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This publication covers Montgomery's early adult years, including her work as a newspaper editor in Halifax, Nova Scotia; her publishing career taking flight; the death of her grandmother; and her forthcoming marriage to a local clergyman. It also documents her own reflections on writing, her increasingly problematic mood swings and feelings of isolation, and her changing relationship with the world around her, particularly that of Prince Edward Island."--pub. desc.
As knowledge of the private life of L.M. Montgomery has grown, readers have become aware that she is a far more complex woman than previously thought, with many hidden corners in her personality. She was previously seen as "just" a children's author; the first edition of her journals reflected this view. Much that was not "upbeat" or fast-moving was removed to save space. But the unabridged journals reveal dark moments, anxieties, deep passions, and above all a drive to write, to shape the ebb and flow of her psychological intensities into the material of narrative. They also reveal her visual imagination, illustrated with some 500 of her own photographs, newspaper clippings, and postcards. The full PEI journal deepens our understanding of L.M. Montgomery, as well as the bygone rural part of maritime Canada she loved so intensely. New notes and a new introduction provide fresh and fascinating context. And a new preface by Michael Bliss draws some unexpected connections.
L.M. Montgomery's record of her life is published now for the first time without abridgement. The Complete Journals of L.M. Montgomery: The P.E.I. Years, 1901-1911 covers Montgomery's early adult years, including her work as a newspaper editor in Halifax, Nova Scotia; her publishing career taking flight; the death of her grandmother; and her forthcoming marriage to a local clergyman.
Elizabeth Waterston is a 2011 Fellow of The Royal Society of Canada. The final volume of the immensely successful The Selected Journals of L.M. Montgomery covers the years 1935 to 1942, the year of Montgomery's death. No longer dwelling in a farm community or a small rural village, Lucy Maud Montgomery explored life in downtown Toronto. Here she experienced the cultural riches the city had to offer while finding friendship and neighbourliness in the suburb of Swansea. The journal chronicles her hopes and satisfaction with her new home and neighbourhood, but also her struggles with her own and her husband's recurring bouts of depression, her worries about her sons' academic performance, and her thoughts on the world events during these years. The final volume in the series offers an intimate eyewitness account of life in a growing city, a friendly neighbourhood, a changing world, and of a troubling family dynamic from 1935 to 1942, all recorded with Lucy Maud Montgomery's sharp eye and characteristic wit.
As knowledge of the private life of L.M. Montgomery has grown, readers have become aware that she is a far more complex woman than previously thought, with many hidden corners in her personality. She was previously seen as "just" a children's author; the first edition of her journals reflected this view. Much that was not "upbeat" or fast-moving was removed to save space. But the unabridged journals reveal dark moments, anxieties, deep passions, and above all a drive to write, to shape the ebb and flow of her psychological intensities into the material of narrative. They also reveal her visual imagination, illustrated with some 500 of her own photographs, newspaper clippings, and postcards. The full PEI journal deepens our understanding of L.M. Montgomery, as well as the bygone rural part of maritime Canada she loved so intensely. New notes and a new introduction provide fresh and fascinating context. And a new preface by Michael Bliss draws some unexpected connections.
Mary Henley Rubio has spent over two decades researching Montgomery’s life, and has put together a comprehensive and penetrating picture of this Canadian literary icon, all set in rich social context. Extensive interviews with people who knew Montgomery – her son, maids, friends, relatives, all now deceased – are only part of the material gathered in a journey to understand Montgomery that took Rubio to Poland and the highlands of Scotland. From Montgomery’s apparently idyllic childhood in Prince Edward Island to her passion-filled adolescence and young adulthood, to her legal fights as world-famous author, to her shattering experiences with motherhood and as wife to a deeply troubled man, this fascinating, intimate narrative of her life will engage and delight.
"An exciting new collection, The L.M. Montgomery Reader assembles significant rediscovered primary materials on one of Canada's most enduringly popular authors throughout her high-profile career as the author of the resoundingly successful Anne of Green Gables (1908) and after her death. Each of its three volumes gathers pieces published all over the world to set the stage for a much-needed reassessment of Montgomery's literary reputation. Much of the material is freshly unearthed from archives and digital collections and has never before been collected in book form. The ninety selections appearing in this first volume focus on Montgomery's role as a public celebrity, giving a strong impression of her as a writer and cultural critic as she discusses a range of topics with wit, wisdom, and humour, including the natural landscape of Prince Edward Island, her wide readership, anxieties about modernity, and the continued relevance of "old ideals." These essays and interviews are joined by a number of additional pieces that discuss her work's literary and cultural value in relation to an emerging canon of Canadian literature, with nearly one hundred selections in all. Each volume is accompanied by an extensive introduction and detailed commentary by leading Montgomery scholar Benjamin Lefebvre that trace the interplay between the author and the critic, as well as between the private and public Montgomery. This volume, and the Reader as a whole, adds tremendously to our understanding and appreciation of Montgomery?s legacy as a Canadian author and as a literary celebrity both during and beyond her lifetime." --Publisher's description.
L.M. Montgomery's writings are replete with enchanting yet subtle and fluid depictions of nature that convey her intense appreciation for the natural world. At a time of ecological crises, intensifying environmental anxiety, and burgeoning eco-critical perspectives, L.M. Montgomery and the Matter of Nature(s) repositions the Canadian author's relationship to nature in terms of current environmental criticism across several disciplines, introducing a fresh approach to her life and work. Drawing on a wide range of Montgomery's novels as well as her journals, this collection suggests that socio-ecological relationships encompass ideas of reciprocity, affiliation, autonomy, and the capacity for transformation in both the human and more-than-human worlds, and that these ideas are integral to Montgomery's vision and her literary legacy. Framed by the twin themes of materiality and interrelationships, essays by scholars of literature, law, animal studies, anthropology, and ecology examine place, embodiment, and difference in Montgomery's works and embrace the multiplicities embedded in the concept of nature. Through innovative critical approaches, L.M. Montgomery and the Matter of Nature(s) opens up conversations about humans' interactions with nature and the material environment.
One of Smithsonian magazine’s Best Books About Travel of 2018 The Landscapes of Anne of Green Gables explores L. M. Montgomery’s deep connection to the landscapes of Prince Edward Island that inspired her to write the beloved Anne of Green Gables series. From the Lake of Shining Waters and the Haunted Wood to Lover’s Lane, you’ll be immersed in the real places immortalized in the novels. Using Montgomery’s journals, archives, and scrapbooks, Catherine Reid explores the many similarities between Montgomery and her unforgettable heroine, Anne Shirley. The lush package includes Montgomery’s hand-colorized photographs, the illustrations originally used in Anne of Green Gables, and contemporary and historical photography.