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This wonderful read-aloud volume introduces a new generation of youngsters to the work of May Swenson, the widely honored American poet who spent a lifetime celebrating the magic and mystery of the written word. Here are riddle poems, poems about animals, water, space, and more--each one is a poem to solve.
Algorithms are the hidden methods that computers apply to process information and make decisions. Nowadays, our lives are run by algorithms. They determine what news we see. They influence which products we buy. They suggest our dating partners. They may even be determining the outcome of national elections. They are creating, and destroying, entire industries. Despite mounting concerns, few know what algorithms are, how they work, or who created them. Poems that Solve Puzzles tells the story of algorithms from their ancient origins to the present day and beyond. The book introduces readers to the inventors and inspirational events behind the genesis of the world's most important algorithms. Professor Chris Bleakley recounts tales of ancient lost inscriptions, Victorian steam-driven contraptions, top secret military projects, penniless academics, hippy dreamers, tech billionaires, superhuman artificial intelligences, cryptocurrencies, and quantum computing. Along the way, the book explains, with the aid of clear examples and illustrations, how the most influential algorithms work. Compelling and impactful, Poems that Solve Puzzles tells the story of how algorithms came to revolutionise our world.
Each of the 35 selections in this collection is a poem to solve. Pointing out the fact that more is hidden in poetry than in prose, Swenson offers first a group of riddle poems, in which the subject is not named in either the title or text, followed by other verses all of which contain various hidden elements of meaning.
A debut poetry collection exploring the real lives of siblings Georg and Grete Trakl while addressing themes of desire, addiction, loss, and absence. Georg Trakl is one of the most celebrated poets of the early twentieth century. Less is known about his sister, Grete: also gifted, also addicted to drugs, and dead by her own hand three years after Georg’s overdose. But in Solve for Desire—selected by Srikanth Reddy as the winner of the 2017 Lindquist & Vennum Prize for Poetry—Caitlin Bailey summons Grete from the shadows. At once sensual and acidic, obsessive and bereft, the Grete of these poems is a fairy-tale sister leaving “missives dropped around the city, crumbs / for your ghost.” Can one person be addicted to another? Can two souls be twinned, and where does that leave the physical? How do we solve for desire when the object we adore disappears—and how does the poet solve and resolve the past, its wounds and its absences? “Each time I write your name,” Bailey writes, “a key / turns somewhere in a lock.” Like the “perfect red burst” of poppies and of blood, these poems are a blooming, keening exploration of desire between brother and sister, poet and subject, the living and the dead. Praise for Solve for Desire “The work of a poet who sings, boldly, across the distances between us.” —Srikanth Reddy “A sobering look at desire, addiction, loss, and absence in this debut collection of short, lyric poems that are by turns lush and understated, lofty and plainspoken. . . . She performs a kind of feminist resuscitation of the lesser-known Grete, focusing on small moments of quiet, grief, lust, and memory, and fleshing out a story that is still disputed” —Publishers Weekly “This precarious, satisfyingly disjointed debut collection of poetry captures the spirit of the [Trakl] siblings. . . . Bailey’s brilliantine lyrics shine brightest when the siblings’ characters are wrought in full relief.” —Booklist
John Milton is, next to William Shakespeare, the most influential English poet, a writer whose work spans an incredible breadth of forms and subject matter. The Complete Poetry and Essential Prose of John Milton celebrates this author’s genius in a thoughtfully assembled book that provides new modern-spelling versions of Milton’s texts, expert commentary, and a wealth of other features that will please even the most dedicated students of Milton’s canon. Edited by a trio of esteemed scholars, this volume is the definitive Milton for our time. In these pages you will find all of Milton’s verse, from masterpieces such as Paradise Lost–widely viewed as the finest epic poem in the English language–to shorter works such as the Nativity Ode, Lycidas,, A Masque and Samson Agonistes. Milton’s non-English language sonnets, verses, and elegies are accompanied by fresh translations by Gordon Braden. Among the newly edited and authoritatively annotated prose selections are letters, pamphlets, political tracts, essays such as Of Education and Areopagitica, and a generous portion of his heretical Christian Doctrine. These works reveal Milton’s passionate advocacy of controversial positions during the English Civil War and the Commonwealth and Restoration periods. With his deep learning and the sensual immediacy of his language, Milton creates for us a unique bridge to the cultures of classical antiquity and medieval and Renaissance Christianity. With this in mind, the editors give careful attention to preserving the vibrant energy of Milton’s verse and prose, while making the relatively unfamiliar aspects of his writing accessible to modern readers. Notes identify the old meanings and roots of English words, illuminate historical contexts–including classical and biblical allusions–and offer concise accounts of the author’s philosophical and political assumptions. This edition is a consummate work of modern literary scholarship.
From the Introduction: Just words of course, all just so many words. But words strung slyly, judiciously, and always lovingly one after the other in due order and in such a way as to entertain, sometimes astonish, and, the poet hopes, occasionally enlighten the literate, or even otherwise, reader; all cast in diverse poetical schemes ranging from the formal classical pentameter of Milton or Tennyson to unformed lines to satisfy even the postiest of moderns; but in fact most of the lines herein actually - can it be? - scan, and many - oh no! - even rhyme, sometimes obviously, sometimes merely hinted at in surprising ways, recalling Wallace Stevens's remark that "one writes poetry out of a delight in the harmonious and orderly"; one will find here blank verse, heroic couplets, a touch of ottava rima, numerous sonnets of various styles, even, just for fun, a limerick and a finicky double dactyl; also some rowdy cowboy poetry and other diverse schemes nearly as numerous as the pages herein.
This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices. John Keats (1795–1821) was an English Romantic poet. The poetry of Keats is characterized by sensual imagery, most notably in the series of odes. Today his poems and letters are some of the most popular and most analyzed in English literature. Table of Contents: Introduction: Life of John Keats by Sidney Colvin Ode Ode on a Grecian Urn Ode to Apollo Ode to Fanny Ode on Indolence Ode on Melancholy Ode to Psyche Ode to a Nightingale Sonnets Sonnet: When I Have Fears That I May Cease to Be Sonnet on the Sonnet Sonnet to Chatterton Sonnet Written in Disgust of Vulgar Superstition Sonnet: Why Did I Laugh Tonight? No Voice Will Tell Sonnet to a Cat Sonnet Written Upon the Top of Ben Nevis Sonnet: This Pleasant Tale is Like a Little Copse Sonnet - The Human Seasons Sonnet to Homer Sonnet to A Lady Seen for a Few Moments at Vauxhall Sonnet on Visiting the Tomb of Burns Sonnet on Leigh Hunt's Poem 'the Story of Rimini' Sonnet: A Dream, After Reading Dante's Episode of Paulo and Francesco Sonnet to Sleep Sonnet Written in Answer to a Sonnet Ending Thus: Sonnet: After Dark Vapours Have Oppress'd Our Plains Sonnet to John Hamilton Reynolds Sonnet on Sitting Down to Read King Lear Once Again Sonnet: Before He Went to Feed with Owls and Bats Sonnet Written in the Cottage Where Burns Was Born Sonnet to The Nile Sonnet on Peace Sonnet on Hearing the Bagpipe and Sonnet: Oh! How I Love, on a Fair Summer's Eve Sonnet to Byron Sonnet to Spenser Sonnet: As from the Darkening Gloom A Silver Dove Sonnet on the Sea Sonnet to Fanny Sonnet to Ailsa Rock Sonnet on a Picture of Leander Translation from a Sonnet of Ronsard Two Sonnets on Fame Lamia Isabella Endymion Hyperion Stanzas Spenserian Stanza Spenserian Stanzas on Charles Armitage Brown Stanzas to Miss Wylie Robin Hood The Eve of St. Agnes
Winner Gish Prize for Lifetime Achievement A representative collection of the life work of the much-honored poet and a founder of the Black Arts movement, spanning the 4 decades of her literary career. Gathering highlights from all of Sonia Sanchez’s poetry, this compilation is sure to inspire love and community engagement among her legions of fans. Beginning with her earliest work, including poems from her first volume, Homecoming (1969), through to 2019, the poet has collected her favorite work in all forms of verse, from Haiku to excerpts from book-length narratives. Her lifelong dedication to the causes of Black liberation, social equality, and women’s rights is evident throughout, as is her special attention to youth in poems addressed to children and young adults. As Maya Angelou so aptly put it: “Sonia Sanchez is a lion in literature’s forest. When she writes she roars, and when she sleeps other creatures walk gingerly.”
Often compared to the works of E.E. Cummings and Elizabeth Bishop, these poems are a free-ranging exploration of outer and inner worlds, of nature and the human mind In celebration of the centenary of May Swenson’s birth, The Library of America presents a one-volume edition of all of the poems that Swenson published in her lifetime—from her first collection Another Animal (1954) to the innovative shaped poems of Iconographs (1970) to her final work In Other Words (1987)—as well as a selection of previously uncollected work. The collection reveals the sweeping compass of Swenson’s curiosity: nature poems display her keen observation of wildlife; exuberant and erotic love poems celebrate beauty and passion; place poems record her travels to the American Southwest, France, and Italy and her residence in New York City and Sea Cliff, Long Island; verse “analyses” investigate baseball, wave motion, the DNA molecule, bronco busting, James Bond movies, and the first walk on the moon. Swenson was an inveterate reviser: poems in earlier volumes were frequently reworked for inclusion in later volumes, such as To Mix with Time (1963) and New and Selected Things Taking Place (1978). While preserving the order of publication, this volume presents the author’s final or definitive version. Substantive textual variants and title changes are detailed in the notes to the volume. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
Is this poetry? Math? A brainteaser? Yes! It’s all that and more. The poet J. Patrick Lewis has reimagined classic poems—such as Edgar Allan Poe’s “The Raven” and Langston Hughes’s “April Rain Song”—and added a dash of math. Between the silly parodies and the wonderfully wacky art, kids will have so much fun figuring out the puzzles, they won’t guess they’re learning! Answers appear unobtrusively on each page, and engaging information about the original poets is included. Math games and concepts, poetry and poet biographies—it’s all so cleverly put together. This funny book is a treat for fans of words and numbers alike.