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Published annually since 2008 "The Complete & Independent Guide to the Eurovision Song Contest" contains every statistic imaginable. This new edition for 2024 has over 330 pages of historical records and analysis of voting, divided into four parts: Section 1: Qualification for Eurovision for the current year. We look at each country's qualification process, whether by internal selection or by nation competition. Where a national broadcaster has held a competition to select their artist and song, we give details of how the competition was organised, the points or voting percentages given to the top 3 and a brief profile of the winning performer. We also give QR code links to the official videos. Section 2: In this section we focus on this year's Contest in Malmo. We full details of the writers and composers of each song, followed by full voting tables for each semi-final and the final, split into public and jury voting. Then there is a round-by-round record of the scoreboard to show how each country moved up and down the leaderboard as the points are announced both for the jury points and the always exciting public televote points. Section 3: Here's where the data really gets crunched. Starting with a full year by year record of each country's entries, the section moves on to records such as most successful & least successful countries, whether internally selected artists do better than those who qualify through national competitions, winning margins, how well (and more commonly, how badly) the Big 5 perform, languages songs have been performed in and which type of act generally does best, we do a deep dive into complex statistical analysis & include data on average points received for each position in the running order since 1975, the closest & most one-sided voting relationships, how points awarded by juries differ from those given by the public, geographical and bloc voting and finally every country's voting record in every Contest - If you're curious about whether some countries always favour others, this is the section for you!Appendix: Contest Details and Voting Record. A full record of every Contest since 1956. For each year we list the artists, the songwriters & composers. Then the points awarded by each country to each performer in table format. We include the semi-final details for each year since they were introduced. A complete record of every point awarded.
Published annually since 2008 "The Complete & Independent Guide to the Eurovision Song Contest" contains every statistic imaginable. This new edition for 2024 has over 330 pages of historical records and analysis of voting, divided into four parts: Section 1: Qualification for Eurovision for the current year. We look at each country's qualification process, whether by internal selection or by nation competition. Where a national broadcaster has held a competition to select their artist and song, we give details of how the competition was organised, the points or voting percentages given to the top 3 and a brief profile of the winning performer. We also give QR code links to the official videos. Section 2: In this section we focus on this year's Contest in Malmo. We full details of the writers and composers of each song, followed by full voting tables for each semi-final and the final, split into public and jury voting. Then there is a round-by-round record of the scoreboard to show how each country moved up and down the leaderboard as the points are announced both for the jury points and the always exciting public televote points. Section 3: Here's where the data really gets crunched. Starting with a full year by year record of each country's entries, the section moves on to records such as most successful & least successful countries, whether internally selected artists do better than those who qualify through national competitions, winning margins, how well (and more commonly, how badly) the Big 5 perform, languages songs have been performed in and which type of act generally does best, we do a deep dive into complex statistical analysis & include data on average points received for each position in the running order since 1975, the closest & most one-sided voting relationships, how points awarded by juries differ from those given by the public, geographical and bloc voting and finally every country's voting record in every Contest - If you're curious about whether some countries always favour others, this is the section for you! Appendix: Contest Details and Voting Record. A full record of every Contest since 1956. For each year we list the artists, the songwriters & composers. Then the points awarded by each country to each performer in table format. We include the semi-final details for each year since they were introduced. A complete record of every point awarded.
This Handbook, the first of its kind, provides an in- depth examination of the evolution, ideology, history and culture of Zionism and its various movements. Distancing itself from the slogans and cliches of advocacy, the volume provides much-needed context and background on the emergence of Zionism. The Handbook is divided into eight parts – with contributions from some forty of the world’s leading scholars on Zionism –to elucidate its various strands. These include underrepresented areas such as Zionism in the Arab World before the establishment of the State of Israel, Zionism and Marxism, the emergence of the Zionist Right, the language war between Hebrew and Yiddish, the struggle for Jewish women’s suffrage, the poetry of Lea Goldberg, and Zionism in emerging new Jewish communities in locations like Papua New Guinea, Guatemala and Zimbabwe. Another section on Zionism in repressive states stretches from an examination of Zionism in Hitler’s Germany to the Ayatollahs’ Iran today; from subterranean Zionism in Stalin’s Russia to apartheid South Africa. The volume concludes by examining current issues, including the relationship between evangelicals and Zionism in the US, and the representation of Zionism in the age of the internet. Providing a sweeping overview of Zionism in its many forms, the volume will appeal to students, researchers and general readers interested in Jewish studies in the Middle East and beyond, as well as those seeking to understand the roots of contemporary Israel.
Do you think the world of the Eurovision Song Contest, with its crazy props, even crazier dancers and crazier still songs has nothing to do with serious European politics? Think again. It has been a voice of rebellion across the Iron Curtain, an inspiration for new European nations in the 1990s and 2000s, the voice of liberation for both sexual and regional minorities. Eurovision charts both the history of Europe and the history of the Eurovision Song Contest over the last six decades, and shows how seamlessly they interlink - and what an amazing journey it has been.
Itchycoo Park, 1964-1970--the second volume of Sixties British Pop, Outside In--explores how London songwriters, musicians, and production crews navigated the era's cultural upheavals by reimagining the pop-music envelope. Thompson explores how some British artists conjured up sophisticated hybrid forms by recombining elements of jazz, folk, blues, Indian ragas, and western classical music while others returned to the raw essentials. Encouraging these experiments, youth culture's economic power challenged the authority of their parents' generation. Based on extensive research, including vintage and original interviews, Thompson presents sixties British pop, not as lists of discrete people and events, but as an interwoven story.
Hello, bonjour, Hola! It's Eurovision calling and what better way to celebrate the flamboyant show than with this ultimate (and unofficial) guide to the biggest singing contest in the world! How well do you know the Eurovision Song Contest? With this unofficial guide you'll know your Conchita Wurst's from your Alexander Rybanks, why we all love Kalush Orchestra, what made Sam Ryder the nation's sweetheart and which band takes top of the polls - Abba vs. Måneskin - or could it even be Scooch? This ultimate guide recaps the highs and lows of the decades old contest including its bangers and ballads, most shocking moments, photos of the worst dressed acts, top scoring countries - and those who score nil points, and plenty of games to play at your Eurovision party. Eurovision bingo anyone?
Independent Guide to the history of the Eurovision Song Contest. Details of all the Contests from 1956 to 2009, the performers, composers & writers. Statistics on voting patterns for each country, analysis of best and worst countries, closest friends, best starting position etc. Expanded in 2010 to include details of the qualification process for each nation's 2010 entry and lots more.
The Eurovision Song Contest (ESC) is more than a musical event that ostensibly “unites European people” through music. It is a spectacle: a performative event that allegorically represents the idea of “Europe.” Since its beginning in the Cold War era, the contest has functioned as a symbolic realm for the performance of European selves and the negotiation of European identities. Through the ESC, Europe is experienced, felt, and imagined in singing and dancing as the interplay of tropes of being local and/or European is enacted. In Empire of Song: Europe and Nation in the Eurovision Song Contest, contributors interpret the ESC as a musical “mediascape” and mega-event that has variously performed and performs the changing visions of the European project. Through the study of the cultural politics of the ESC, contributors discuss the ways in which music operates as a dynamic nexus for making national identities and European sensibilities, generating processes of “assimilation” or “integration,” and defining the celebrated notion of the “European citizen” in a global context. Scholars in the volume also explore the ways otherness and difference are produced, spectacularized, challenged, or even neglected in the televised musical realities of the ESC. For the contributing authors, song serves as a site for constituting Europe and the nation, on- and offstage. History and politics, as well as the constant production of European subjectivities, are sounded in song. The Eurovision song is a shifting realm where old and new states imagine their pasts, question their presents, and envision ideal futures in the New Europe. Essays in Empire of Song adopt theoretical and epistemological orientations in their exploration of “popular music” within ethnomusicology and critical musicology, questioning the idea of “Europe” and the “nation” through and in music, at a time when the European self appears more fragmented, if not entirely shattered. Bringing together ethnomusicology, music studies, history, social anthropology, feminist theory, linguistics, media ethnography, postcolonial theory, comparative literature, and philosophy, Empire of Song will interest students and scholars in a vast array of disciplines.
The smash National bestseller and Goodreads Choice Award finalist--perfect for readers of Modern Lovers and Conversations with Friends. An addictive, humorous, and poignant debut novel about the shock waves caused by one couple's impulsive marriage. Twenty-four-year-old British painter Cleo has escaped from England to New York and is still finding her place in the sleepless city when, a few months before her student visa ends, she meets Frank. Twenty years older and a self-made success, Frank's life is full of all the excesses Cleo's lacks. He offers her the chance to be happy, the freedom to paint, and the opportunity to apply for a Green Card. But their impulsive marriage irreversibly changes both their lives, and the lives of those close to them, in ways they never could've predicted. Each compulsively readable chapter explores the lives of Cleo, Frank, and an unforgettable cast of their closest friends and family as they grow up and grow older. Whether it's Cleo's best friend struggling to embrace his gender queerness in the wake of Cleo's marriage, or Frank's financially dependent sister arranging sugar daddy dates to support herself after being cut off, or Cleo and Frank themselves as they discover the trials of marriage and mental illness, each character is as absorbing, and painfully relatable, as the last. As hilarious as it is heartbreaking, entertaining as it is deeply moving, Cleopatra and Frankenstein marks the entry of a brilliant and bold new talent.