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Aristoxenus of Tarentum was a Greek Peripatetic philosopher, and a pupil of Aristotle. He was the most famous music theorist in antiquity and came to be referred to simply as "the musician." Most of his writings, which dealt with philosophy, ethics and music, have been lost, but one musical treatise, Elements of Harmony survives incomplete, as well as some fragments concerning rhythm and meter. The Elements is the chief source of our knowledge of ancient Greek music. Αριστόξενος
A fourth century BC Greek Peripatetic philosopher, Aristoxenus was the pupil of Aristotle and is now regarded as the first authority of musical theory in the classical world. Although he wrote almost 500 works, only Aristoxenus’ landmark treatise on music, ‘Elements of Harmony’, survives in a significant state. It is of invaluable worth, providing the chief source of knowledge on ancient Greek music. Delphi’s Ancient Classics series provides eReaders with the wisdom of the Classical world, with both English translations and the original Greek texts. This comprehensive eBook presents Aristoxenus’ complete extant works, with illustrations, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Aristoxenus and his times * Features the complete extant works, in both English translation and the original Greek * Concise introduction to ‘Elements of Harmony’ * Henry Stewart Macran’s 1902 translation, digitised here for the first time * Excellent formatting of the texts * Easily locate the sections you want to read with individual contents tables * Includes rare Greek fragments of Aristoxenus’ works * Features Macran’s seminal study of the development of ancient Greek music, with numerous illustrations— first time in digital print Please visit www.delphiclassics.com to explore our range of Ancient Classics titles or buy the entire series as a Super Set CONTENTS: The Translation The Elements of Harmony The Greek Texts The Elements of Harmony Fragments The Biography Introduction to Aristoxenus (1902) by Henry S. Macran Please visit www.delphiclassics.com to browse through our range of exciting titles
Proclus the Successor was a fifth-century Greek Neoplatonist philosopher and the last major ancient Greek philosopher. He set forth one of the most elaborate and fully developed systems of Neoplatonism. Like Iamblichus, Proclus opposed Christianity and passionately defended paganism. He upheld that thoughts constitute reality, while concrete “things” are mere appearances. Ultimate reality, the “One,” is both God and the Good and unifies his ethical and theological systems. His attitudes significantly influenced the development of theology in both the East and the West. Delphi’s Ancient Classics series provides eReaders with the wisdom of the Classical world, with both English translations and the original Greek texts. This eBook presents Proclus’ collected works, with illustrations, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Proclus’ life and works * Features the collected works of Proclus, in both English translation and the original Greek * Includes Thomas Taylor’s seminal translations * Excellent formatting of the texts * Easily locate the texts you want to read with individual contents tables * Includes Proclus’ rare treatises, digitised here for the first time * Provides a special dual English and Greek text of ‘Elements of Theology’, allowing readers to compare the sections paragraph by paragraph — ideal for students * Features Marinus’ (Proclus’ successor) biography — discover Proclus’ ancient world * Ordering of texts into chronological order and literary genres CONTENTS: The Translations Commentary on Timaeus Commentary on the First Alcibiades An Apology for the Fables of Homer Commentaries on the First Book of Euclid’s ‘Elements of Geometry’ Elements of Physics Elements of Theology On the Theology of Plato Ten Doubts Concerning Providence On the Existence of Evils On Providence and Fate Hymns Fragments The Greek Texts Selected Greek Texts The Dual Text Elements of Theology The Biography Life of Proclus by Marinus Please visit www.delphiclassics.com to explore our range of Ancient Classics titles or buy the entire series as a Super Set
Aristoxenus of Tarentum makes productive use of Aristotelian concepts and methods in developing his theory of musical rhythm in his treatise Elements of Rhythm. He applies the Aristotelian distinction between form and material and the concept of hypothetical necessity to provide an explanation for why musical rhythm is manifested in the syllables of song, the notes of melody, and the steps of dance. He applies the method of formulating differentiae, as described in Aristotle's Parts of Animals, to codify the formal properties of rhythm. Aristoxenus' description of the rhythmic foot presents several interpretive challenges. Our text is fragmentary, and we lack Aristoxenus' definitions of several key terms. This study seeks to establish the meanings of these terms on the basis of a close examination of the structure of Aristoxenus' argument. Parallel passages in Aristides Quintilianus' On Music are considered in detail for their consistency or lack thereof with Aristoxenian usage. Parallel passages in POxy 2687 are cited as illustrations for several rhythmic constructions and principles Aristoxenus mentions; because these involve original interpretations of some points in POxy 2687, they are supported by a thorough presentation of POxy 2687 in a separate chapter. One central conclusion of this study is that Aristoxenus viewed rhythmic feet as musical functions, analogous to the theory of melodic functions he had presented in his Elements of Harmony. Only limited conclusions about the applicability of Aristoxenus' theory to the history of ancient Greek music can be justified. While some of the extant remains of Greek music are in accord with Aristoxenian theory, others contradict it. Much of ancient poetry is more rhythmically complex than what is presented in our text of E.R., but regular poetic forms such as the anapestic dimeter and the stately rhythms of religious hymns may have provided the original starting points for subsequent rhythmic developments Aristoxenus seeks to explain.