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A delightful collection of essays penned by Woolf for what she saw as the common reader. An informal, informative and witty celebration of our literary and social heritage.
This carefully crafted ebook: "The Common Reader - Second Series (1935)" is formatted for your eReader with a functional and detailed table of contents. The Common Reader' is a collection of essays by Virginia Woolf, published in two series, the first in 1925 and the second in 1932. The second series features essays on John Donne, Daniel Defoe, Dorothy Osborne, Mary Wollstonecraft, and Thomas Hardy, among others. CONTENTS: THE STRANGE ELIZABETHANS DONNE AFTER THREE CENTURIES "THE COUNTESS OF PEMBROKE'S ARCADIA" "ROBINSON CRUSOE" DOROTHY OSBORNE'S "LETTERS" SWIFT'S "JOURNAL TO STELLA" THE "SENTIMENTAL JOURNEY" LORD CHESTERFIELD'S LETTERS TO HIS SON TWO PARSONS-- I. JAMES WOODFORDE II. JOHN SKINNER DR. BURNEY'S EVENING PARTY JACK MYTTON DE QUINCEY'S AUTOBIOGRAPHY FOUR FIGURES-- I. COWPER AND LADY AUSTEN II. BEAU BRUMMELL III. MARY WOLLSTONECRAFT IV. DOROTHY WORDSWORTH WILLIAM HAZLITT GERALDINE AND JANE "AURORA LEIGH" THE NIECE OF AN EARL GEORGE GISSING THE NOVELS OF GEORGE MEREDITH "I AM CHRISTINA ROSSETTI" THE NOVELS OF THOMAS HARDY HOW SHOULD ONE READ A BOOK?
A far cry from her wistful and introspective fiction, Woolf's essays on literature read as lively, droll, and conversational. These essays focus on famous literary figures as well as the craft of fiction; written in confident but inviting prose designed specifically for what Woolf called the common reader, they interweave biography, wit, social commentary, and literary analysis. Woolf typically seems disinterested in offering definitive arguments or reaching grand conclusions. She instead concerns herself with viewing a given writer or topic from several interpretive angles so that she might reveal as much about her subject as she can in a single essay, to a broad audience consisting of non-academic readers. Favorite essays included "Notes on an Elizabethan Play," "Modern Fiction," "Outlines," and "How it Strikes a Contemporary." (Michael)
Anne Fadiman is--by her own admission--the sort of person who learned about sex from her father's copy of Fanny Hill, whose husband buys her 19 pounds of dusty books for her birthday, and who once found herself poring over her roommate's 1974 Toyota Corolla manual because it was the only written material in the apartment that she had not read at least twice. This witty collection of essays recounts a lifelong love affair with books and language. For Fadiman, as for many passionate readers, the books she loves have become chapters in her own life story. Writing with remarkable grace, she revives the tradition of the well-crafted personal essay, moving easily from anecdotes about Coleridge and Orwell to tales of her own pathologically literary family. As someone who played at blocks with her father's 22-volume set of Trollope ("My Ancestral Castles") and who only really considered herself married when she and her husband had merged collections ("Marrying Libraries"), she is exquisitely well equipped to expand upon the art of inscriptions, the perverse pleasures of compulsive proof-reading, the allure of long words, and the satisfactions of reading out loud. There is even a foray into pure literary gluttony--Charles Lamb liked buttered muffin crumbs between the leaves, and Fadiman knows of more than one reader who literally consumes page corners. Perfectly balanced between humor and erudition, Ex Libris establishes Fadiman as one of our finest contemporary essayists.
First delivered as a speech to schoolgirls in Kent in 1926, this enchanting short essay by the towering Modernist writer Virginia Woolf celebrates the importance of the written word. With a measured but ardent tone, Woolf weaves together thought and quote, verse and prose into a moving tract on the power literature can have over its reader, in a way which still resounds with truth today. I have sometimes dreamt, at least, that when the Day of Judgement dawns and the great conquerors and lawyers and statesmen come to receive their rewards – their crowns, their laurels, their names carved indelibly upon imperishable marble – the Almighty will turn to Peter and will say, not without a certain envy when he sees us coming with our books under our arms, “Look, these need no reward. We have nothing to give them here. They have loved reading.”
What makes a story a story? What is style? What’s the connection between realism and real life? These are some of the questions James Wood answers in How Fiction Works, the first book-length essay by the preeminent critic of his generation. Ranging widely—from Homer to David Foster Wallace, from What Maisie Knew to Make Way for Ducklings—Wood takes the reader through the basic elements of the art, step by step. The result is nothing less than a philosophy of the novel—plainspoken, funny, blunt—in the traditions of E. M. Forster’s Aspects of the Novel and Strunk and White’s The Elements of Style. It sums up two decades of insight with wit and concision. It will change the way you read.
These twenty-five short essays demonstrate the beauty of style, the wit, and the sensibility for which Woolf is admired. "This book contains...the same delicious things to read as always....Virginia Woolf was a great artist, one of the glories of our time, and she never published a line that was not worth reading" (Katherine Anne Porter). Adeline Virginia Woolf (25 January 1882 – 28 March 1941) was an English writer, and one of the foremost modernists of the twentieth century. During the interwar period, Woolf was a significant figure in London literary society and a central figure in the influential Bloomsbury Group of intellectuals. Her most famous works include the novels Mrs Dalloway (1925), To the Lighthouse (1927) and Orlando (1928), and the book-length essay A Room of One's Own (1929), with its famous dictum, "A woman must have money and a room of her own if she is to write fiction."
This eBook features the unabridged text of ‘The Common Reader Second Series by Virginia Woolf - Delphi Classics (Illustrated)’ from the bestselling edition of ‘The Complete Works of Virginia Woolf’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Woolf includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘The Common Reader Second Series by Virginia Woolf - Delphi Classics (Illustrated)’ * Beautifully illustrated with images related to Woolf’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles
Newton's Philosophiae Naturalis Principia Mathematica provides a coherent and deductive presentation of his discovery of the universal law of gravitation. It is very much more than a demonstration that 'to us it is enough that gravity really does exist and act according to the laws which wehave explained and abundantly serves to account for all the motions of the celestial bodies and the sea'. It is important to us as a model of all mathematical physics.Representing a decade's work from a distinguished physicist, this is the first comprehensive analysis of Newton's Principia without recourse to secondary sources. Professor Chandrasekhar analyses some 150 propositions which form a direct chain leading to Newton's formulation of his universal law ofgravitation. In each case, Newton's proofs are arranged in a linear sequence of equations and arguments, avoiding the need to unravel the necessarily convoluted style of Newton's connected prose. In almost every case, a modern version of the proofs is given to bring into sharp focus the beauty,clarity, and breath-taking economy of Newton's methods.Subrahmanyan Chandrasekhar is one of the most reknowned scientists of the twentieth century, whose career spanned over 60 years. Born in India, educated at the University of Cambridge in England, he served as Emeritus Morton D. Hull Distinguished Service Professor of Theoretical Astrophysics at theUniversity of Chicago, where he has was based from 1937 until his death in 1996. His early research into the evolution of stars is now a cornerstone of modern astrophysics, and earned him the Nobel Prize for Physics in 1983. Later work into gravitational interactions between stars, the properties offluids, magnetic fields, equilibrium ellipsoids, and black holes has earned him awards throughout the world, including the Gold Medal from the Royal Astronomical Society in London (1953), the National Medal of Science in the United States (1966), and the Copley Medal from the Royal Society (1984).His many publications include Radiative transfer (1950), Hydrodynamic and hydromagnetic stability (1961), and The mathematical theory of black holes (1983), each being praised for its breadth and clarity. Newton's Principia for the common reader is the result of Professor Chandrasekhar's profoundadmiration for a scientist whose work he believed is unsurpassed, and unsurpassable.