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A Time “Must-Read” Book of 2019 “[Williams] is so honest and fresh in his observations, so skillful at blending his own story with larger principles, that it is hard not to admire him.” —Andrew Solomon, New York Times Book Review (front page) The son of a “black” father and a “white” mother, Thomas Chatterton Williams found himself questioning long-held convictions about race upon the birth of his blond-haired, blue-eyed daughter—and came to realize that these categories cannot adequately capture either of them, or anyone else. In telling the story of his family’s multigenerational transformation from what is called black to what is assumed to be white, he reckons with the way we choose to see and define ourselves. Self-Portrait in Black and White is a beautifully written, urgent work for our time.
When Thomas Chatterton, a brilliant literary counterfeiter, is found dead in 1770, the mysterious circumstances surrounding his death are unraveled in succeeding centuries.
'The Rowley Poems' is a collection of poems that the author, Thomas Chatterton, penned as Thomas Rowley, which was a pseudonym that he adopted by pretending to be a monk of the 15th century. As Rowley, Chatterton's poems were celebrated, with some of his best-known works featured in this current volume of work.
00 The enigma of Thomas Chatterton is investigated by Louise J. Kaplan, who untangles the counterfeiter from the artist, the troubled adolescent from the visionary poet, as she recreates the short life of a fatherless boy who found an authentic voice only in the realm of his imaginings. The enigma of Thomas Chatterton is investigated by Louise J. Kaplan, who untangles the counterfeiter from the artist, the troubled adolescent from the visionary poet, as she recreates the short life of a fatherless boy who found an authentic voice only in the realm of his imaginings.
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A pitch-perfect account of how hip-hop culture drew in the author and how his father drew him out again-with love, perseverance, and fifteen thousand books. Into Williams's childhood home-a one-story ranch house-his father crammed more books than the local library could hold. "Pappy" used some of these volumes to run an academic prep service; the rest he used in his unending pursuit of wisdom. His son's pursuits were quite different-"money, hoes, and clothes." The teenage Williams wore Medusa- faced Versace sunglasses and a hefty gold medallion, dumbed down and thugged up his speech, and did whatever else he could to fit into the intoxicating hip-hop culture that surrounded him. Like all his friends, he knew exactly where he was the day Biggie Smalls died, he could recite the lyrics to any Nas or Tupac song, and he kept his woman in line, with force if necessary. But Pappy, who grew up in the segregated South and hid in closets so he could read Aesop and Plato, had a different destiny in mind for his son. For years, Williams managed to juggle two disparate lifestyles- "keeping it real" in his friends' eyes and studying for the SATs under his father's strict tutelage. As college approached and the stakes of the thug lifestyle escalated, the revolving door between Williams's street life and home life threatened to spin out of control. Ultimately, Williams would have to decide between hip-hop and his future. Would he choose "street dreams" or a radically different dream- the one Martin Luther King spoke of or the one Pappy held out to him now? Williams is the first of his generation to measure the seductive power of hip-hop against its restrictive worldview, which ultimately leaves those who live it powerless. Losing My Cool portrays the allure and the danger of hip-hop culture like no book has before. Even more remarkably, Williams evokes the subtle salvation that literature offers and recounts with breathtaking clarity a burgeoning bond between father and son. Watch a Video
Sacrificing any chance of his own fame, the eighteenth century teenage poet Thomas Chatterton attributed his poems to a fictitious fifteenth century poet, under the name Sir Thomas Rowley. The Delphi Poets Series offers readers the works of literature's finest poets, with superior formatting. This volume presents the complete works of Thomas Chatterton, with beautiful illustrations and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Chatterton's life and works * Concise introduction to the life and poetry of Chatterton * Excellent formatting of the poems * Special chronological and alphabetical contents tables for the poetry * Easily locate the poems you want to read * The poetry texts are taken from the celebrated Walter Skeat edition of Chatterton – available in no other digital collection * Rare Rowley poems available nowhere else * Includes Chatterton's prose works - explore the poet's personal letters * Features two biographies - discover Chatterton's literary life * Scholarly ordering of texts into chronological order and literary genres Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: The Poetry of Thomas Chatterton BRIEF INTRODUCTION: THOMAS CHATTERTON The Poems LIST OF POEMS IN CHRONOLOGICAL ORDER LIST OF POEMS IN ALPHABETICAL ORDER The Prose LIST OF LETTERS AND OTHER PROSE WORKS The Biographies THE LIFE OF THOMAS CHATTERTON by Edward Bell CHATTERTON’S LIFE AND DEATH AND THE GENESIS OF THE ROWLEY POEMS by Maurice Evan Hare Please visit www.delphiclassics.com to browse through our range of exciting titles
Long before Wordsworth etherealized him as 'the marvellous Boy / The sleepless Soul that perished in its pride', Thomas Chatterton was touted as the 'second Shakespeare' by eighteenth-century Shakespeareans, ranked among the leading British poets by prominent literary critics, and likened to the fashionable modern prose stylists Macpherson, Sterne, and Smollett. His pseudo-medieval Rowley poems, in particular, engendered a renewed fascination with ancient English literature. With Chatterton as its case study, this book offers new insights into the formation and development of literary scholarship in the period, from the periodical press to the public lecture, from the review to the anthology, from textual to biographical criticism. Cook demonstrates that, while major scholars found Chatterton to be a pertinent subject for multiple literary debates in the eighteenth century, by the end of the Romantic period he had become, and still remains, an unsettling model of hubristic genius.