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Fundamentally concerned with the means by which translation ensures the afterlife of literary and cultural texts, this book examines multiple processes of translation, temporal and spatial, through acts of intercultural exchange and intergenerational transmission.
A novel on white colonialism in Africa through the eyes of Fintan, a 12-year-old boy who joins his parents in Nigeria. He meets an African boy his age and participates in the world of the Africans, contrasting it with the world of the whites.
This volume engages the readerâ (TM)s interest in the relationship that binds man to nature, a relationship which makes itself manifest through certain literary or visual artefacts produced by Native or non-Native writers and artists. It ranges from the study of literatures (mainly from Canada â " including Quebec and Acadia â " but also from Britain, the United States of America, France, Turkey, and Australia) to the exploration of films, photographs, paintings and sculptures produced by Aboriginal artists from North America. Thanks to a relational paradigm founded on spatial and temporal enlargement, it re-imagines the critical outlook on indigenous production by instigating a dialogue between endogenous and exogenous scholars, novelists and artists, and by weaving together interdisciplinary approaches spanning anthropology, geology, ecocriticism and the study of myths. From the writings by Scott Momaday to those by Tomson Highway, from Pauline Johnson to Louise Erdrich, or from the photographs by William McFarlane Notman and Edward Burtynsky or the films by Randy Redroad to the paintings by Emily Carr, it explores art as the sedimentation of nature. It simultaneously interrogates the representation of nature and the nature of representation as a geological and generic process inscribed in the history of mankind. Without eclipsing differences and imposing a reified Eurocentric critical discourse upon indigenous productions, this volume does not colonize indigenous texts or indulge in cultural appropriation of works of art, but looks for historical, mythological or geological traces of the past; a past characterized by the intimacy between man and animal, man and rock, or man and plant, a past which is allowed to resurface through the creative and critical outlooks that are bestowed upon its subjacent or subterranean existence. It resurfaces, not as nostalgic memory but as an interactive fertilization giving the present a new life in which the non-human provides a key to the understanding of the human bond to nature.
Discover the satirical and insightful world of ""Sundays of A Bourgeois"" by Guy De Maupassant. This engaging short story offers a critical look at the life of a bourgeois individual, focusing on the often mundane and superficial aspects of their Sundays. Maupassant’s narrative skillfully exposes the absurdities and pretensions of bourgeois society through a blend of humor and social commentary. De Maupassant uses sharp wit and keen observation to explore themes of social class, vanity, and the emptiness that can accompany a life of material comfort. The story provides a satirical yet poignant look at the everyday experiences of the bourgeoisie. ""Sundays of A Bourgeois"" is ideal for readers who enjoy social satire and the exploration of class dynamics. Perfect for those who appreciate Guy De Maupassant’s insightful and humorous storytelling.
This is the first in-depth guide to global community psychology research and practice, history and development, theories and innovations, presented in one field-defining volume. This book will serve to promote international collaboration, enhance theory utilization and development, identify biases and barriers in the field, accrue critical mass for a discipline that is often marginalized, and to minimize the pervasive US-centric view of the field.
In these nine unforgettable and impressionistic 'tales of little madness', the Nobel Prize-winning author Le Clézio explores how the physical sensations we experience every day can be as strong as feelings of love or hate, with their power to bring chaos to our lives. In 'The Day that Beaumont became Acquainted with his Pain', a man with toothache spends the night seeking ways to disown his throbbing jaw; in 'Fever', Roch finds his mind transported by sunstroke; while in 'A Day of Old Age' little Joseph tries to comprehend the physical suffering of a dying old woman. Set in a timeless, spaceless universe, these experimental and haunting works portray the landscape of the human consciousness with dazzling verbal dexterity and power.
The Well-Spoken Thesaurus is designed to help you improve your communication skills by expanding your vocabulary. The book includes over 200 words, arranged in easy-to-use categories, such as "positive emotions," "negative emotions," "intellectual terms," and "descriptive terms." Each entry includes a definition, synonyms, antonyms, and usage examples. The Well-Spoken Thesaurus is particularly useful for writers who want to improve the precision and impact of their language. By providing a range of synonyms for common words and phrases, the book helps writers avoid repetition and clichés, while also encouraging them to use language that is more vivid, specific, and memorable. Some of the benefits of using The Well-Spoken Thesaurus include: Making a stronger impression: By choosing words that are more precise and impactful, you can help your writing stand out from the crowd and make a stronger impression. Demonstrating your communication skills: Using a wide range of vocabulary can demonstrate that you are articulate, sophisticated, and able to communicate effectively. Conveying your personality: Includes a range of descriptive terms that can help you convey your personality and character traits in your writing Overall, The Well-Spoken Thesaurus can be a valuable resource for anyone who wants to improve their writing and communication skills.
The interconnections between histories and memories of the Holocaust, colonialism and extreme violence in post-war French and Francophone fiction and film provide the central focus of this book. It proposes a new model of ‘palimpsestic memory’, which the author defines as the condensation of different spatio-temporal traces, to describe these interconnections and defines the poetics and the politics of this composite form. In doing so it is argued that a poetics dependent on tropes and techniques, such as metaphor, allegory and montage, establishes connections across space and time which oblige us to perceive cultural memory not in terms of its singular attachment to a particular event or bound to specific ethno-cultural or national communities but as a dynamic process of transfer between different moments of racialized violence and between different cultural communities. The structure of the book allows for both the theoretical elaboration of this paradigm for cultural memory and individual case-studies of novels and films.