $22.50. Annotation copyrighted by Book News, Inc., Portland, OR
This book covers all classes and types of small arms, from pistols to heavy machine guns, known to have been used by the Italian partisans during WWII. It provides a brief history of the origin and development of the partisan movement in Italy following the 8 September 1943 armistice between Italy and the Allies and subsequent occupation of the northern portion of the country by Germany. There are many relevant examples of correspondence between partisan units relating to acquisition, distribution, use, maintenance, and problems encountered with the various types of small arms available. The majority of the pages of this book are dedicated to a complete, thorough, and extensive coverage of each individual type of weapon known to have been used by the partisans, including specifications, supported by current as well as vintage photographs showing the weapons in use by the partisans.
Italians were the largest group of immigrants to the United States at the turn of the twentieth century, and hundreds of thousands led and participated in some of the period's most volatile labor strikes. Jennifer Guglielmo brings to life the Italian working-class women of New York and New Jersey who helped shape the vibrant radical political culture that expanded into the emerging industrial union movement. Tracing two generations of women who worked in the needle and textile trades, she explores the ways immigrant women and their American-born daughters drew on Italian traditions of protest to form new urban female networks of everyday resistance and political activism. She also shows how their commitment to revolutionary and transnational social movements diminished as they became white working-class Americans.
Religion as Resistance examines debates over the best methods for colonial rule in Italian Libya as a a self-reflexive process that tell us more about the contentious connection between religious and political authority in Italy than about Muslim North Africa.
A People's History of the Second World War unearths the fascinating history of the war as fought "from below." Until now, the vast majority of historical accounts have focused on the regular armies of the allied powers. Donny Gluckstein shows that an important part of the fighting involved people's militias struggling against not just fascism, but also colonialism, imperialism, and capitalism itself. Gluckstein argues that despite this radical element, which was fighting on the ground, the allied governments were more interested in creating a new order to suit their interests. He shows how various anti-fascist resistance movements in Poland, Greece, Italy, and elsewhere were betrayed by the Allies despite playing a decisive part in defeating the Nazis. This book will fundamentally challenge our understanding of the Second World War – both about the people who fought it and the reasons for which it was fought.
This book provides an innovative cultural history of Italian colonialism and its impact on twentieth-century ideas of empire and anti-colonialism. In October 1935, Mussoliniʼs army attacked Ethiopia, defying the League of Nations and other European imperial powers. The book explores the widespread political and literary responses to the invasion, highlighting how Pan-Africanism drew its sustenance from opposition to Italy’s late empire-building, and reading the work of George Padmore, Claude McKay, and CLR James alongside the feminist and socialist anti-colonial campaigner Sylvia Pankhurst’s broadsheet, New Times and Ethiopia News. Extending into the postwar period, the book examines the fertile connections between anti-colonialism and anti-fascism in Italian literature and art, tracing the emergence of a “resistance aesthetics” in works such as The Battle of Algiers and Giovanni Pirelli’s harrowing books of testimony about Algeria’s war of independence, both inspired by Frantz Fanon. This book will interest readers passionate about postcolonial studies, the history of Italian imperialism, Pan-Africanism, print cultures, and Italian postwar culture.