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The goal of this scale book is to provide a full range of fundamental techniques for the performer in advance studies on the saxophone and oboe. The patterns of the exercises are presented in a continuously rhythmic articulation for maximum development. The scale book is designed to supply the sax and oboe player with a full range of capabilities. The scale book consists of the following information: major scales, harmonic minor scales, major third progressions, minor third progressions, chromatic scales, major arpeggios, harmonic minor arpeggios, whole tone scales, diminished seventh chord study, augmented chord study, whole tones scales in thirds, chromatic scale in minor thirds, chromatic scale in major thirds, interval studies, and the altissimo register fingering chart for saxophones. Some of the scales are designed in two octave patterns. There is a continual, sixteen-note rhythmic pattern throughout all the scales. Take the time to work through the scale book routinely. This will allow you the opportunity to play through the book within an hour-long practice session and enhance your skills. Playing entire scales is rewarding to one's ability. As you unlock the doors to your untapped potential, you will earn the level of success you want to achieve in playing the saxophone and oboe. The altissimo register fingering chart for saxophones is available to improve on your overall range capabilities. Some of the notes will be difficult to play, but striving to maintain a balanced embouchure and lower jaw pressure support should bring positive results. We truly hope that you enjoy, “The Complete Saxophone and Oboe Scales Book” for your personal musical development. This scale book has been a personal project for the two of us for over twenty-nine years. We started working on it at Kentucky State University back in 1981.
A trusted training method for aspiring and serious players, "The Saxophone Bible" covers tuning, tone production, fingering, breath control, playing low and high ranges, scales, intervals, and much more.
The Forty-eight Studies have long been one of the standard teaching tools for oboists and saxophonists seeking to develop their skills to an advanced level. Newly engraved from the original publication, this edition presents a clean copy of Ferling's compositions without the editorial markings incorporated into other versions available today. Apparent omissions in the original publication are indicated by parentheses or dotted lines. This faithful presentation gives the performer a much wider variety of interpretive choices, allowing these studies to fulfill their mission of teaching musicianship, as well as playing technique.
The material in the Gekeler Method for Oboe is divided in two parts. The studies in Part I are for the purpose of developing musical style and interpretation; those in Part II are for the study of scales and intervals, and for improvement of articulation.
In Oboe Art and Method, veteran oboe performer and instructor Martin Schuring describes in detail all of the basic techniques of oboe playing (including breathing, embouchure, finger technique, articulation, and phrasing) and reed making, with expert tips and step-by-step instructions for how best to perform each of these tasks with grace and technical efficiency.
(Woodwind Method). This Berklee Workshop provides the intermediate to advanced saxophone player with material that is both technically challenging and musically compelling. Preparatory exercises and reading studies combine to make this workshop an excellent method for improving technique, phrasing and rhythmic accuracy. Includes exercises to take reading and playing skills from novice to expert levels!
James Rae's highly successful method Progressive Jazz Studies has given countless aspiring jazz players the confidence to play with real style. Now with Jazz Saxophone Studies, 78 of Rae's studies are brought together into a single great-value book, from Grade 1 to 5 (elementary to late intermediate). Part 1 introduces the beginner to jazz rhythms including swing quavers, syncopation and anticipation; Part 2 contains fully graded melodic jazz studies; and Part 3 develops confidence within common jazz tonalities: whole-tone, diminished and blues scales, modes and the II-V-I chord sequence.
Body & Soul, a song with music by Johnny Green and lyrics by Frank Eyton, Edward Heyman, and Robert Sour, was first published in 1930. It became a popular tune for jazz musicians. This volume presents transcriptions and analyses of recorded solos by Coleman Hawkins, Lester Young, Stan Getz, Sonny Rollins, John Coltrane, Dexter Gordon, Michael Brecker, and Chris Potter. With a foreword by Chris Potter.