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The delicate artistry and lyrical prose of Virginia Woolf's novels have established her as a writer of sensitivity and profound talent. This title collects selected works of Woolf, including: "To the Lighthouse," "Orlando," "The Waves," "Jacob's Room," "A Room of One's Own," "Three Guineas" and "Between the Acts."
Virginia Woolf’s groundbreaking novel, in a lushly illustrated hardcover edition with illuminating commentary from a brilliant young Oxford scholar and critic. “Mrs. Dalloway said she would buy the flowers herself.” So begins Virginia Woolf’s much-beloved fourth novel. First published in 1925, Mrs. Dalloway has long been viewed not only as Woolf’s masterpiece, but as a pivotal work of literary modernism and one of the most significant and influential novels of the twentieth century. In this visually powerful annotated edition, acclaimed Oxford don and literary critic Merve Emre gives us an authoritative version of this landmark novel, supporting it with generous commentary that reveals Woolf’s aesthetic and political ambitions—in Mrs. Dalloway and beyond—as never before. Mrs. Dalloway famously takes place over the course of a single day in late June, its plot centering on the upper-class Londoner Clarissa Dalloway, who is preparing to throw a party that evening for the nation’s elite. But the novel is complicated by Woolf’s satire of the English social system, and by her groundbreaking representation of consciousness. The events of the novel flow through the minds and thoughts of Clarissa and her former lover Peter Walsh and others in their circle, but also through shopkeepers and servants, among others. Together Woolf’s characters—each a jumble of memories and perceptions—create a broad portrait of a city and society transformed by the Great War in ways subtle but profound ways. No figure has been more directly shaped by the conflict than the disturbed veteran Septimus Smith, who is plagued by hallucinations of a friend who died in battle, and who becomes the unexpected second hinge of the novel, alongside Clarissa, even though—in one of Woolf’s many radical decisions—the two never meet. Emre’s extensive introduction and annotations follow the evolution of Clarissa Dalloway—based on an apparently conventional but actually quite complex acquaintance of Woolf’s—and Septimus Smith from earlier short stories and drafts of Mrs. Dalloway to their emergence into the distinctive forms devoted readers of the novel know so well. For Clarissa, Septimus, and her other creations, Woolf relied on the skill of “character reading,” her technique for bridging the gap between life and fiction, reality and representation. As Emre writes, Woolf’s “approach to representing character involved burrowing deep into the processes of consciousness, and, so submerged, illuminating the infinite variety of sensation and perception concealed therein. From these depths, she extracted an unlimited capacity for life.” It is in Woolf’s characters, fundamentally unknowable but fundamentally alive, that the enduring achievement of her art is most apparent. For decades, Woolf’s rapturous style and vision of individual consciousness have challenged and inspired readers, novelists, and scholars alike. The Annotated Mrs. Dalloway, featuring 150 illustrations, draws on decades of Woolf scholarship as well as countless primary sources, including Woolf’s private diaries and notes on writing. The result is not only a transporting edition of Mrs. Dalloway, but an essential volume for Woolf devotees and an incomparable gift to all lovers of literature.
This is a compendium of the best works by one of the greatest writers of the 20th century.
Virginia Woolf's playful exploration of a satirical »Oxbridge« became one of the world's most groundbreaking writings on women, writing, fiction, and gender. A Room of One's Own [1929] can be read as one or as six different essays, narrated from an intimate first-person perspective. Actual history blends with narrative and memoir. But perhaps most revolutionary was its address: the book is written by a woman for women. Male readers are compelled to read through women's eyes in a total inversion of the traditional male gaze. VIRGINIA WOOLF [1882–1941] was an English author. With novels like Jacob’s Room [1922], Mrs Dalloway [1925], To the Lighthouse [1927], and Orlando [1928], she became a leading figure of modernism and is considered one of the most important English-language authors of the 20th century. As a thinker, with essays like A Room of One’s Own [1929], Woolf has influenced the women’s movement in many countries.
This 'Routledge Revivals' reissue is not about Bloomsbury, lesbianism, madness or suicide, but is a much-needed introduction to Virginia Woolf's nine novels, written in the hope of turning attention back from the life to the fictional work.
'A work of the highest imaginative genius, with powers of perception and description unexplaned in our time' Isaiah Berlin. Virginia Woolf turned to her diary as to an intimate friend, to whom she could freely and spontaneously confide the thoughts and images uppermost in her mind. Whether describing public events or the joys and trials of domestic life, gossiping about her friends or wrestling with the difficulties of her art, gossiping about her friends or wrestling with the difficulties of her art, Virginia Woolf writes with unfailing grace, courage and honesty, and a lively wit which make her one of the most moving and entertaining diarists of this, or any, century. 'The moment I begin to read that light, clear, elegant prose I am seduced. (Virginia Woolf's)nephew Quentin Bell claims that the 30 volumes of Woolf's diary are a masterpiece. Anne Olivier Bell has reduced them to a single volume. I think it is still a masterpiece. ' A S Byatt, EVENING STANDARD
Mrs Dalloway, Virginia Woolf's fourth novel, offers the reader an impression of a single June day in London in 1923. Clarissa Dalloway, the wife of a Conservative member of parliament, is preparing to give an evening party, while the shell-shocked Septimus Warren Smith hears the birds in Regent's Park chattering in Greek. There seems to be nothing, except perhaps London, to link Clarissa and Septimus. She is middle-aged and prosperous, with a sheltered happy life behind her; Smith is young, poor, and driven to hatred of himself and the whole human race. Yet both share a terror of existence, and sense the pull of death. The world of Mrs Dalloway is evoked in Woolf's famous stream of consciousness style, in a lyrical and haunting language which has made this, from its publication in 1925, one of her most popular novels.
This volume collects the complete writings of Virginia Woolf: 8 novels, 3 'biographies,' 46 short stories, 606 essays, 1 play, her diary and some letters. Contents: THE NOVELS The Voyage Out (1915) Night and Day (1919) Jacob's Room (1922) Mrs. Dalloway (1925) To the Lighthouse (1927) The Waves (1931) The Years (1937) Between the Acts (1941) THE 'BIOGRAPHIES' Orlando: a biography (1928) Flush: a biography (1933) Roger Fry: a biography (1940) THE STORIES Monday or Tuesday (1921) A Haunted House, and other short stories (1944) Mrs Dalloway's Party (1973) The Complete Shorter Fiction (1985) THE ESSAYS The Common Reader I (1925) A Room of One's Own (1929) On Being Ill (1930) The London Scene (1931) The Common Reader II (1932) Three Guineas (1938) The Death of the Moth, and other essays (1942) The Moment, and other essays (1947) The Captain's Death Bed, and other essays (1950) Granite and Rainbow (1958) Books and Portraits (1978) Women And Writing (1979) 383 Essays from newspapers and magazines (see update v.3.0) AUTOBIOGRAPHICAL WRITING A Writer's Diary (1953) Moments of Being (1976) The Diary Vols. 1–5 (1977-84) (see updates v.4.0, v.5.0, and v.6.0) The Letters Vols. 1–6 (1975-80) (see update v.7.0, v.8.0, v.9.0, and v.10.0) The Letters of V.W. and Lytton Strachey (1956) (see update v.8.0) A Passionate Apprentice. The Early Journals 1887-1909 (1990) (see update v.10.0) THE PLAY Freshwater: A Comedy (both versions) (1976)
Her revolutionary novels and essays have inspired generations of feminists, and her life has aroused both interest and speculation. In Virginia Woolf A-Z, the author's works and autobiographical writings are set in the context of her infamous social milieu. Eight "family" trees map out the complicated relationships and living arrangements of the Bloomsbury Group, and a chronology gives a quick overview of the major events of Woolf's life. With over 1,300 entries and fifty illustrations, this desktop companion is the ideal antidote to those afraid of Virginia Woolf, and valuable beyond measure to those already familiar with her work.
Between the Acts is the final novel by Virginia Woolf, published in 1941 shortly after her suicide. This is a book laden with hidden meaning and allusion. It describes the mounting, performance, and audience of a festival play (hence the title) in a small English village just before the outbreak of the Second World War. Much of it looks forward to the war, with veiled allusions to connection with the continent by flight, swallows representing aircraft, and plunging into darkness. The pageant is a play within a play, representing a rather cynical view of English history. Woolf links together many different threads and ideas - a particularly interesting technique being the use of rhyme words to suggest hidden meanings. Relationships between the characters and aspects of their personalities are explored. The English village bonds throughout the play through their differences and similarities. Adeline Virginia Woolf (1882–1941) was an English writer who is considered one of the foremost modernists of the twentieth century and a pioneer in the use of stream of consciousness as a narrative device.