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This classic method for beginners provides a brief history of the instrument, an explanation of organ construction, a discussion of the various stops and their management, a section devoted to practical study, and several pieces.
This classic method for beginners provides a brief history of the instrument, an explanation of organ construction, a discussion of the various stops and their management, a section devoted to practical study, and several pieces.
For a pianist or organist new to playing the organ.This book has been written for the pianist who has never played an organ or an organist unfamiliar with the Roland, Rodgers or Infinity organs, but may be used by an experienced organist as well. Designed to be used for self-teaching but also useful when studying with a teacher.The Playing the Church Organ series is also useful for the experienced organist as it quickly introduces you to using all the stops on the organ, ones named on the stop tablets or drawknobs, and all that are waiting inside for you to call on them to more perfectly match the stops you choose to the music you are playing.This innovative teaching system works backwards - the goal is not to teach you all about playing the organ, it's to get you playing the organ with confidence and sounding professional from the first day you play, even if you have never had an organ lesson and just know how to play piano or a keyboard.Technique:We achieve this by starting you off with preset sounds, just as a teacher does, but here you control them yourself, right from the beginning. All that you need to learn to get started are three things:• Pressing Piston Buttons.When you press a piston button, the organ is ready for you to play. We have picked music for you that only uses the keyboards. This isn't simplified music - there has been a lot of organ music written for organs without pedals - in fact, even during the time of Handel, many organs only had keyboards. You will find the number of the piston to push at the top of the music - then you just begin to play. • Which Keyboard to Play?We mark every piece for you so you know which keyboard you [play.• The Expression Pedal Sets the Volume.You'll be surprised when you find out that the organ is not as difficult as you are able to focus more on playing the notes instead of also making them loud or soft or somewhere in between. • What happens then?“But...do I have to play the pedals?” You will find organ music written without pedals in books 1-4 that is easy to medium difficulty. As you play through the music you will be using 10 preset sound combinations that are enough to play services, including weddings and memorial services. This book also hows you how to use the Bass Coupler to play the pedals for you automatically on some of the music - we do this to get you excited and interested in playing them yourself.• This first book contains 33 pieces of useful music for you to enjoy playing the voices you are learning about. • The first four books in this series are a complete course in music for the organ, as well as exploring the stops of the organ.• Careful attention to encouraging you through lots of interesting music that is playable and that your congregation will appreciate. • These books may be used with or without a teacher.• Book 13 - A Playing Guide to the Roland, Rodgers and Infinity Organs is a good companion guide to this series qof instruments.
Church Music Skills programme, designed to help practising church musicians develop the skills and understanding that they need for their role, and to equip those who want to be able to lead music in worship.This second of three volumes for church organists builds on the skills learnt in the first level, and introduces wider use of the pedals. Itfurther enhances the technical skills necessary to play hymns and worship songs, accompany anthems and anglican chant psalms, and play voluntaries.
The renowned Flor Peeters is known as an organist and composer from his native Belgium to all of Europe and both Americas. Little Organ Book, consisting of hymn tunes and original compositions, has won special favor among teachers and students because of the clear presentation of elementary rules for organ playing.
"Police chief Hayden Konig is a lucky man. He's wealthy, he enjoys his work, he has a loving wife, good friends, and lives in the quaintest, most picturesque town in the North Carolina mountains. With all this going for him, you d think he d be satisfied. He's not. He longs to be a writer, a hard-boiled, noir detective word-slinger worthy of the 1939 Underwood No. 5 sitting on his desk a typewriter once owned by Raymond Chandler. You'd think a machine like this would help. It doesn't. As a detective, Chief Konig is at the top of his game. As the organist at St. Barnabas Episcopal Church, he can play with the best of them. But as a writer, Hayden produces more bad prose than the St. Germaine Garden Club s annual poetry review. ... What do the bones of an ancient king, a scoodle of skunks, a farm auction, the best Christmas parade ever, and an obnoxious deacon have to do with the dead body floating in Lake Tannenbaum? Maybe nothing. Maybe everything. It's up to Hayden to pull all the clues together like two cousins in a Kentucky hayloft. After all, Epiphany is right around the corner!"--P. [4] of cover.