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This book provides everything you need to know to start playing the Vienna as White or Black. Through the use of model games for both sides, the author provides a thorough grounding in the key ideas, so that readers can quickly and confidently start ot use the Vienna in their own games.
The Vienna variation of the Queen's Gambit Declined is a complex and fascinating system arising after 1 d4 d5 2 c4 e6 3 Nc3 Nf6 4 Nf3 Bb4 5 Bg5 dxc4. This counterattacking weapon has become increasingly popular over the last decade and is frequently seen in games played at the highest level. Many games featuring elite players such as Garry Kasparov, Magnus Carlsen, Vladimir Kramnik, Viswanathan Anand and Lev Aronian have started out in this variation. In this QGD/Nimzo-Indian hybrid play can become extremely sharp very quickly and an in-depth knowledge of the theory is essential. Black will often grab material but will suffer from a lack of development and an exposed king. This variation will suit well-prepared players who have good tactical awareness and relish hand-to-hand combat.
You can count on Rick Steves to tell you what you really need to know when traveling in Vienna. With this guide, you'll explore elegant Vienna—the epicenter of opera, coffee, Art Nouveau, and waltz music. Meander through Habsburg palaces and nibble a Sacher torte in a velvet-lined café. In the evening, catch a classical concert, or sip wine with the locals in a traditional Heuriger garden. Beyond Vienna, stroll the Baroque street of Salzburg, home to Mozart and The Sound of Music for a taste of the Alpine living, head to the snowy peaks and green valleys of Tirol. Rick's candid, humorous advice will guide you to good-value hotels and restaurants. He'll help you plan where to go and what to see, depending on the length of your trip. You'll get up-to-date recommendations about what is worth your time and money. More than just reviews and directions, a Rick Steves guidebook is a tour guide in your pocket.
A symbol of modernity, the Viennese Secession was defined by the rebellion of twenty artists who were against the conservative Vienna Künstlerhaus' oppressive influence over the city, the epoch, and the whole Austro-Hungarian Empire. Influenced by Art Nouveau, this movement (created in 1897 by Gustav Klimt, Carl Moll, and Josef Hoffmann) was not an anonymous artistic revolution. Defining itself as a “total art”, without any political or commercial constraint, the Viennese Secession represented the ideological turmoil that affected craftsmen, architects, graphic artists, and designers from this period. Turning away from an established art and immersing themselves in organic, voluptuous, and decorative shapes, these artists opened themselves to an evocative, erotic aesthetic that blatantly offended the bourgeoisie of the time. Painting, sculpture, and architecture are addressed by the authors and highlight the diversity and richness of a movement whose motto proclaimed “for each time its art, for each art its liberty” – a declaration to the innovation and originality of this revolutionary art movement.
From 1919 to 1934, the Socialist government in Vienna sought to create a comprehensive working-class culture, striving to provide a foretaste of the socialist utopia in the present. In Red Vienna, Gruber critically examines the impact of this experiment in all areas of life, from massive public housing projects and health and education programs to socialist parades, festivals, and sporting events designed to create a "new" working class. The Socialist program faced enormous obstacles, arising from the exaggerated expectations of the socialist leaders and their conventional cultural vision, from the resistance of workers, and from the competition of commercial and mass culture. Gruber then evaluates the limited and partial success of the Viennese "model" -- clearly the most comprehensive in the West and a democratic alternative to the Bolsheviks' experiment in Soviet Russia -- to pose general questions about attempts to fashion culture from above.
The long-awaited Revised Standard Edition of the Complete Psychological Works of Sigmund Freud (RSE) is founded on the canonical Standard Edition (SE) translation from the German by James Strachey, while adding a new layer of revisions and translations. Conceptual and lexicographic ambiguities are clarified inextensive new annotations. Drawing on established conventions and intellectual traditions, the Revised Standard Edition supplements Freud’s writing with substantial editorial commentaries addressing controversial technical terms and translation issues through the lens of modern scholarship—a living text in dialogue with itself and the reader. The RSE also includes 56 essays and letters which were not included in the SE. In the RSE text and footnotes a subtle underlining distinguishes, in an easy and accessible way, Mark Solms’s revisions and additions, from the historical translation and commentaries of James Strachey’s Standard Edition. Readers can examine what Strachey contributed before the revisions in tandem with Solms’s updates, new translations, annotations, and commentaries, collectively bringing Freud’s text and Strachey’s translation into dialogue with five decades of research, including the most recent developments in the field. Commissioned by the British Psychoanalytical Society and co-published by Rowman & Littlefield, the Revised Standard Edition brings together decades of scholarly deliberation concerning the translation of Freudian technical terms while retaining the best of Strachey’s original English translation.This landmark work will captivate a wide audience, from interested lay readers to practicing clinicians to scientists and scholars in fields related to psychoanalysis.