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"This book is based on the three separate studies that made up the Intra Family Income Study ... all of the Māori and Pacific Islands examples are taken from the [studies] ... enriched and extended the examples from the Pākehā study with details ... from unpublished interview notes"--P. [vii] and [ix].
This book documents the wide range of contemporary communes and other intentional communities providing sanctuaries for like-minded people to pursue cooperative alternatives to media-stoked consumerism and the relentless tempo of change that characterizes mainstream life in 21st-century America and Europe. Common Purse, Uncommon Future: The Long, Strange Trip of Communes and Other Intentional Communities explores the many new types of communal living being tried in America and Europe today. A growing number of people disenchanted with the pressures and demands of mainstream lifestyles are drawn by the nostalgic appeal of traditional, mostly agrarian and artisanal, lifestyles as practiced in residential communities where liminal rituals of membership serve to validate pacts to live and work together in cooperative social and economic relations. Manzella focuses on the ways in which today's most innovative and controversial ecovillages diverge from the hippie communes of yesteryear's counterculture and from older communal forms such as kibbutzim and arts and crafts colonies, and how today's nonsectarian spiritual and volunteer service communities differ from traditional religious communes and ashrams. He reports his field investigations of a whole new generation of communal living experiments, such as residential land trusts, survivalist retreats, urban cohousing, green housing cooperatives, student co-ops, and New Age organic agrarian communes.
Possessions and how believers handle them are key topics in the NT. In this book, Fiona Gregson examines the practice and theology of sharing possessions in community in the NT by examining six diverse NT examples of sharing. Each example is considered in its historical and cultural context before being compared to one or more non-Christian examples to identify similarities and differences. Gregson identifies common characteristics across the NT examples and consistent distinctives in how the early church shared possessions compared to the surrounding cultures. Gregson’s findings demonstrate that Christians subverted Roman patronage expectations; Christian groups were more diverse in their membership and exhibited more flexible, less structured examples of sharing; Christians placed greater emphasis on the free choice of individuals to contribute to sharing; and Christians more frequently participated in eating together and had a greater focus on relational bonds than was common in Graeco-Roman society/culture.
This comprehensive new book celebrates over 550 top quality handbags by leading and unknown designers the world over, dating from 1759 to 2004, with detailed information to describe their outstanding qualities. These carefully selected handbags are arranged by their primary materials and chronologically within each chapter, for easy reference and interesting comparisons. Here fine leather, fabric, metal, beaded, skin, and plastic handbags from all over Europe, England, Canada, The United States, and Asia appear in over 600 beautiful color photographs. Examples appear from the design houses of Adele Handbags, Asprey, Bergdorf Goodman, Bonnie Cashin for Coach, Cartier, Chanel, Coblentz, Collins of Texas, deLillo, Elizabeth Arden, Emilio Pucci, Fendi, Givenchy, Gucci, Halston, Hermes, I. Miller, Joret, Judith Lieber, Keiselstein-Cort, Llewellen, Mandalian, Mark Cross, Marvel, Nettie Rosenstein, Patricia of Miami, Pierre Cardin, Raoul Calabro, Rialto, Roger Van S., Ronay, Rosenfeld, sydney love, Tiffany, Tropic, Tyrolean, Virginia Merrill, Viva, Whiting & Davis Co., Wilardy Original, Zandra Rhodes, and many more. An extensive Glossary, informative Resources section, Bibliography, and Index make this book friendly while instructional, securing an important place in the libraries of fashion historians, vintage clothing buffs, antique dealers, and accessories collectors alike.
Are you curious about using metal purse frames to create cute, boutique-style coin purses and handbags, but find yourself intimated about working with metal hardware? Then The Purse Clasp Book is for you!With a color step-by-step photo guide, you'll learn just how easy it is to install a metal purse frame and create a beautiful, professional-looking bag. Use your newly acquired skills to stitch up any of the 14 unique designs. These sweet and simple coin purses, pouches, purses, and tote bags make excellent gifts for friends, family, co-workers, and teachers. In fact, most projects can be completed in just a few hours.The best part is that this kit includes two high-quality metal clasps so you can get started straight away. Just pick out your fabric, thread your sewing machine, and you'll have a beautiful bag in no time!
"You never get a second chance to make a first impression." Have you ever heard this saying? Before we get a chance to say a word, our gestures and manners have already spoken for us. Though some of the rules of good manners change, others remain constant. This book is about the constants: the least you need to know to make a good first impression. As Clarence Thomas once said, "Good manners will open doors that the best education cannot." Use this book as a master key to open those doors.
All-new collection of magical stories from slapstick comedy to Gothic horror.
According to fashion expert Kathryn Eisman, to understand a woman, first understand her purse. In How to Tell a Woman by Her Handbag, Eisman cleverly contends that fashions come and go, but a woman's handbag is eternal, forever revealing her nature--and just maybe her secrets. With forensic precision and cutting wit, Eisman helps women identify their own handbag personas as well as those of family, friends, and foes. Thanks to How to Tell a Woman by Her Handbag, the next time you rub shoulders with Canvas Tote Lady or Decrepit Briefcase Lady or even Bamboo Cane Handle Lady, you'll be able to discern just what makes her tick. But you'll also recognize the bond common to women the world over--we're all bag ladies!
Charlie loves the bright red purse that his grandmother let him have. One day, he decides to take it to school. First his father, then his friends, and even the crossing guard question him about his “strange” choice. After all, boys don’t carry purses. They point out that they, too, have things they like, but that doesn’t mean they go out in public wearing them. But Charlie isn’t deterred. Before long, his unselfconscious determination to carry a purse starts to affect those around him. His father puts on his favorite, though unconventional, Hawaiian shirt to go to work; his friend Charlotte paints her face, and the crossing guard wears a pair of sparkly shoes. Thanks to Charlie, everyone around him realizes that it isn’t always necessary to conform to societal norms. It’s more important to be true to yourself. With its humorous, energetic illustrations, this book is ideal as a read-aloud or as a story for emerging readers. It can also be used as a starting point for a discussion about gender roles.