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The set contains "the first complete, coordinated English translation of The sagas of Icelanders, forty in all, together with forty-nine of the shorter Tales of Icelanders."--Preface.
The set contains "the first complete, coordinated English translation of The sagas of Icelanders, forty in all, together with forty-nine of the shorter Tales of Icelanders."--Preface.
The set contains "the first complete, coordinated English translation of The sagas of Icelanders, forty in all, together with forty-nine of the shorter Tales of Icelanders."--Preface.
Reviews over 400 seminal games from 1975 to 2015. Each entry shares articles on the genre, mod suggestions and hints on how to run the games on modern hardware.
Excerpt from Epic and Romance Essays on Medieval Literature These essays are intended as a general description of some of the principal forms of narrative literature in the Middle Ages, and as a review Of some of the more interesting works in each period. It is hardly necessary to say that the conclusion is one in which nothing is concluded, and that whole tracts of literature have been barely touched on - the English metrical romances, the Middle High German poems, the ballads, Northern and Southern - which would require to be considered in any systematic treatment of this part of history. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Composed at the end of the fourteenth century by an unknown author, The Saga of Grettir the Strong is one of the last great Icelandic sagas. It relates the tale of Grettir, an eleventh-century warrior struggling to hold on to the values of a heroic age becoming eclipsed by Christianity and a more pastoral lifestyle. Unable to settle into a community of farmers, Grettir becomes the aggressive scourge of both honest men and evil monsters - until, following a battle with the sinister ghost Glam, he is cursed to endure a life of tortured loneliness away from civilisation, fighting giants, trolls and berserks. A mesmerising combination of pagan ideals and Christian faith, this is a profoundly moving conclusion to the Golden Age of the saga writing.
In Iceland, the age of the Vikings is also known as the Saga Age. A unique body of medieval literature, the Sagas rank with the world’s great literary treasures – as epic as Homer, as deep in tragedy as Sophocles, as engagingly human as Shakespeare. Set around the turn of the last millennium, these stories depict with an astonishingly modern realism the lives and deeds of the Norse men and women who first settled in Iceland and of their descendants, who ventured farther west to Greenland and, ultimately, North America. Sailing as far from the archetypal heroic adventure as the long ships did from home, the Sagas are written with psychological intensity, peopled by characters with depth, and explore perennial human issues like love, hate, fate and freedom.