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George Bernard Shaw was a satirical genius, ruthlessly exposing hypocrisy, and creating moral dilemmas for the reader to mull on. These are biting, witty, sometimes rude, highly intelligent plays. This collection of thirty-four of his plays is an Omnibus that will give hours of pleasure to the reader.
George Bernard Shaw demanded truth and despised convention. He punctured hollow pretensions and smug prudishness—coating his criticism with ingenious and irreverent wit. In Mrs. Warren’s Profession, Arms and the Man, Candida, and Man and Superman, the great playwright satirizes society, military heroism, marriage, and the pursuit of man by woman. From a social, literary, and theatrical standpoint, these four plays are among the foremost dramas of the age—as intellectually stimulating as they are thoroughly enjoyable. “My way of joking is to tell the truth: It is the funniest joke in the world.”—G. B. Shaw With an Introduction by Eric Bentley and an Afterword by Norman Lloyd
The "world of letters" has always seemed a matter more of metaphor than of global reality. In this book, Pascale Casanova shows us the state of world literature behind the stylistic refinements--a world of letters relatively independent from economic and political realms, and in which language systems, aesthetic orders, and genres struggle for dominance. Rejecting facile talk of globalization, with its suggestion of a happy literary "melting pot," Casanova exposes an emerging regime of inequality in the world of letters, where minor languages and literatures are subject to the invisible but implacable violence of their dominant counterparts. Inspired by the writings of Fernand Braudel and Pierre Bourdieu, this ambitious book develops the first systematic model for understanding the production, circulation, and valuing of literature worldwide. Casanova proposes a baseline from which we might measure the newness and modernity of the world of letters--the literary equivalent of the meridian at Greenwich. She argues for the importance of literary capital and its role in giving value and legitimacy to nations in their incessant struggle for international power. Within her overarching theory, Casanova locates three main periods in the genesis of world literature--Latin, French, and German--and closely examines three towering figures in the world republic of letters--Kafka, Joyce, and Faulkner. Her work provides a rich and surprising view of the political struggles of our modern world--one framed by sites of publication, circulation, translation, and efforts at literary annexation.
With a new introduction.
e-artnow presents to you this meticulously edited George Bernard Shaw collection:_x000D_ Introduction:_x000D_ Mr. Bernard Shaw (by G. K. Chesterton)_x000D_ Novels:_x000D_ Cashel Byron's Profession _x000D_ An Unsocial Socialist _x000D_ Love Among The Artists _x000D_ The Irrational Knot _x000D_ Plays:_x000D_ Plays Unpleasant:_x000D_ Widowers' Houses (1892)_x000D_ The Philanderer (1898)_x000D_ Mrs. Warren's Profession (1898)_x000D_ Plays Pleasant:_x000D_ Arms And The Man: An Anti-Romantic Comedy in Three Acts (1894)_x000D_ Candida (1898)_x000D_ You Never Can Tell (1897)_x000D_ Three Plays for Puritans:_x000D_ The Devil's Disciple _x000D_ Caesar And Cleopatra_x000D_ Captain Brassbound's Conversion _x000D_ Other Plays:_x000D_ The Man Of Destiny _x000D_ The Gadfly Or The Son of the Cardinal _x000D_ The Admirable Bashville Or Constancy Unrewarded _x000D_ Man And Superman: A Comedy and A Philosophy _x000D_ John Bull's Other Island _x000D_ How He Lied To Her Husband _x000D_ Major Barbara _x000D_ Passion, Poison, And Petrifaction _x000D_ The Doctor's Dilemma: A Tragedy _x000D_ The Interlude At The Playhouse _x000D_ Getting Married _x000D_ The Shewing-Up Of Blanco Posnet _x000D_ Press Cuttings _x000D_ Misalliance _x000D_ The Dark Lady Of The Sonnets _x000D_ Fanny's First Play _x000D_ Androcles And The Lion _x000D_ Overruled: A Demonstration _x000D_ Pygmalion _x000D_ Great Catherine (Whom Glory Still Adores) _x000D_ The Music Cure _x000D_ Beauty's Duty (Unfinished) _x000D_ O'Flaherty, V. C. _x000D_ The Inca Of Perusalem: An Almost Historical Comedietta _x000D_ Augustus Does His Bit _x000D_ Skit For The Tiptaft Revue _x000D_ Annajanska, The Bolshevik Empress _x000D_ Heartbreak House _x000D_ Back To Methuselah: A Metabiological Pentateuch _x000D_ In the Beginning_x000D_ The Gospel of the Brothers Barnabas_x000D_ The Thing Happens_x000D_ Tragedy of an Elderly Gentleman_x000D_ As Far as Thought Can Reach_x000D_ The War Indemnities (Unfinished)_x000D_ Saint Joan _x000D_ The Glimpse Of Reality: A Tragedietta _x000D_ Fascinating Foundling: Disgrace To The Author _x000D_ The Apple Cart: A Political Extravaganza _x000D_ Too True to Be Good _x000D_ Village Wooing: A Comedietta for Two Voices _x000D_ On the Rocks: A Political Comedy _x000D_ The Simpleton of the Unexpected Isles _x000D_ The Six of Calais _x000D_ Arthur and the Acetone _x000D_ The Millionairess _x000D_ Cymbeline Refinished: A Variation on Shakespeare's Ending _x000D_ Geneva _x000D_ "In Good King Charles' Golden Days" _x000D_ Playlet on the British Party System _x000D_ Buoyant Billions: A Comedy of No Manners _x000D_ Shakes versus Shav _x000D_ Farfetched Fables _x000D_ Why She Would Not _x000D_ Miscellaneous Works:_x000D_ What do Men of Letters Say? - The New York Times Articles on War (1915):_x000D_ "Common Sense About the War" by G. B. Shaw_x000D_ "Shaw's Nonsense About Belgium" By Arnold Bennett_x000D_ "Bennett States the German Case" by G. B. Shaw_x000D_ Flaws in Shaw's Logic By Cunninghame Graham_x000D_ Editorial Comment on Shaw By The New York World_x000D_ Comment by Readers of Shaw To the Editor of The New York Times_x000D_ Open Letter to President Wilson by G. B. Shaw_x000D_ A German Letter to G. Bernard Shaw By Herbert Eulenberg_x000D_ "Mr. G. Bernard Shaw on Socialism" (Speech)_x000D_ The Miraculous Revenge_x000D_ Quintessence Of Ibsenism _x000D_ The Basis of Socialism Economic _x000D_ The Transition to Social Democracy _x000D_ The Impossibilities Of Anarchism _x000D_ The Perfect Wagnerite, Commentary on the Niblung's Ring _x000D_ Letter to Beatrice Webb _x000D_ The Revolutionist's Handbook And Pocket Companion _x000D_ Maxims For Revolutionists _x000D_ The New Theology _x000D_ How to Write A Popular Play: An Essay _x000D_ A Treatise on Parents and Children: An Essay _x000D_ Memories of Oscar Wilde _x000D_ The Intelligent Women's Guide to Socialism and Capitalism: Excerpts _x000D_ Women in the Labour Market_x000D_ Socialism and Marriage_x000D_ Socialism and Children_x000D_ Letter to Frank Harris _x000D_ How These Doctors Love One Another! _x000D_ The Black Girl in Search of God _x000D_ The Political Madhouse in America and Nearer Home _x000D_ On Capital Punishment _x000D_ Essays on Bernard Shaw:_x000D_ George Bernard Shaw by G. K. Chesterton_x000D_ The Quintessence of Shaw by James Huneker_x000D_ Old and New Masters: Bernard Shaw by Robert Lynd_x000D_ George Bernard Shaw: A Poem by Oliver Herford
"The most complete collection of the Russian playwright's repertoire."—Vogue This stunning new translation presents the only truly complete edition of the plays of one of the greatest dramatists in history. Anton Chekhov is a unique force in modern drama, his works interpreted and adapted internationally and beloved for their brilliant wit and understanding of the human condition.This volume contains work never previously translated, including the newly discovered farce The Power of Hypnotism, the first version of Ivanov, Chekhov's early humorous dialogues, and a description of lost plays and those Chekhov intended to write but never did.
Presented at a symposium held in 1990 to celebrate the Getty Museum's acquisition of the only known illuminated copy of The Visions of Tondal, twenty essays address the celebrated bibliophilic activity of Margaret of York; the career of Simon Marmion, a favorite artist of the Burgundian court; and The Visions of Tondal in relation to illustrated visions of the Middle Ages. Contributors include Maryan Ainsworth, Wim Blockmans, Walter Cahn, Albert Derolez, Peter Dinzelbacher, Rainald Grosshans, Sandra Hindman, Martin Lowry, Nigel Morgan, and Nigel Palmer.