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“Thompson-Hernández's portrayal of Compton's black cowboys broadens our perception of Compton's young black residents, and connects the Compton Cowboys to the historical legacy of African Americans in the west. An eye-opening, moving book.”—Margot Lee Shetterly, New York Times bestselling author of Hidden Figures “Walter Thompson-Hernández has written a book for the ages: a profound and moving account of what it means to be black in America that is awe inspiring in its truth-telling and limitless in its empathy. Here is an American epic of black survival and creativity, of terrible misfortune and everyday resilience, of grace, redemption and, yes, cowboys.”— Junot Díaz, Pulitzer prize-winning author of This is How You Lose Her A rising New York Times reporter tells the compelling story of The Compton Cowboys, a group of African-American men and women who defy stereotypes and continue the proud, centuries-old tradition of black cowboys in the heart of one of America’s most notorious cities. In Compton, California, ten black riders on horseback cut an unusual profile, their cowboy hats tilted against the hot Los Angeles sun. They are the Compton Cowboys, their small ranch one of the very last in a formerly semirural area of the city that has been home to African-American horse riders for decades. To most people, Compton is known only as the home of rap greats NWA and Kendrick Lamar, hyped in the media for its seemingly intractable gang violence. But in 1988 Mayisha Akbar founded The Compton Jr. Posse to provide local youth with a safe alternative to the streets, one that connected them with the rich legacy of black cowboys in American culture. From Mayisha’s youth organization came the Cowboys of today: black men and women from Compton for whom the ranch and the horses provide camaraderie, respite from violence, healing from trauma, and recovery from incarceration. The Cowboys include Randy, Mayisha’s nephew, faced with the daunting task of remaking the Cowboys for a new generation; Anthony, former drug dealer and inmate, now a family man and mentor, Keiara, a single mother pursuing her dream of winning a national rodeo championship, and a tight clan of twentysomethings--Kenneth, Keenan, Charles, and Tre--for whom horses bring the freedom, protection, and status that often elude the young black men of Compton. The Compton Cowboys is a story about trauma and transformation, race and identity, compassion, and ultimately, belonging. Walter Thompson-Hernández paints a unique and unexpected portrait of this city, pushing back against stereotypes to reveal an urban community in all its complexity, tragedy, and triumph. The Compton Cowboys is illustrated with 10-15 photographs.
Compton is a city of myth and misunderstandings. Today, it is known as the city of "hip-hop dreams and gangsta fantasies." Its history, however, is not as well known. Compton was originally part of the Rancho San Pedro Spanish land grant. The area was deeded as a wedding gift, lost in foreclosure, then sold to F.P.F. Temple and F.W. Gibson at a sheriff's sale. Ultimately, it was settled in 1867 by former forty-niners from Stockton. Given its location halfway between the harbor and Los Angeles, the "Hub City" has seen many pivotal events: the dawn of flight at the 1910 international air meet, the 1933 earthquake, floods, white flight, factory shut-downs, decline, and now a new beginning at the start of the 21st century.
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Typescript genealogy concerning John Compton, his wife Helena Shearer Compton and their descendants.
The town of Little Compton, Rhode Island was founded by a band of explorers from Plymouth Colony. From its inception Little Compton has been a bastion of Mayflower ancestry, including that of the Wilbour family of compiler Benjamin Franklin Wilbour. Mr. Wilbour devoted much of his life to compiling genealogies of his own and other families of Little Compton. Based upon extensive research in primary sources and featuring numerous illustrations, Little Compton Families is Benjamin Franklin Wilbour's legacy to the descendants of some 200 families, many of whom are traced back to the middle of the 17th century.