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After working with David on his previous work for the series, The Complete Kubrick, we knew we were on to a winner for this book. Not only is David Lynch a master of modern film-making but David Hughes is well-qualified to write this 'complete' book. The book covers all Lynch's films including Mulholland Drive, TV and other projects, as well as the unrealised ventures such as Revenge of the Jedi (later directed by Richard Marquand as Return of the Jedi). It also includes a foreword by Barry Gifford - the novelist behind Wild at Heart and co-writer with Lynch of the screenplay for Lost Highway - and excerpts from a new interview David Hughes carried out with David Lynch himself. The Complete Lynch is the only comprehensive study of this great director.
Part of James Atlas's Icons series, a revealing look at the life and work of David Lynch, one of the most enigmatic and influential filmmakers of our time
David Lynch erupted on to the cinema landscape with Eraserhead, establishing himself as one of the most original, imaginative and truly personal directors at work in contemporary cinema. He is a surrealist in the tradition of the great Spanish flm-maker, Luis Bunuel.
Interviews with the acclaimed director of the films Dune, Blue Velvet, The Elephant Man, Mulholland Drive, and Inland Empire and the hit TV series Twin Peaks
A key figure in the ongoing legacy of modern cinema, David Lynch designs environments for spectators, transporting them to inner worlds built by mood, texture, and uneasy artifice. We enter these famously cinematic interiors to be wrapped in plastic, the fundamental substance of Lynch’s work. This volume revels in the weird dynamism of Lynch’s plastic worlds. Exploring the range of modern design idioms that inform Lynch’s films and signature mise-en-scène, Justus Nieland argues that plastic is at once a key architectural and interior design dynamic in Lynch’s films, an uncertain way of feeling essential to Lynch’s art, and the prime matter of Lynch’s strange picture of the human organism. Nieland’s study offers striking new readings of Lynch’s major works (Eraserhead, Blue Velvet, Wild at Heart, Mulholland Dr., Inland Empire) and his early experimental films, placing Lynch’s experimentalism within the aesthetic traditions of modernism and the avant-garde; the genres of melodrama, film noir, and art cinema; architecture and design history; and contemporary debates about cinematic ontology in the wake of the digital. This inventive study argues that Lynch’s plastic concept of life--supplemented by technology, media, and sensuous networks of an electric world--is more alive today than ever.
“This is the best book on David Lynch that has yet been published. Nochimson’s book is essential reading for anyone interested in contemporary cinema.” —Brian Henderson, former chair of the Department of Media Study, State University of New York at Buffalo Filmmaker David Lynch asserts that when he is directing, ninety percent of the time he doesn’t know what he is doing. To understand Lynch’s films, Martha Nochimson believes, requires a similar method of being open to the subconscious, of resisting the logical reductiveness of language. In this innovative book, she draws on these strategies to offer close readings of Lynch’s films, informed by unprecedented, in-depth interviews with Lynch himself. Nochimson begins with a look at Lynch’s visual influences—Jackson Pollock, Francis Bacon, and Edward Hopper—and his links to Alfred Hitchcock and Orson Welles, then moves into the heart of her study, in-depth analyses of Lynch’s films and television productions. These include Twin Peaks: Fire Walk with Me, Wild at Heart, Twin Peaks, Blue Velvet, Dune, The Elephant Man, Eraserhead, The Grandmother, The Alphabet, and Lynch’s most recent, Lost Highway. Nochimson’s interpretations explode previous misconceptions of Lynch as a deviant filmmaker and misogynist. Instead, she shows how he subverts traditional Hollywood gender roles to offer an optimistic view that love and human connection are really possible. “Nochimson deftly deploys a mixture of feminist criticism, the Bakhtinian notion of the carnivalesque, and an intriguing blend of Jungian and Freudian concepts to make one of our most complex filmmakers seem quite accessible after all.” —J. P. Telotte, Film Quarterly
Over the last two years, Breskin interviewed seven of contemporary filmmaking's greatest directors--David Lynch, Francis Ford Coppola, Oliver Stone, Spike Lee, David Cronenberg, Tim Burton and Robert Altman. Here they discuss the role of women in their films, the relationship of politics to art, their styles and philosophies, and more.
Few countries have been as dramatically transformed in recent years as Ireland. Once a culturally repressed land shadowed by terrorism and on the brink of economic collapse, Ireland finally emerged in the late 1990s as the fastest-growing country in Europe, with the typical citizen enjoying a higher standard of living than the average Brit. Just a few years after celebrating their newly-won status among the world's richest societies, the Irish are now saddled with a wounded, shrinking economy, soaring unemployment, and ruined public finances. After so many centuries of impoverishment, how did the Irish finally get rich, and how did they then fritter away so much so quickly? Veteran journalist David J. Lynch offers an insightful, character-driven narrative of how the Irish boom came to be and how it went bust. He opens our eyes to a nation's downfall through the lived experience of individual citizens: the people responsible for the current crisis as well as the ordinary men and women enduring it.
Be Happy or I’ll Scream is for every married woman who has found just the tiniest bit of disconnect between the image of a perfect family in her head—think "The Brady Bunch" or "The Huxtables"—and the evidence in front of her eyes. Instead of darling and compliant rosy-cheeked children and an adorably tolerant husband ready to go along with zany shenanigans, most women are faced with: kids who view family outings with all the enthusiasm of hardened inmates forced to bust rocks in roadside Alabamaand a man who would trade every last one of her kooky ideas for a just a teeny little bit more sex and a hot meal on the table at six. Sheri Lynch, co-cost of radio's syndicatedBob & Sheri, is a superb humorist of modern marriage, mores, and motherhood. HerHello, My Name Is Mommy decoded the pitfalls of pregnancy and trials of new motherhood.Be Happy or I’ll Scream taps into the wackier, even more wonderful world of family and husband management, kid-raising, and sanity maintenance in the face of it all. Her take on what life is really like inside a marriage—as opposed to what it looks like on the holiday card version of same—will ring both wacky and true to any woman who was ever foolish enough to dream of the perfect marriage and family.
For nearly 40 years, David Lynch's works have enthralled, mystified, and provoked viewers. Lynch's films delve into the subjective consciousness of his characters to reveal both the depraved darkness and luminous spirituality of human nature. From his experimental shorts of the 1960s to feature films like Eraserhead, The Elephant Man, Blue Velvet, Mulholland Drive, and INLAND EMPIRE, Lynch has pushed the boundaries of cinematic storytelling. In David Lynch: Beautiful Dark, author Greg Olson explores the surreal intricacies of the director's unique visual and visceral style not only in his full-length films but also his early forays into painting and short films, as well as his television landmark, Twin Peaks. This in-depth exploration is the first full-length work to analyze the intimate symbiosis between Lynch's life experience and artistic expressions: from the small-town child to the teenage painter to the 60-year-old Internet and digital media experimenter. To fully delineate the director's life and art, Olson received unprecedented participation from Lynch, his parents, siblings, old school friends, romantic partners, children, and decades of professional colleagues, as well as on-set access to the director during the production of Twin Peaks: Fire Walk with Me. Throughout this study, Olson provides thorough analyses of the filmmaker's works as Lynch conceived, crafted, and completed them. Consequently, David Lynch: Beautiful Dark is the definitive study of one of the most influential and idiosyncratic directors of the last four decades.