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The seventeen narratives of The Common Lot and Other Stories, published in popular magazines across the United States between 1908 and 1921 and collected here for the first time, are driven by Emma Bell Miles’s singular vision of the mountain people of her home in southeastern Tennessee. That vision is shaped by her strong sense of social justice, her naturalist’s sensibility, and her insider’s perspective. Women are at the center of these stories, and Miles deftly works a feminist sensibility beneath the plot of the title tale about a girl caught between present drudgery in her father’s house and prospective drudgery as a young wife in her own. Wry, fiery, and suffused with details of both natural and social worlds, the pieces collected here provide a particularly acute portrayal of Appalachia in the early twentieth century. Miles’s fiction brings us a world a century in the past, but one that will easily engage twenty-first-century readers. The introduction by editor and noted Miles expert Grace Toney Edwards places Miles in the literary context of her time. Edwards highlights Miles’s quest for women’s liberation from patriarchal domination and oppressive poverty, forces against which Miles herself struggled in making a name for herself as a writer and artist. Illustrations by the author and Miles family photographs complement the stories.
The four stories and novella translated in this volume represent the best short fiction by Ishikawa Jun (1899-1987), one of the most important modernist writers to appear on the Japanese literary stage during the years before and after World War II. Throughout his career, Ishikawa resisted the tide of popular opinion to address issues of political and artistic significance and thereby paved the way for a generation of Japanese internationalists and experimentalists, including Abe Kobo and Oe Kenzaburo. Highly acclaimed and respected in Japan, Ishikawa remains little known in the West-in part because of the tendency of Western critics and readers of Japanese literature to focus on writers concerned with aesthetic issues. Combining a strong interest in politics with a brilliant use of modernist techniques, Ishikawa's work defies easy categorization. Banned in 1938, "Mars' Song" has been called the finest example of anti-war fiction written during Japan's march to war in China and the Pacific. In it Ishikawa denounces the chorus of jingoism that swept Japan, and via a metafictional tale within a tale, he warns against the suicidal destruction to which complicity in warmongering will lead. The allegorical "Moon Gems," written in the spring of 1945, further explores the tenuous position of the writer moving against the current in a country not only still at war but very near defeat. In "The Legend of Gold" and "The Jesus of the Ruins," both from 1946, Japan has been reduced to a charred wasteland yet Ishikawa envisions destruction as fertile ground for rebirth and resurrection. Finally, the semi-surrealistic novella The Raptor plumbs the meanings and possibilities of peace in the post-Occupation era. William Tyler's eminently readable translations are faithfully expressive of stylistic and tonal nuances in the original works. In a perceptive introduction and the critical essays that follow, Tyler emphasizes Ishikawa's importance as an anti-establishment--even "resistance"--writer and argues that the writer's political iconoclasm goes hand-in-hand with the modanizumu of his literary experimentation. The Legend of Gold will be of tremendous importance in enlarging a Western understanding of the development of the writer's role as social critic and the evolution of the modernist movement in postwar Japan.
Frank Norris' 'A Deal in Wheat and Other Stories of the New and Old West' is a collection of ten short stories. The book includes Norris' best-known story 'A Deal in Wheat', which is about the wheat speculation at the Chicago Board of Trade. The story is a five-part narrative that follows a wheat farmer from Kansas who loses his farm due to the economic feud between two influential speculators. The other nine stories are equally compelling, ranging from a ghost sighting on a ship to a story about a man who bargains with a one-legged criminal.
A selection of work taken from his highly acclaimed collection Stories of a Lifetime by one of the greatest writers of the 20th Century. In elegant prose, Mann explores such eternal themes as: individuals forced into the extremes of their existence, isolation and the artist's tentative position in the harsh world, the realization of one's true nature.
It was a proud moment in my existence when Wright; captain of our football club; came up to me in school one Friday and said; “Adams; your name is down to play in the match against Craven to-morrow.” Parkhurst Boys, and Other Stories of School Life by Talbot Baines Reed: This classic book features a collection of short stories about life at a British boarding school. The stories are engaging and insightful, and offer readers a glimpse into the unique culture and traditions of British public schools. Key Aspects of the Book "Parkhurst Boys, and Other Stories of School Life": Cultural Significance: The book is a reminder of the unique culture and traditions of British public schools, and provides readers with a glimpse into this fascinating world. Engaging Stories: Reed's stories are both informative and engaging, making the book a pleasant and illuminating read for anyone interested in British culture or school life. Writing Style: Reed's writing is clear, elegant, and engaging, with vivid characterizations and descriptions that transport readers to the world of British public schools. Talbot Baines Reed was an English author known for his contributions to children's literature and works about school life. Born in 1852, he wrote such classics as The Fifth Form at St. Dominic's and Tom, Dick and Harry. His works continue to be celebrated for their insightful commentary on British culture and traditions.
The Horse-Stealers and Other Stories is the tenth volume in the Tales of Chekhov; a collection of short stories by Russian author Anton Chekhov. The stories in this collection include: The Horse-Stealers; Ward No. 6; The Petchenyeg; A Dead Body; A Happy Ending; The Looking-Glass; Old Age; Darkness; The Beggar; A Story Without A Title; In Trouble; Frost; A Slander; Minds In Ferment; Gone Astray; An Avenger; The Jeune Premier; A Defenceless Creature; An Enigmatic Nature; A Happy Man; A Troublesome Visitor; and, An Actor’s End.