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A radical reimagining of the role of art and culture in contemporary democracy, The Compassionate Imagination proposes a new Canadian Cultural Contract that re-humanizes our way of living together by tapping into the instincts for generosity and compassion that find their expression in art. Over the last forty years, the arts have been increasingly deemed unimportant to the creation of an educated workforce. Reflecting a broadly held political view that in a market-based economy the arts were “a frill,” they were deemed “unnecessary” courses compared to sciences, technology, engineering, and mathematics. But what kind of Canada might we make if we were to place art and culture at the heart of our mutual decision-making, and return the arts to a central position in our education, shifting to steam rather than stem? What might be possible if we integrate the creative imagination into our responses to the great social challenges we face? What impact would it have on the future shape of our democracy? It’s time to find where the Compassionate Imagination can take us.
An Early History of Compassion explores the role of the emotional imagination within the context of Roman imperialism.
A New York Times bestseller The author of the beloved #1 New York Times bestseller Reading Lolita in Tehran returns with the next chapter of her life in books—a passionate and deeply moving hymn to America Ten years ago, Azar Nafisi electrified readers with her multimillion-copy bestseller Reading Lolita in Tehran, which told the story of how, against the backdrop of morality squads and executions, she taught The Great Gatsby and other classics of English and American literature to her eager students in Iran. In this electrifying follow-up, she argues that fiction is just as threatened—and just as invaluable—in America today. Blending memoir and polemic with close readings of her favorite novels, she describes the unexpected journey that led her to become an American citizen after first dreaming of America as a young girl in Tehran and coming to know the country through its fiction. She urges us to rediscover the America of The Wonderful Wizard of Oz and Adventures of Huckleberry Finn and challenges us to be truer to the words and spirit of the Founding Fathers, who understood that their democratic experiment would never thrive or survive unless they could foster a democratic imagination. Nafisi invites committed readers everywhere to join her as citizens of what she calls the Republic of Imagination, a country with no borders and few restrictions, where the only passport to entry is a free mind and a willingness to dream.
Emotions bring purpose, pleasure and meaning to our lives. However, for many people, they are synonymous with distress, pain and suffering. Anger and rage can wreck relationships and cause problems at work; anxiety can prevent us from socialising or engaging in things we would like to; sadness can feel overwhelming and never ending. These types of difficulties are often referred to as emotion regulation problems, and can prevent us from developing stable and happy relationships, communicating our needs, and flourishing. This practical self-help book based on Compassion Focused Therapy (CFT) will help you to take a new approach to managing difficult emotions. It outlines why we experience emotions, how they can be helpful but also how and why we can get in to struggles with them. It outlines the Compassionate Mind model, and guides you through a series of exercises that will help you to develop your compassion mind, and use this to develop more helpful emotion regulation strategies, and bring greater balance to your emotions.
"This is the happiest story in the world with the saddest ending," writes Elizabeth McCracken in her powerful, inspiring memoir. A prize-winning, successful novelist in her 30s, McCracken was happy to be an itinerant writer and self-proclaimed spinster. But suddenly she fell in love, got married, and two years ago was living in a remote part of France, working on her novel, and waiting for the birth of her first child. This book is about what happened next. In her ninth month of pregnancy, she learned that her baby boy had died. How do you deal with and recover from this kind of loss? Of course you don't -- but you go on. And if you have ever experienced loss or love someone who has, the company of this remarkable book will help you go on. With humor and warmth and unfailing generosity, McCracken considers the nature of love and grief. She opens her heart and leaves all of ours the richer for it.
Finalist for the National Book Award in Poetry Brutal Imagination is the work of a poet at the peak of his considerable powers, confronting a crucial subject: the black man in America. “A hymn to all the sons this country has stolen from her African-American families.”—The Village Voice This poetry collection explores the vision of the black man in white imagination, as well as the black family and the barriers of color, class, and caste that tear it apart. These two main themes showcase Cornelius Eady’s range: his deft wit, inventiveness, and skillfully targeted anger, and the way in which he combines the subtle with the charged, street idiom with elegant inversions, harsh images with the sweetly ordinary. Includes poems that inspired the libretto for Eady’s music-drama Running Man, a 1999 Pulitzer Prize finalist.
Pastoral Imagination: Bringing the Practice of Ministry to Life informs and inspires the practice of ministry through "on the ground" learning experienced in a variety of ministry settings. Each of the fifty chapters explores a single concept through story, reflection, and provocative open-ended questions designed to spark conversation between ministers and mentors, among ministry peers, or for personal journal reflections. The book is closely integrated with the author's Three Minute Ministry Mentor web resource.
Anyone reading comments in online spaces is often confronted with a collective cultural loss of empathy. This profound loss is directly related to the inability to imagine the life and circumstances of the other. Our malnourished capacity for empathy is connected to an equally malnourished imagination. In order to truly love and welcome others, we need to exercise our imaginations, to see our neighbors more as God sees them than as confined by our own inadequate and ungracious labels. We need stories that can convict us about our own sins of omission or commission, enabling us to see the beautiful, complex world of our neighbors as we look beyond ourselves. In this book, Mary McCampbell looks at how narrative art--whether literature, film, television, or popular music--expands our imaginations and, in so doing, emboldens our ability to love our neighbors as ourselves. The prophetic artists in these pages--Graham Greene, Toni Morrison, and Flannery O'Connor among them--show through the form and content of their narrative craft that in order to love, we must be able to effectively imagine the lives of others. But even though we have these rich opportunities to grow emotionally and spiritually, we have been culturally trained as consumers to treat our practice of reading, watching, and listening as mere acts of consumption. McCampbell instead insists that truly engaging with artists who have the prophetic capacity to create art that wakes us up can jolt us from our typically self-concerned spiritual stupors. She focuses on narrative art as a means of embodiment and an invitation to participation, hospitality, and empathy. Reading, seeing, or listening to the story of someone seemingly different from us can awaken us to the very real spiritual similarities between human beings. The intentionality that it takes to surrender a bit of our own default self-centeredness is an act of spiritual formation. Imagining Our Neighbors as Ourselves presents a journey through initial self-reflection to a richer, more compassionate look outward, as narrative empowers us to exercise our imaginations for the sake of expanding our capacity for empathy.
A Playful Path, the new book by games guru and fun theorist Bernard De Koven, serves as a collection of ideas and tools to help us bring our playfulness back into the open. When we find ourselves forgetting the life of the game or the game of life, the joy of form or the content, the play of brain or mind, body or spirit, this book can help us return to that which our soul is heir.
In a provocative study that bristles with contemporary relevance, Himmelfarb demonstrates that the material and moral dimensions of poverty were inseparable in the minds of late Victorians, be they radical or conservative.