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Now in paperback Many of the illustrious contributors to The New York Review of Books have had deep and abiding relationships–both personal and intellectual–with other poets, writers, artists, composers, and scientists of equal stature. The Company They Kept is a collection of twenty-seven accounts of these varied friendships–most of them undeniably fraught with “idiosyncratic complexities.” From Anna Akhmatova’s dreamlike description of wandering through Paris with the impoverished Modigliani to Joseph Brodsky’s account of his first meeting with Isaiah Berlin (from which he returned to report, around the kitchen table, to Stephen Spender and W. H. Auden), these pieces are tantalizing glimpses into the lives of those who have made The New York Review of Books into what Esquire magazine calls “the premier literary-intellectual magazine in the English language.”
Anna Akhmatova on Osip Mandelstam • Virgil Thomson on Gertrude Stein • Jonathan Miller on Lenny Bruce • Robert Lowell on John Berryman • Stephen Spender on W. H. Auden • Mary McCarthy on Hannah Arendt • John Thompson on Robert Lowell • James Merrill on Elizabeth Bishop • Isaiah Berlin on Boris Pasternak and Anna Akhmatova • Joseph Brodsky on Nadezhda Mandelstam • Arthur Gold and Robert Fizdale on George Balanchine • John Richardson on Douglas Cooper • Hector Bianciotti on Jorge Luis Borges Gore Vidal on Dawn Powell • Bruce Chatwin on George Ortiz Philip Roth on Ivan Klíma • Elena Bonner on Andrei Sakharov Elizabeth Hardwick on Murray Kempton • Aileen Kelly on Isaiah Berlin • Murray Kempton on Frank Sinatra • Adam Michnik on Zbigniew Herbert • John Updike on Saul Steinberg Jonathan Mirsky on Noel Annan • Alison Lurie on Edward Gorey Ian Buruma on John Schlesinger • Darryl Pinckney on Elizabeth Hardwick • Colin Thubron on Patrick Leigh Fermor TWENTY-SEVEN MEMOIRS OF TRANSFORMING PERSONAL AND INTELLECTUAL RELATIONSHIPS AMONG WRITERS AND ARTISTS FROM THE PAGES OF THE NEW YORK REVIEW OF BOOKS A sense of the intimacy and verve of the memoirs is captured in Darryl Pinckney’s description of the premises of The New York Review of Books itself, from whose offices these writings were edited and in whose pages they first appeared: “Books were streaking across the ocean and galleys were zooming in from the West Coast or the East Side, nearly all by messenger, by overnight delivery, because everything was urgent, every contributor was at the center of a drama called his or her ‘piece.’ Incredible battles went on during press week as indescribable things rotted in the office refrigerator. Someone’s laughter in the typesetting studio would provoke to fury someone doing layout next door and the storms, the slammed doors. It was a family.” The New York Review of Books, with an international circulation of more than 130,000, began during New York’s 1963 newspaper strike when the present editor, Robert B. Silvers, and founding co-editor Barbara Epstein, along with Jason Epstein, Elizabeth Hardwick, and Robert Lowell, decided to create a new kind of magazine—one in which the most interesting and qualified minds would discuss current books and issues in depth. Since then, every two weeks, The New York Review has continued to be the journal where the most important issues in American life, culture, and politics are discussed by writers who are themselves a major force in world literature and thought. “The secret of its success, The New York Times wrote, “is this: Its editors’ ability to get remarkable writers and thinkers, many of them specialists in their fields, to write lucidly for lay readers on an enormous range of complex, scholarly and newly emerging subjects, issues and ideas.” Many of the contributors to The New York Review of Books have written about deep and abiding relationships— both personal and intellectual—with fellow poets, writers, and artists. The Company They Kept, Volume II is a collection of twenty-seven accounts of these friendships that were always stimulating, often inspiring, and sometimes vexing (as Robert Lowell writes about John Berryman: “Hyperenthusiasms made him a hot friend, and could also make him wearing to friends—one of his dearest, Delmore Schwartz, used to say no one had John’s loyalty, but you liked him to live in another city”). There are historic moments—Isaiah Berlin’s conversations with Boris Pasternak and Anna Akhmatova, Hector Bianciotti’s account of the death of Borges—as well as lighthearted ones—Bruce Chatwin’s hilarious drunken evening with George Ortiz, and Arthur Gold and Robert Fizdale’s subway ride with George Balanchine (“…like a mythical guide he made the dingy steps, the sinister train, the underground arrival at the State Theater a Tiepoloesque flight into heaven”). Many of the portraits include vivid images that otherwise would have been lost forever: the poet Osip Mandelstam, whom Anna Akhmatova first glimpsed as “a thin young boy with a twig of lily-of-the-valley in his button-hole”; the young Gore Vidal in Dawn Powell’s living room suddenly realizing “this is a ménage à trois in Greenwich Village. My martini runs over”; twelve-year-old aspiring cartoonist John Updike writing Saul Steinberg to ask for a cartoon (Steinberg sent one, and another, nearly fifty years later, when Updike turned sixty). Each portrait is written with feeling and fullness of heart.
In the late nineteenth century, migrants from Jamaica, Colombia, Barbados, and beyond poured into Caribbean Central America, building railroads, digging canals, selling meals, and farming homesteads. On the rain-forested shores of Costa Rica, U.S. entrepreneurs and others established vast banana plantations. Over the next half-century, short-lived export booms drew tens of thousands of migrants to the region. In Port Limon, birthplace of the United Fruit Company, a single building might house a Russian seamstress, a Martinican madam, a Cuban doctor, and a Chinese barkeep--together with stevedores, laundresses, and laborers from across the Caribbean. Tracing the changing contours of gender, kinship, and community in Costa Rica's plantation region, Lara Putnam explores new questions about the work of caring for children and men and how it fit into the export economy, the role of kinship as well as cash in structuring labor, the social networks that shaped migrants' lives, and the impact of ideas about race and sex on the exercise of power. Based on sources that range from handwritten autobiographies to judicial transcripts and addressing topics from intimacy between prostitutes to insults between neighbors, the book illuminates the connections between political economy, popular culture, and everyday life.
The creators of 'Narnia' and 'Middle Earth', C.S. Lewis and J.R.R Tolkien were friends and colleagues. They met with a community of fellow writers at Oxford in the 1930s and 1940s, the group known as the Inklings. This study challenges the standard interpretation that the Inklings had little influence on one another's work.
From the acclaimed author of Trouble Loves Company comes a smart, sexy, heartfelt new novel about friendship, love, lust--and a whole lot of trouble in between. After finding her husband in a compromising position, romance author Renee Moore goes back to her hometown, hoping to start over. But once again, she finds herself looking for love in all the wrong places. To make matters worse, just as she decides a healthy relationship may not be her destiny, her ex delivers shocking news that could change her life forever. Practical nurse Danielle Brooks' professional life is picture perfect, but her personal life is a mess. Her daughter is about to give birth to a baby believed to have been fathered by Danielle's ex. In an attempt to mend her shattered heart, Danielle has been dating Calvin Cambridge, a truly nice guy. But when Calvin proposes, Danielle wants to be sure she is ready to commit. She enlists Renee to test his fidelity, but when the seduction goes too far, all their relationships may be in jeopardy. Meanwhile, their best friend is getting married, and she is counting on Renee and Danielle to help her plan the wedding--whether they are speaking to each other or not. But with Renee now being threatened by a mystery woman, and Danielle facing her most serious crisis yet, they can not help wondering if it is all going to get worse before it gets better. As things come to a head in each woman's life, there is a whole lot of praying going on--and Renee and Danielle soon realize they are blessed in spite of it all--with faith, second chances--and each other.
With hate crimes on the rise and social movements like Black Lives Matter bringing increased attention to the issue of police brutality, the American public continues to be divided by issues of race. How do adolescents and young adults form friendships and romantic relationships that bridge the racial divide? In The Company We Keep, sociologists Grace Kao, Kara Joyner, and Kelly Stamper Balistreri examine how race, gender, socioeconomic status, and other factors affect the formation of interracial friendships and romantic relationships among youth. They highlight two factors that increase the likelihood of interracial romantic relationships in young adulthood: attending a diverse school and having an interracial friendship or romance in adolescence. While research on interracial social ties has often focused on whites and blacks, Hispanics are the largest minority group and Asian Americans are the fastest growing racial group in the United States. The Company We Keep examines friendships and romantic relationships among blacks, whites, Hispanics, and Asian Americans to better understand the full spectrum of contemporary race relations. Using data from the National Longitudinal Study of Adolescent to Adult Health, the authors explore the social ties of more than 15,000 individuals from their first survey responses as middle and high school students in the mid-1990s through young adulthood nearly fifteen years later. They find that while approval for interracial marriages has increased and is nearly universal among young people, interracial friendships and romantic relationships remain relatively rare, especially for whites and blacks. Black women are particularly disadvantaged in forming interracial romantic relationships, while Asian men are disadvantaged in the formation of any romantic relationships, both as adolescents and as young adults. They also find that people in same-sex romantic relationships are more likely to have partners from a different racial group than are people in different-sex relationships. The authors pay close attention to how the formation of interracial friendships and romantic relationships depends on opportunities for interracial contact. They find that the number of students choosing different-race friends and romantic partners is greater in schools that are more racially diverse, indicating that school segregation has a profound impact on young people’s social ties. Kao, Joyner, and Balistreri analyze the ways school diversity and adolescent interracial contact intersect to lay the groundwork for interracial relationships in young adulthood. The Company We Keep provides compelling insights and hope for the future of living and loving across racial divides.
An in-depth account of anthropologist Anna Simon's year in the inner world of a Special Forces unit.
In his much-anticipated memoir, The Company I Keep: My Life in Beauty, Chairman Emeritus and former CEO of The Estée Lauder Companies Leonard A. Lauder shares the business and life lessons he learned as well as the adventures he had while helping transform the mom-and-pop business his mother founded in 1946 in the family kitchen into the beloved brand and ultimately into the iconic global prestige beauty company it is today. In its infancy in the 1940s and 50s, the company comprised a handful of products, sold under a single brand in just a few prestigious department stores across the United States. Today, The Estée Lauder Companies constitutes one of the world’s leading manufacturers and marketers of prestige skin care, makeup, fragrance and hair care products. It comprises more than 25 brands, whose products are sold in over 150 countries and territories. This growth and success was led by Leonard A. Lauder, Estée Lauder’s oldest son, who envisioned and effected this expansion during a remarkable 60-year tenure, including leading the company as CEO and Chairman. In this captivating personal account complete with great stories as only he can tell them, Mr. Lauder, now known as The Estée Lauder Companies’ “Chief Teaching Officer,” reflects on his childhood, growing up during the Great Depression, the vibrant decades of the post-World War II boom, and his work growing the company into the beauty powerhouse it is today. Mr. Lauder pays loving tribute to his mother Estée Lauder, its eponymous founder, and to the employees of the company, both past and present, while sharing inside stories about the company, including tales of cutthroat rivalry with Charles Revson of Revlon and others. The book offers keen insights on honing ambition, leveraging success, learning from mistakes, and growing an international company in an age of economic turbulence, uncertainty, and fierce competition.
On Tuesday nights in the backroom of Cassie’s café, six strangers seek solace and find themselves part of a “Company of Good Cheer” Hazzley is at loose ends, even three years after the death of her husband. When her longtime friend Cassandra, café owner and occasional dance-class partner, suggests that she start up a conversation group, Hazzley posts a notice on the community board at the local grocery store. Four people turn up for the first meeting: Gwen, a recently widowed retiree in her early sixties, who finds herself pet-sitting a cantankerous parrot; Chiyo, a forty-year-old fitness instructor who cared for her unyielding but gossip-loving mother through the final days of her life; Addie, a woman pre-emptively grieving a close friend who is seriously ill; and Tom, an antiques dealer and amateur poet who, deprived of home baking since becoming a widower, comes to the first meeting hoping cake will be served. Before long, they are joined by Allam, a Syrian refugee with his own story to tell. These six strangers are learning that beginnings can be possible at any stage of life. But as they tell their stories, they must navigate what is shared and what is withheld. Which version of the truth will be revealed? Who is prepared to step up when help is needed? This moving, funny and deeply empathic new novel from acclaimed author Frances Itani reminds us that life, with all its twists and turns, never loses its capacity to surprise.
"Bibliography of ethical criticism": p. 505-534. Presents arguments for the relocation of ethics to the center of literature, examining periods, genres, and particular works.