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The inspiration to add one more book of Sri Thyagaraja's compositions arose in the mind of the compiler, when he attended Thyagaraja Aradhana festival some time back. The inspired singing of the great vidwans and the enthusiastic response of the truly international audience sparked the idea in the compiler's mind, that the saint-composer's goal and the heart-felt enjoyment and enlightenment of the audience would be even better served if the text was available in English script and the original Telugu, with the full meaning in English. When he mooted the idea with late Dr. G. Venkatadri and his uncle Dr. R. Venkataraman, they welcomed and backed it. In brief, the idea is to present in the composer's original medium all the songs of Thyagaraja available to date, from the labors of previous compilers like Dr.Manchala Jagannatha Rao (published by TTD) and Sri T.S. Parthasarathy, with an occasional reference to the monumental work of Sri.Govinda Rao, when necessary. This book serves the multiple objectives, such as: to provide for the lovers of Carnatic music, -- and particularly Thyagarajs's-who do not know Telugu, a version in English script notation. The saint-composer conceived of 'Svara, raga sudharasayuta BHAKT' as heavenly. Indeed, in the next line of the song he proclaimed that those who stop with enjoying the great music alone are like herons and frogs sitting on a red lotus, missing the honey within. The heart melted by the music, is meant to receive the Bhava, the Bhakti. The vast circle of ardent lovers of Thyagayya's music in India and abroad needed to be furnished with accurate and complete meaning of every line of his compositions. Perhaps there is no book in Telugu giving all the songs of Sri Thyagaraja with their meanings. It was inaugurated at the 2008 annual celebration of the Thyagaraja Aradhana Samiti at Cleveland USA.
This book is an English translation of 565 songs of one of the greatest musician-saints, Tyagaraja. The text of the compositions is in Sanskrit. The translator of these songs, C. Ramanujachariar, wanted to take the lyrics embodying the trials and yearnings, the religious fervour and devotional experiences of Tyagaraja beyond southern India. The scheme of classification of the songs are given in two charts. The index of the songs is given in Sanskrit and English. Its preface and introductory thesis (two thirds of the book) is authored by V. Raghavan. S. Radhakrishnan, who was then the vice-president of India, has written the foreword. Ramanujachariar was an administrator, actor, musician and primarily a spiritual seeker. He was well known as the Secretary of the Ramakrishna Mission Students Home, Chennai. V. Raghavan was a Sanskrit scholar and musicologist. A recipient of the Padma Bhushan, he has authored over 120 books. The book is a treat to English-knowing readers who wish to familiarise themselves with the immortal songs of Tyagaraja which present lofty truths in simple and appealing language. For students of Carnatic Music, it can be a reference book.
On Tyagaraja, Swami, 1767-1847, Vaishnavite musician-saint from South India.
In Karachi, a writer house-sits for her father and his cat, while keeping track of his - the cat’s - list of obsessions: ironed white sheets, kheer, KFC fries, warm custard, finely chopped sausages, and the flaky tops of chicken patties. In San Francisco, a couple adopt a cat, without anticipating what it will do to their relationship. In Noida, a cat and two dogs line up peacefully every morning for their daily dose of vitamin syrup. In Bombay, a lyricist and screenwriter roots through the litter tray first thing in the morning, to investigate if his cat’s UTI is better. In wintry London, a young millennial wonders if she is actually a cat. Capturing the many moods of felines and their humans, in many forms and voices, Cat People, is a timely celebration of the most memed creature today: the cat. This collection of short stories, personal essays, lists, original art and photographs is are a treat, not just for cat lovers everywhere, but for all who love a story well-told – and, on occasion, a theory well-spun.
Tyagaraja 1767-1947 is the most celebrated of South Indian musician saints. This book explores some of the growth processes, the transmission patterns and the cultural creativity involved in South Indian bhakti traditions, using examples of Tyagaraja`s life story, songs and social signigicance as case studies.
Study of Tyagaraja Swami, 1767-1847, Telugu devotional poet and composer; includes a sampling of his compositions, with melody (raga) and beat (tala) indication.
Nava Varna Kritis are a great gift for us all. The structure of those songs and the ragas selected for each chakra are a beauty. Dikshitar systematically reaches from base to Bindu in each song and explains the greatness of the position of the chakra. The last Mantra Keerthana comprehensively covers all mantras of the chakra. This shows the depth of research and understanding Dikshitar had on the Sri Vidhya Maha Shodasakshari mantra learnt from Sri. Chidambara Swamiji. So far, there is no clear notation for such difficult songs and a student finds it difficult to learn the song in a proper way. This book brings out the notation to the benefit of music lovers and students. It provides a brief explanation of each sentence of the song for understanding the same.Muthuswami Dikshitar's life incidents in paintings, which are the first of its kind, have been presented in this book. The book has been published in three languages: English, Tamil and Telugu for wide circulation.
Recent scholarship on the history of music in South Asia has examined the processes by which music as an art form was reinvented for nationalist purposes, yet, the disciplined study of music (and its aesthetics) remains only a few centuries old. Studying music through a historical lens has opened new approaches to interdisciplinary studies. Music as History in Tamilnadu examines how history can be interpreted through aesthetics and music and vice versa. Musicologists focus on the study of musical activity, while ethnomusicologists examine this activity first-hand using the 'field' research methods of cultural anthropology. The historian's task, then, is to interpret the musical past as part of cultural production and thereafter relate music to general historical trends. This collection of essays seeks to establish the interdisciplinarity between music (the Karnatak system) and the history of Tamilnadu, south India.
Why did Lord Krishna visit Ayodhya on Sri Ramanavami? Why did the British Collector Rous Peter offer padukas to Goddess Meenakshi? How did Lord Krishna's idol reach Udupi from Dwaraka? Who created Akasha Ganga atop Tirumala hills? This collection of mythical tales has all the answers. These tales take the reader into the wonderful world of Gods and Goddesses, sages and saints, kings and devotees. Every story highlights the rich cultural heritage of our land, which is a must-read for every growing child, teenager, and adult alike. The stories are not only entertaining to the children but also provide a glimpse of the noble thoughts and heroic actions of ideal men and women.