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(Misc). The Composer's Handbook 2 expands the do-it-yourself approach to composing by combining "tricks of the trade" with step-by-step guides to the composition of melody, harmony, form and textures. The book covers styles and techniques from serialism, minimalism, world music, rock, dance, music technology to music for film and the stage.
A comprehensive, practical guide to composing video game music, from acquiring the necessary skills to finding work in the field. Music in video games is often a sophisticated, complex composition that serves to engage the player, set the pace of play, and aid interactivity. Composers of video game music must master an array of specialized skills not taught in the conservatory, including the creation of linear loops, music chunks for horizontal resequencing, and compositional fragments for use within a generative framework. In A Composer's Guide to Game Music, Winifred Phillips—herself an award-winning composer of video game music—provides a comprehensive, practical guide that leads an aspiring video game composer from acquiring the necessary creative skills to understanding the function of music in games to finding work in the field. Musicians and composers may be drawn to game music composition because the game industry is a multibillion-dollar, employment-generating economic powerhouse, but, Phillips writes, the most important qualification for a musician who wants to become a game music composer is a love of video games. Phillips offers detailed coverage of essential topics, including musicianship and composition experience; immersion; musical themes; music and game genres; workflow; working with a development team; linear music; interactive music, both rendered and generative; audio technology, from mixers and preamps to software; and running a business. A Composer's Guide to Game Music offers indispensable guidance for musicians and composers who want to deploy their creativity in a dynamic and growing industry, protect their musical identities while working in a highly technical field, and create great music within the constraints of a new medium.
The Composer's Guide to the Electric Guitar is an essential book for composers, arrangers, and electric guitarists. It is the only book on the market that provides in-depth coverage on how to compose for all aspects of the electric guitar. the book provides notation for all standard plectrum performance practices, harmonics, and extended techniques. It compares the key components that distinguish common types of electric guitars. There is also significant information about sound processors and how they affect the guitar's tone and timbre. the book comes with a compact disc that provides audio corresponding to the music examples. This is a valuable book for composers of any musical genre. It also makes a great reference book for electric guitarists who wish to have the complete profile of their instrument.
Authoritative guide presents 231 of the most frequently performed pieces by 55 composers. A must for music lovers and musicians alike. "No lover of chamber music should be without this Guide." ? John Barkham Reviews.
A compositional handbook and practical guide to help musicians and composers write, orchestrate, and record music.
A complete music appreciation course in one, 120-page, reproducible book/CD package. For each of the 22 featured composers there is a bio (focusing on his or her personal life), a portrait, a listing of the types of music he or she composed, composer factoids, and a timeline. The CD contains a listening example for each composer. The reproducible listening guide includes information about each listening example and a second by second what to listen for in the music." Also included are reviews (assessments) for each composer, plus more than two dozen pages of supplementary material. And it's all reproducible! Composers: Bach, Beethoven, Brahms, Copland, Debussy, Dvorák, Elgar, Handel, Haydn, Hensel, Hildegard, Ives, Joplin, Felix and Fanny Mendelssohn, Mozart, Schubert, Sousa, Stravinsky, Tchaikovsky, Verdi, Vivaldi, and Wagner. Reproducible PDFs included on the Enhanced CD, or purchase the Digital Download option to get a full PDF immediately. Great activities for remote teaching or distance learning!"
The Glissando Headjoint is is a sliding, telescoping tube that extends the overall length of the flute to create a glissando to and from every note. The Glissando Flute is a C flute played with a Glissando Headjoint.This headjoint offers access to an entirely new sonic vocabulary of glissandi, bends, multiphonics, timbres, microtones, and scales, which dramatically increases the expressive potential available to flutists and composers.THE GLISSANDO FLUTE is a handbook for composers who wish to explore new possibilities, performers who have a Glissando Headjoint and are ready to get started, and anyone curious about new music.In this book includes:- an introduction by Robert Dick, creator of the Glissando Headjoint- a history of pitch bending and the Glissando Headjoint- complete fingering diagrams- repertoire lists- techniques- exercises- transcriptions- Melissa Keeling's solo for glissando flute, Tilt
With the ongoing development of algorithmic composition programs and communities of practice expanding, algorithmic music faces a turning point. Joining dozens of emerging and established scholars alongside leading practitioners in the field, chapters in this Handbook both describe the state of algorithmic composition and also set the agenda for critical research on and analysis of algorithmic music. Organized into four sections, chapters explore the music's history, utility, community, politics, and potential for mass consumption. Contributors address such issues as the role of algorithms as co-performers, live coding practices, and discussions of the algorithmic culture as it currently exists and what it can potentially contribute society, education, and ecommerce. Chapters engage particularly with post-human perspectives - what new musics are now being found through algorithmic means which humans could not otherwise have made - and, in reciprocation, how algorithmic music is being assimilated back into human culture and what meanings it subsequently takes. Blending technical, artistic, cultural, and scientific viewpoints, this Handbook positions algorithmic music making as an essentially human activity.