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William Byrd II (1674-1744) was an important figure in the history of colonial Virginia: a founder of Richmond, an active participant in Virginia politics, and the proprietor of one of the colony's greatest plantations. But Byrd is best known today for his diaries. Considered essential documents of private life in colonial America, they offer readers an unparalleled glimpse into the world of a Virginia gentleman. This book joins Byrd's Diary, Secret Diary, and other writings in securing his reputation as one of the most interesting men in colonial America. Edited and presented here for the first time, Byrd's commonplace book is a collection of moral wit and wisdom gleaned from reading and conversation. The nearly six hundred entries range in tone from hope to despair, trust to dissimulation, and reflect on issues as varied as science, religion, women, Alexander the Great, and the perils of love. A ten-part introduction presents an overview of Byrd's life and addresses such topics as his education and habits of reading and his endeavors to understand himself sexually, temperamentally, and religiously, as well as the history and cultural function of commonplacing. Extensive annotations discuss the sources, background, and significance of the entries.
Dividing Line Histories of William Byrd II of Westover
After his 1728 Virginia-North Carolina boundary expedition, Virginia planter and politician William Byrd II composed two very different accounts of his adventures. The Secret History of the Line was written for private circulation, offering tales of scandalous behavior and political misconduct, peppered with rakish humor and personal satire. The History of the Dividing Line, continually revised by Byrd for decades after the expedition, was intended for the London literary market, though not published in his lifetime. Collating all extant manuscripts, Kevin Joel Berland's landmark scholarly edition of these two histories provides wide-ranging historical and cultural contexts for both, helping to recreate the social and intellectual ethos of Byrd and his time. Byrd enriched his narratives with material appropriated from earlier authors, many of whose works were in his library--the most extensive in the American colonies. Berland identifies for the first time many of Byrd's sources and raises the question: how reliable are histories that build silently upon antecedent texts and present borrowed material as firsthand testimony? In his analysis, Berland demonstrates the need for a new category to assess early modern history writing: the hybrid, accretional narrative.
Fragments of Union , a new approach to comparative literary studies, is about forms of connections: between nations, literatures, individuals, words. It asks how, and why, connections get severed, and about the nature of the pieces that remain. Interdisciplinary readings of writings by Scots and Americans re-draw the literary map of both countries during the Enlightenment and Romantic periods. Political, philosophical, cultural and grammatical dimensions give its analysis sharp relevance to the new conditions presented by devolved government in Britain.
Few if any are better endowed than George Garrett to comment on the general and the particular, the long and the short, of southern letters in our time. Garrett— a prolific and internationally renowned author of fiction, poetry, drama, and biography as well as a teacher, editor, critic, and frequent jurist for literary competitions—has been immersed in the writers and literature of his native region for almost a half century. Southern Excursions contains more than fifty of the best essays, reviews, and other short pieces of his career. For the connoisseur of good writing, this book is a depository, a treasure, a veritable time capsule of southern, literary, and American culture. Without sacrificing reverence for modern masters such as Faulkner, O’Connor, and Welty, Garrett has consistently embraced worthy new artists through the years, deftly and judiciously drawing the line between critical acclaim and popular success. Payton Davis, Shelby Foote, Walker Percy, William HoVman, Madison Jones, Reynolds Price, Robert Morgan, R. H. W. Dillard, Wendell Berry, Doris Betts, William Goyen, Mary Lee Settle, Randall Kenan, David Huddle, Allan Gurganus, Dorothy Allison—these are a few of the writers Garrett has championed. If some names sound less familiar, Garrett, in these pages, will inspire readers to swift investigation. The author’s charm, wit, and anecdotal style make reading Southern Excursions a delight, and yet there’s no mistaking his erudition. Wise like a prophet, with a talent scout’s enthusiasm, Garrett is not afraid to tell unwelcome truths, covering topics that include southern publishing houses and literary quarterlies, the alliance between writers and academia, the state of criticism and theory, and, most eloquently, the persistence of place, memory, and the Civil War as themes in southern letters. Southern Excursions is a book for the ages, stowing as it does the sage views of one as learned, respected— and modest—in his time as George Garrett. “My strong suggestion [to readers],” he states, “is to plunge in and fare forward. Experience the story before turning to or trusting the opinions and judgments of others, myself included.”
After humble beginnings as faltering British colonies, the United States acquired astonishing wealth and power as the result of what we now refer to as modernization. Originating in England and Western Europe, transplanted to the Americas, then copied around the world in the nineteenth and twentieth centuries, this process locked together science and technology, political democracy, economic freedom, and competitive capitalism. This has produced for some populations unimagined wealth and material comfort, yet it has also now brought the global environment to a tipping point beyond which life as we know it may not be sustainable. How did we come to endanger the very future of life on earth in our heedless pursuit of wealth and happiness? In Laid Waste!, John Lauritz Larson answers that question with a 350-year review of the roots of an American "culture of exploitation" that has left us free, rich, and without an honest sense of how this crisis came to be. Larson undertakes an ambitious historical synthesis, seeking to illuminate how the culture of exploitation grew out of the earliest English settlements and has continually undergirded U.S. society and its cherished myths. Through a series of meditations on key concepts, the story moves from the starving times of early Jamestown through the rise of colonial prosperity, the liberation of the revolutionary generation, the launching of the American republic, and the emergence of a new global industrial power by the end of the nineteenth century. Through this story, the book explores the rise of an American sense of righteousness, entitlement, and destiny that has masked any recognition that our wealth and success has come at expense to anyone or anything. Part polemic, part jeremiad, and part historical overview, Laid Waste! is a provocative and bracing account of how the development of American culture itself has led us to today's crises.
William Byrd II was a prominent eighteenth-century Virginian who at the time of his death owned over 180,000 acres and employed laborers and enslaved Africans to work his land. His letters, diaries, and surveying documents have become key texts in the study of American history, and he is one of the most quoted and discussed figures of his era. Byrd himself was perhaps the early colonial epitome of a patriarch, and typically, when historians examine Byrd and the prominence of patriarchal thought in colonial Virginia, they examine his relationships with his immediate family. In this book, however, Dennis Todd examines the patriarchal relations between Byrd and the workers on his plantations—his apprentices, his wageworkers, his overseers, his white servants, and especially his slaves. In doing so, this book illuminates a neglected stage in the formation of slavery in Virginia. Todd argues that patriarchal principles, which are often assumed to have justified slavery and to have offered a template for slave management, in fact did neither. Byrd was not the only Virginian to wrestle with the contradictions between patriarchal values and the realities of slavery, but few were as articulate. In examining Byrd through the twin lens of slavery and patriarchy, Patriarchy in Peril makes an important contribution to our understanding of the man and his place in Virginia society as well as the contentious formation of early America.
A History of Virginia Literature chronicles a story that has been more than four hundred years in the making. It looks at the development of literary culture in Virginia from the founding of Jamestown in 1607 to the twenty-first century. Divided into four main parts, this History examines the literature of colonial Virginia, Jeffersonian Virginia, Civil War Virginia, and modern Virginia. Individual chapters survey such literary genres as diaries, histories, letters, novels, poetry, political writings, promotion literature, science fiction, and slave narratives. Leading scholars also devote special attention to several major authors, including William Byrd of Westover, Thomas Jefferson, Ellen Glasgow, Edgar Allan Poe, and William Styron. This book is of pivotal importance to the development of American literature and of American studies more generally.
The Routledge Companion to Literature of the U.S. South provides a collection of vibrant and multidisciplinary essays by scholars from a wide range of backgrounds working in the field of U.S. southern literary studies. With topics ranging from American studies, African American studies, transatlantic or global studies, multiethnic studies, immigration studies, and gender studies, this volume presents a multi-faceted conversation around a wide variety of subjects in U.S. southern literary studies. The Companion will offer a comprehensive overview of the southern literary studies field, including a chronological history from the U.S. colonial era to the present day and theoretical touchstones, while also introducing new methods of reconceiving region and the U.S. South as inherently interdisciplinary and multi-dimensional. The volume will therefore be an invaluable tool for instructors, scholars, students, and members of the general public who are interested in exploring the field further but will also suggest new methods of engaging with regional studies, American studies, American literary studies, and cultural studies.
In The Idea of Europe and the Origins of the American Revolution, Dan Robinson presents a new history of politics in colonial America and the imperial crisis, tracing how ideas of Europe and Europeanness shaped British-American political culture. Reconstructing colonial debates about the European states system, European civilisation, and Britain's position within both, Robinson shows how these concerns informed colonial attitudes towards American identity and America's place inside - and, ultimately, outside - the emerging British Empire. Taking in more than two centuries of Atlantic history, he explores the way in which colonists inherited and adapted Anglo-British traditions of thinking about international politics, how they navigated imperial politics during the European wars of 1740-1763, and how the burgeoning patriot movement negotiated the dual crisis of Europe and Empire in the between 1763 and 1775. In the process, Robinson sheds new light on the development of public politics in colonial America, the Anglicisation/Americanisation debate, the political economy of empire, early American art and poetry, eighteenth-century geopolitical thinking, and the relationship between international affairs, nationalism, and revolution. What emerges from this story is an American Revolution that seems both decidedly arcane and strikingly relevant to the political challenges of the twenty-first century.