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For the musical at heart, the Puerto Rican Cuatro Method Vol. 1 book is a boon! From the moment you leaf through it, you're hooked. This beautifully written book is authored by noted guitarist and Cuatro player, Samuel Ramos and has been edited by Luis Torres. The Metodo de Cuatro Puertorriqueno is a bilingual book in its entirety. Each page has been transcribed in two languages – English and Spanish. A befitting testament to the beautiful heritage of Puerto Rico!If you are a novice and are eager to learn from the best, don't fret for lack of opportunity! This book is prolific in its explanations and instructions, keeping it simple from start to finish. The book covers everything from theory, scales and chords to danzas and classical music.The book is perfect for basic beginners. It starts where you would want to – parts of a Cuatro and posture while playing a Cuatro. These seemingly simple steps are the foundation to being one of the best!The book has been written in the notation and tablature formats. Each song bears the chords that are to be used. All time favorites find themselves in the pages -from Jingle Bells and Twinkle, Twinkle to The Star Spangled Banner. The forte of this book is its stress on the step-by-step instruction guide that helps you along in a proactive manner. That way, you don't skip the really important matters!Features: Step-by-step learning Complete guide that starts from the beginning Bilingual – English and Spanish Authored and edited by noted Cuatro Musicians Simple and easy to followFor a fun filled journey to learn the Cuatro, and through it the beautiful Puerto Rican heritage, don't go further than this book! You have already found the Holy Grail of Cuatro Learning!
The Puerto Rican Cuatro Chord Bible, with its 1,728 chords offers a complete solution for both beginner and experienced professional musician alike. The layout is uncomplicated and follows a logical musical progression from standard major chords up to the more esoteric thirteenths used by many jazz players. To accompany the 1,728 chords, a further 576 possible moveable chord configurations are included, together with a useful range of slash chords, reflecting the popularity of this type of chord in many of today's artist and compilation topline songbooks. This highly comprehensive guide provides the musician with no fewer than 68 different types of chord in all twelve keys, making it the definitive publication for the Puerto Rican cuatro. Whether you play folk, rock, pop, jazz or any other type of popular music, The Puerto Rican Cuatro Chord Bible makes the ideal reference source for all occasions. Standard Chords covered in The Puerto Rican Cuatro Chord Bible (using the key of C as an example): C, Cm, C7, Cm7, C5, C6, Cm6, Cmaj7, Cdim, Cdim7, C-5, C+, Csus2, Csus4, C7sus4, Cm7-5, Cadd9, Cmadd9, C6add9, Cm6add9, C7-5, C7+5, C7-9, C7+9, Cm(maj7), Cmaj7-5, Cmaj7+5, C9, Cm9, Cmaj9, C11, C13. Advanced Chords covered in The Puerto Rican Cuatro Chord Bible (using the key of C as an example): C4, Cadd11, Csus4add9, Cm-6, C7sus2, C7-5-9, C7-5+9, C7+5-9, C7+5+9, C7add11, C7add13, C7+11, Cm7-5-9, Cm7-9, Cm7add11, Cmaj7+11, C9sus4, C9-5, C9+5, C9+11, Cm9-5, Cm(maj9), Cmaj9-5, Cmaj9+5, Cmaj9+11, Cmaj9add6, C11-9, Cm11, Cmaj11, C13sus4, C13-5-9, C13-9, C13+9, C13+11, Cm13, Cmaj13. Major Slash Chords covered in The Puerto Rican Cuatro Chord Bible (using the key of C as an example): C/C, C/Db, C/D, C/Eb, C/E, C/F, C/F#, C/G, C/Ab, C/A, C/Bb, C/B. Beside the many pages of chord boxes or windows, the book features useful sections on tuning, chord construction, fingerboard layout, FAQs, alternative chord naming, fingering, slash chords, harmonic intervals, chord window blanks for transcribing your own favorite chord sequences etc. The aim of this guide is to provide the musician with the flexibility only really offered to guitar and keyboard players in the past. Now, with the help of The The Puerto Rican Cuatro Chord Bible, musicians will be able to pick up any songbook and instantly have access to even the most complex and advanced chords.
A complete reference for the design and construction of the steel-string folk guitar and the classical guitar.
Divided Borders: Essays on Puerto Rican Identity is a collection of essays on history, literature and culture by the celebrated commentator on Puerto Rican and Caribbean culture in the United States, Juan Flores. He is the recipient of the prestigious Casa de las Americas award for his monograph on Puerto Rican identity. Included are: ñPuerto Rican Literature in the United States: Stages and Perspectives,î ñThe Insular Vision: Pedreira and the Puerto Rican Misere,î ñNational Culture and Migration: Perspectives of the Puerto Rican Working Class,î ñLiving Borders / Buscando America: Languages of Latino Self Formationî and many others.
World-renowned tresero (tres player) Nelson Gonzalez explains tuning and playing of the Cuban tres guitar, offering tips for beginning to advanced players. As the instrument's name implies, the tres has three courses of double or triple strings and is used both as a lead and an accompaniment instrument. the author thoughtfully includes instructions for converting a normal 6-string guitar to a tres guitar, offering suggestions for appropriate string gauges.This may be the first book of its kind published outside of Cuba. the method contains Latin folksongs arranged for the beginning tres player plus examples of repeated, often syncopated underlying vamps called montunos. the book also presents all principal chords and scale patterns plus notation fundamentals- all beautifully illustrated with clear photos, diagrams and explanations. Written in standard notation only.Nelson Gonzalez is singularly qualified to write this book. Known in Latin music circles as the "Ambassador of the Cuban Tres Guitar", he has toured or recorded with a virtual Who's Who of Latin stars not to mention his own band, Son Mudano. His tres mastery is featured on dozens of recordings with such artists as Tito Puente, Gloria Estefan, Andy Garcia, Paul Simon, and Marc Anthony to name only a few.
Carmen T. Bernier-Grand grew up in Puerto Rico, and in Shake It, Morena! she shares her good times with us. The book is a potpourri of songs, riddles, stories and games, all viewed through the experiences of a young girl. We follow her from the time she awakens in the morning and through her school day. We see her friends and family and learn about her customs and language—all while singing and playing!
Two Latin American tree frogs, mischievous Rafi and his younger sister Rosi, enjoy the events of Puerto Rico's Carnival season.
Magic, sexual tension, high comedy, and intense drama move through an enchanted yet harsh autobiography, in the story of a young girl who leaves rural Puerto Rico for New York's tenements and a chance for success.
A behind the scenes look at the music that is currently the soundtrack of the globe, reported on and written by Leila Cobo, Billboard's VP of Latin Music and the world's ultimate authority on popular Latin music. Decoding "Despacito" tracks the stories behind the biggest Latin hits of the past fifty years. From the salsa born and bred in the streets of New York City, to Puerto Rican reggaetón and bilingual chart-toppers, this rich oral history is a veritable treasure trove of never-before heard anecdotes and insight from a who's who of Latin music artists, executives, observers, and players. Their stories, told in their own words, take you inside the hits, to the inner sanctum of the creative minds behind the tracks that have defined eras and become hallmarks of history. FEATURING THE STORIES BEHIND SONGS BY: José Feliciano • Los Tigres Del Norte • Julio Iglesias • Gloria Estefan and Miami Sound Machine • Willie Colón • Juan Luis Guerra • Selena • Los Del Río • Carlos Vives • Elvis Crespo • Ricky Martin • Santana • Shakira • Daddy Yankee • Marc Anthony • Enrique Iglesias with Descemer Bueno and Gente De Zona • Luis Fonsi with Daddy Yankee • J Balvin with Willy William • Rosalía
Made in Puerto Rico: Studies in Popular Music serves as a comprehensive introduction to the history, culture, and musicology of 20th and 21st century popular music in Puerto Rico. The essays in this volume, written by both local experts and leading scholars, contextualize under-researched areas of Puerto Rican popular music-making in relation to ideologies, aesthetics, and symbolism, and propose new ways of thinking about Puerto Rican musical cultures. A groundbreaking introduction to Puerto Rican musical culture, the volume covers the major figures, styles, and social contexts of popular music in Puerto Rico, while also going beyond conventional narratives. Rather than simply providing histories of key genres, these insightful essays focus on the ways in which Puerto Rican musicians reimagine their distinctive musical language as it transmutes from local practices into global expressions. Offering both a survey of Puerto Rican popular music and pathways into deeper critical inquiry, Made in Puerto Rico is an essential resource for scholars and students of music and of Puerto Rican, Caribbean, Latin American, and African Diaspora Studies.