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As wolves return to their old territory in Yellowstone National Park, their presence is reawakening passions as ancient as their tangled relations with human beings. This authoritative and eloquent book coaxes the wolf out from its camouflage of myth and reveals the depth of its kinship with humanity, which shares this animal's complex complex social organization, intense family ties, and predatory streak.
WITH AN INTRODUCTION BY HELEN SIMPSON From familiar fairy tales and legends âe" Red Riding Hood, Bluebeard, Puss in Boots, Beauty and the Beast, vampires and werewolves âe" Angela Carter has created an absorbing collection of dark, sensual, fantastic stories.
This volume of essays presents innovative research from a variety of perspectives on the cultural significance of wolves, children raised by wolves, and werewolves, as portrayed in different media and genres.
Co-written by Irish filmmaker Neil Jordan and British novelist Angela Carter, and based on several short stories from Carter's collection 'The Bloody Chamber', 'The Company of Wolves' is a provocative reinvention of the fairy tale of Little Red Riding Hood. Unraveling a feverish metaphor for the blossoming of a young girl's sexuality and her subsequent loss of innocence, the film entwines symbolism and metaphor with striking visuals and grisly effects. Released in the early 1980s, a time which produced several classic werewolf films, 'The Company of Wolves' sets itself apart from the pack with its overtly literary roots, feminist stance, and art-house leanings. The film's narrative takes the form of a puzzle box, unfolding as dreams within dreams, and stories within stories, which lead further into the dark woods of the protagonist's psyche, as she finds herself on the cusp of womanhood.
He opened his mouth to order her to drop the MP5 she had aimed at him, but nothing would come out. It was like she'd robbed him of the ability to speak. Shooting her wasn't an option, though. And the idea of arresting her didn't make him feel any better. There's a new gang of criminals in town who are organized and ruthless in the extreme. When Eric Becker, along with the rest of the Dallas SWAT team, ends up in the middle of a shootout, he immediately senses werewolves—a lot of them. Turns out, the new bad guys are a pack of wolf shifters. In a spray of gunfire, Becker comes face-to-face with the most gorgeous woman he's ever seen. Becker does the logical thing. He hides her and leaves the scene with the rest of his team. Jayna Winston has no idea why that SWAT guy helped her, but she's glad he did. Ever since she and her pack mates got mixed up with those Eastern European mobsters, everything had pretty much fallen apart. So what's a street-savvy thief like Jayna going to do with a hot alpha-male wolf who's a police officer? SWAT (Special Wolf Alpha Team) Series Hungry Like the Wolf Wolf Trouble In the Company of Wolves Readers are hungry for Paige Tyler's SWAT and X-Ops series: "The action is nonstop and topnotch."—RT Book Reviews "Hot and wild...Paige Tyler delivers non-stop action and thrilling romance."—Cynthia Eden, New York Times and USA Today bestselling author "The sexy wolves of SWAT are not to be missed!"—J.D. Tyler, national bestselling author of the Alpha Pack series
When her teenage son disappears in the aftermath of a brutal murder, a determined mother sets out from her snow-covered nineteenth-century settlement to find him, an effort that is hampered by vigilante groups and the harrowing forces of nature. A first novel.
Secret, strange, dark, impure and dissonant...Enter the haunted landscapes of folk horror, a world of ­pagan ­village conspiracies, witch finders, and teenagers awakening to evil; of dark fairy tales, backwoods cults and obsolete technologies. Beginning with the classics Night of the Demon, Witchfinder General, The Wicker Man and Blood on Satan's Claw, We Don't Go Back surveys the genre of screen folk horror from across the world. Travelling from Watership Down to The Texas Chain Saw Massacre, with every stop inbetween, We Don't Go Back is a thoughtful, funny and essential overview of folk horror in TV and cinema."A beautiful rumination on the dark films and television that shaped me and a generation of odd children, for good or ill, worth a year of your time, because you won't just read the book, you'll feel a burning desire to watch everything mentioned within." - Robin Ince"A comprehensive, accessible and often riotously funny tome weaving together folk horror in all its forms, from British television to the American backwoods, from Eastern European fairytales to the vengeful ghosts of East Asia. Ingham explores uncanny landscapes haunted by things buried, old cultures converging with the reluctance of contemporary reason, that very tension that gives his book its name. He attempts to both define folk horror and free it from definition, creating the ultimate guide to the genre's manifestations on film and offering a convincing argument as to why the genre resonates so compellingly with people today." - Kier-La Janisse, author of House of Psychotic Women
Innis Munro is walking home across the bleak wilderness of Nin Island when he hears the chilling howl of a wolf. But there are no wolves on the island - not since they were hunted to extinction, centuries ago. As long-buried secrets resurface, Innis's adventure truly begins ...
A photographic tribute to the authors' work as wolf caregivers and advocates documents their efforts with the Sawtooth Pack in Idaho and features a passionate argument for reintroducing and protecting wild wolves.
A teenage girl comes of age amid hidden dangers and family secrets in the Minnesota woods in this “beautiful, icy [and] electrifying debut” novel (NPR). Teenage Linda lives with her parents in the austere woods of northern Minnesota, where their nearly abandoned commune stands as a last vestige of a counter-culture world. Isolated at home and an outsider at school, Linda is drawn to the new history teacher Mr. Grierson. But his shocking arrested for child pornography leaves Linda adrift as she wrestles with her own fledgling desires. When the young Gardner family moves in across the lake, Linda finds herself welcomed into their home as a babysitter for their little boy. But this new sense of belonging comes with secrets and expectations she doesn’t understand. Over the course of a summer, Linda will have to make choices that reverberate throughout her life. Finalist for the Man Booker Award One of the New York Times 100 Notable Books of 2017