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Phil and Muriel move into a homeowners association-controlled community in Florida. Their one-eyed dog, Bennie, enables them to have the last laugh on an annoying committee. Widower George Wilson moves into an adult community in Florida where the widow-widower ratio is three to one. He also meets Adriana via his computer. Life is good for a widower at the Ocean Dunes, or is it? Captain Vince Sullivan takes R & R from Vietnam in Perth, Australia. There he meets a blue lady who changes his life. Regina Kelsie leaves the cold of Worcester, Mass, to experience spring break in Panama City, Florida. Fellow Worcesterite, Jim Rancourt, rescues her from hell; but things are not as they seem. Margie ORourke decides to cremate her deceased husband, but her plans for his ashes are bizarre, frighteningly bizarre. Little Adela spends her first of many nights in a harem when she is only five. Grandma is led to believe that her stool is self-combusting. That is quite disturbing information for Grandma. Barney and Herb, two octogenarians, discuss cisgender and transgender issues in Dunkin Donuts over coffee. It is quite the hilarious conversation. These are just a few of the tales that make the Committee and Other Stories so uniquely enjoyable. It is a journey into the depths of the human spirit, illustrating the importance of laughter and the miracle of love.
Tsering Döndrup is one of the most popular and critically acclaimed authors writing in Tibetan today. In a distinct voice rich in black humor and irony, he describes the lives of Tibetans in contemporary China with wit, empathy, and a passionate sense of justice. The Handsome Monk and Other Stories brings together short stories from across Tsering Döndrup’s career to create a panorama of Tibetan society. With a love for the sparse yet vivid language of traditional Tibetan life, Tsering Döndrup tells tales of hypocritical lamas, crooked officials, violent conflicts, and loyal yaks. His nomad characters find themselves in scenarios that are at once strange and familiar, satirical yet poignant. The stories are set in the fictional county of Tsezhung, where Tsering Döndrup’s characters live their lives against the striking backdrop of Tibet’s natural landscape and go about their daily business to the ever-present rhythms of Tibetan religious life. Tsering Döndrup confronts pressing issues: the corruption of religious institutions; the indignities and injustices of Chinese rule; poverty and social ills such as gambling and alcoholism; and the hardships of a minority group struggling to maintain its identity in the face of overwhelming odds. Ranging in style from playful updates of traditional storytelling techniques to narrative experimentation, Tsering Döndrup’s tales pay tribute to the resilience of Tibetan culture.
This wry take on Kafka’s novel The Trial revolves around its narrator’s attempts to petition successfully the elusive ruling body of his country, known simply as “the Committee.” Consequences for his actions range from the absurd to the hideous. Ibrahim offers an unbroken first-person narrative rendered in brief, crisp prose framed by a conspicuous absence of vivid imagery. Furthermore, the petitioner is a man without identity. The ideal antihero, he remains, as does his country, unnamed throughout the intricate plot with a locale suggestive of 1970s Cairo. The Committee pierces the inflammatory terrain between ordinary men, unbridled displays of power, and other broader concerns of the author’s native Egypt. The novel’s corrosive, shocking conclusion catapults satiric surrealism into a new realm.
“Transmutes Lavender Scare investigators’ ruthless assaults on suspected homosexuals in 1950s Gainesville into heart-racing fiction.” —New York Journal of Books In the late 1950s, Gainesville, Florida, seems to be a sleepy university town. Its residents live, by outward appearances, ordinary lives. And yet the town is far from ordinary. The most private acts of professors, students, townspeople rich and poor, and politicians are under the close scrutiny of a shadowy group of men—the Committee—who use the powers of government and the police to investigate, threaten, and control this increasingly fearful community. The Committee pits friends against friends and threatens careers and lives in a struggle for the soul of a town, a university, and an ideal. Based on actual historical events and set against the backdrop of political, cultural, and class turmoil, this is a story of love—both licit and hidden—war, friendship, betrayal, compromise, and finally the necessity to stand firm against the encroachments upon freedom by men who believe they are doing God’s and the government’s righteous work. “The Committee takes place on campus, but deserves to be included with those ‘academic’ novels like Mary McCarthy’s The Groves of Academe, Randall Jarrell’s Pictures from an Institution, Kingsley Amis’s Lucky Jim, and Jane Smiley’s Moo, all books that burst out of their scholarly settings to light up the characters and societies they live in . . . This book will hold you to the very end, and after.” —Peter Meinke, Creative Loafing Tampa Bay “At once an historical, political, and academic novel, and it is one that succeeds on all these fronts.” —Reviewing the Evidence
“Like Richard Russo’s Straight Man this book has a lot to say about the humanities in American colleges and universities…. Very funny and also moving.” —Tom Perrotta, New York Post A BEST BOOK OF THE YEAR: NPR and Boston Globe Finally a novel that puts the "pissed" back into "epistolary." Jason Fitger is a beleaguered professor of creative writing and literature at Payne University, a small and not very distinguished liberal arts college in the midwest. His department is facing draconian cuts and squalid quarters, while one floor above them the Economics Department is getting lavishly remodeled offices. His once-promising writing career is in the doldrums, as is his romantic life, in part as the result of his unwise use of his private affairs for his novels. His star (he thinks) student can't catch a break with his brilliant (he thinks) work Accountant in a Bordello, based on Melville's Bartleby. In short, his life is a tale of woe, and the vehicle this droll and inventive novel uses to tell that tale is a series of hilarious letters of recommendation that Fitger is endlessly called upon by his students and colleagues to produce, each one of which is a small masterpiece of high dudgeon, low spirits, and passive-aggressive strategies. We recommend Dear Committee Members to you in the strongest possible terms. Don’t miss Julie Schumacher's new novel, The English Experience, coming soon.
Tibor Déry (1894-1977), winner of Hungary's highest artistic honor, the Kossuth Prize, in 1948, was first imprisoned in 1934 by the Horthy regime for translating André Gide's diary of his journey to Russia, and again, over twenty years later, for his writings and political activities during the Hungarian Revolt of 1956 against Soviet occupation. Around the world, Tibor Déry Committees formed: Picasso, Camus, Sartre, Bertrand Russel, E.M. Forster, and in the Indian Congress Committee were among the many involved. Today, Tibor Déry is venerated as one of the most important literary figures of Hungary and, like Chekhov, a master of the modern short story. Love and Other Stories presents some of Déry's finest work. In "Games of the Underworld," ordinary people in Budapest try to survive the winter of war in cramped cellars and encounter menacing Arrow-Cross men, a towering giant, a blind horse, a vinegar sponge; in "The Circus," a group of bored children transmogrifies into a grotesque spectacle; in "Love," a political prisoner is released after seven years and returns home to his wife and son. George Szirtes, the award-winning translator from the Hungarian and winner of the 2004 T.S. Eliot Prize for poetry, gives a brilliant introduction to this visionary collection that deals passionately with questions of responsibility and conscience, of social justice and renewal.
Two essays and eleven short stories from a 1930s novelist who wrote on a variety of subjects, from war to the lot of the black man. In An American Citizen, a black man leaves America for another country to escape the humiliation he suffers, Through Pity and Terror is a war story set in France on a woman whose home is invaded by German soldiers, and in the title story the protagonist finally wins recognition as an artist.
In a dilapidated and isolated old house, something peculiar seems to happen whenever the town’s bestial exterminator visits. On a seemingly bucolic country estate, the head of the household is a living corpse obsessed with other corpses. An adolescent boy who passes his days in private dream worlds experiences a sexual awakening spurred by his family’s scandalous tenant. In these and other stories, the modernist writer Alexei Remizov offers a panorama of Russian mythology, the supernatural, rural grotesques, and profound religious faith in fiery revolutionary settings. Alexei Remizov was one of the greatest writers of the Russian symbolist movement of the early twentieth century. In the thirteen stories collected in this volume, his exceptional stylistic achievements are on full display. Equally drawing on rural colloquial speech, the language of Russian fairy tales, and the customs of the Old Believers and Russian Orthodoxy, they transport the reader into a mysterious world in between uncanny folktales and encroaching modernity. The Little Devil and Other Stories includes works from across Remizov’s career, encompassing his thematic preoccupations and stylistic experimentation. Antonina W. Bouis’s translation captures Remizov’s many registers to offer English-language readers a sampling of a remarkable Russian writer.
Fandango and Other Stories presents a selection of essential short fiction by Alexander Grin, Russia's counterpart to Robert Louis Stevenson, Edgar Allan Poe, and Alexandre Dumas. Grin's ingenious plots explore conflicts of the individual and society in a romantic world populated by a cast of eccentric, cosmopolitan characters.