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"For dinosaurs, it was a big rock. For humans: coronal mass ejection (CME). When Earth is hit by the greatest CME in recorded history, the combine societies of the planet's most developed nations struggle to adapt to a life thrust back to the dark ages. In the United States, the military scrambles to speed the nation's recovery on multiple fronts including putting down riots, establishing relief camps, delivering medical aid, and bringing communication and travel back on line. Just as a real foothold is established in retaking the skies, a mysterious virus takes hold of the population, spreading globally over the very flight routes that the survivors fought so hard to rebuild. The communicability and mortality rates are devastating, leaving only small pockets of survivors scattered throughout the countryside. Commune Book One is the story of one small group of survivors who must adapt to a primitive, hostile world or die. As they learn the rules of this new era, they must decide how far they're willing to go to continue living, continually asking themselves the same question daily: is survival worth the loss of humanity?"--Page 4 of cover.
Latin America’s experiments in direct democracy Since 2011, a wave of popular uprisings has swept the globe, taking shape in the Occupy movement, the Arab Spring, 15M in Spain, and the anti-austerity protests in Greece. The demands have been varied, but have expressed a consistent commitment to the ideals of radical democracy. Similar experiments began appearing across Latin America twenty-five years ago, just as the left fell into decline in Europe. In Venezuela, poor barrio residents arose in a mass rebellion against neoliberalism, ushering in a government that institutionalized the communes already forming organically. In Building the Commune, George Ciccariello-Maher travels through these radical experiments, speaking to a broad range of community members, workers, students and government officials. Assessing the projects’ successes and failures, Building the Commune provides lessons and inspiration for the radical movements of today.
For dinosaurs, it was a big rock. For humans: Coronal Mass Ejection (CME). When the Earth is hit by the greatest CME in recorded history (several times larger than the Carrington Event of 1859), the combined societies of the planet's most developed nations struggle to adapt to a life thrust back into the Dark Ages. In the United States, the military scrambles to speed the nation's recovery on multiple fronts including putting down riots, establishing relief camps, delivering medical aid, and bringing communication and travel back on line. Just as a real foothold is established in retaking the skies (utilizing existing commercial aircraft supplemented by military resources and ground control systems), a mysterious virus takes hold of the population, spreading globally over the very flight routes that the survivors fought so hard to rebuild. The communicability and mortality rates are devastating, leaving only small pockets of survivors scattered throughout the countryside. Commune: Book One is the story of one small group of survivors who must adapt to a primitive, hostile world or die. As they learn the rules of this new era, they must decide how far they're willing to go to continue living, continually asking themselves the same question daily: is survival worth the loss of humanity?
Reclaiming the legacy of the Paris Commune for the twenty-first century Kristin Ross’s highly acclaimed work on the thought and culture of the Communard uprising of 1871 resonates with the motivations and actions of contemporary protest, which has found its most powerful expression in the reclamation of public space. Today’s concerns—internationalism, education, the future of labor, the status of art, and ecological theory and practice—frame and inform her carefully researched restaging of the words and actions of individual Communards. This original analysis of an event and its centrifugal effects brings to life the workers in Paris who became revolutionaries, the significance they attributed to their struggle, and the elaboration and continuation of their thought in the encounters that transpired between the insurrection’s survivors and supporters like Marx, Kropotkin, and William Morris. The Paris Commune was a laboratory of political invention, important simply and above all for, as Marx reminds us, its own “working existence.” Communal Luxury allows readers to revisit the intricate workings of an extraordinary experiment.
For two months in 1871, the workers of Paris took control of Europe's most celebrated capital city. When they established the world's first workers' democracy--the Paris Commune--they found no ready-made blueprints, and no precedents to study for how to run their city without princes, prison wardens, or professional politicians. All they had was the boundless revolutionary enthusiasm of Paris's socialists, communists, anarchists, and radical Jacobins, all of whom threw their energies into creating a new society. As the city's bakers, industrial workers, and other "ruffians" built new institutions of collective political power to overturn social and economic inequality, their former rulers sought to thwart their efforts by any means necessary--ultimately deciding to drown the Communards in blood. By paying particular attention to the historic problems of the Commune, critical debates over its implications, and the glimpse of a better world the Commune provided, Gluckstein reveals its enduring lessons and inspiration for today's struggles. Donny Gluckstein is author of The Nazis, Capitalism and the Working Class and The Tragedy of Bukharin. He is a lecturer in history in Edinburgh and is a member of the Socialist Workers Party.
Her current novel The Commune is a comic satire and roman a clef that takes us inside the Hamptons commune populated by the newly liberated women present at the creation of the seminal 1970 Women's March for Equality. The Commune's pioneering feminists can talk the talk, but find themselves whipsawed between the bold new ideals of the women's movement and the powerful tug of the past - and therein lies drama.
The Paris Commune of 1871, the first instance of a working-class seizure of power, has been subject to countless interpretations; reviled by its enemies as a murderous bacchanalia of the unwashed while praised by supporters as an exemplar of proletarian anarchism in action. As both a successful model to be imitated and as a devastating failure to be avoided. All of the interpretations are tendentious. Historians view the working class’s three-month rule through their own prism, distant in time and space. Voices of the Paris Commune takes a different tack. In this book only those who were present in the spring of 1871, who lived through and participated in the Commune, are heard. The Paris Commune had a vibrant press, and it is represented here by its most important newspaper, Le Cri du Peuple, edited by Jules Vallès, member of the First International. Like any legitimate government, the Paris Commune held parliamentary sessions and issued daily printed reports of the heated, contentious deliberations that belie any accusation of dictatorship. Included in this collection is the transcript of the debate in the Commune, just days before its final defeat, on the establishing of a Committee of Public Safety and on the fate of the hostages held by the Commune, hostages who would ultimately be killed. Finally, Voices of the Paris Commune contains a selection from the inquiry carried out twenty years after the event by the intellectual review La Revue Blanche, asking participants to judge the successes and failures of the Paris Commune. This section provides a fascinating range of opinions of this epochal event.
A Town and Country magazine design pick, a monograph of the work of a California lifestyle and interior design firm, from the company’s founders. Commune was established in Los Angeles in 2004 by four like-minded souls—Roman Alonso, Steven Johanknecht, Pamela Shamshiri, and Ramin Shamshiri—with a common mission: to enhance life through design and to blur the lines between disciplines, eras, and styles. California is for those who refuse to conform and who live for freedom of expression, indoor/outdoor living, and that golden sunshine glinting off the waves of the Pacific. Commune perfectly captures this spirit and embodies a new California style that freely mixes old and new in its layered, highly personal interiors that embrace color, pattern, and texture. This book is the first monograph of Commune’s work, featuring its designs for private residences, hotels, commercial spaces, and restaurants, as well as the works they specially commission from virtually everyone in the artisan craftsman movement in California today. “Heavyweight Champs—Our picks from this year’s tempting crop of design books. Commune highlights work by the Los Angeles design group, known for its bohemian-chic approach to houses, hotels (such as LA’s Ace), and home products.” ―Town & Country Magazine
The Paris Commune was the biggest and last popular revolution in western Europe - ending the cycle of revolutions that started in 1789. The Parisians, reeling from defeat in the Franco-Prussian War set up their own revolutionary administration. Government troops eventually retook the city and took a terrible revenge: thousands died in the bloodbath that followed. The short-lived Commune and its repression cast a long shadow. It exposed deep divisions in French society and became a potent inspiration for the radical left. This stirring new study written with great zest, and a vivid sense of time and place lets the reader experience these tumultuous events at first hand and provides a comprehensive synthesis of recent research in both French and English.
In this bold exploration of the political forces that shaped Impressionism, Albert Boime proposes that at the heart of the modern is a "guilty secret"--the need of the dominant, mainly bourgeois, classes in Paris to expunge from historical memory the haunting nightmare of the Commune and its socialist ideology. The Commune of 1871 emerged after the Prussian war when the Paris militia chased the central government to Versailles, enabling the working class and its allies to seize control of the capital. Eventually violence engulfed the city as traditional liberals and moderates joined forces with reactionaries to restore Paris to "order"--the bourgeois order. Here Boime examines the rise of Impressionism in relation to the efforts of the reinstated conservative government to "rebuild" Paris, to return it to its Haussmannian appearance and erase all reminders of socialist threat. Boime contends that an organized Impressionist movement owed its initiating impulse to its complicity with the state's program. The exuberant street scenes, spaces of leisure and entertainment, sunlit parks and gardens, the entire concourse of movement as filtered through an atmosphere of scintillating light and color all constitute an effort to reclaim Paris visually and symbolically for the bourgeoisie. Amply documented, richly illustrated, and compellingly argued, Boime's thesis serves as a challenge to all cultural historians interested in the rise of modernism.