Download Free The Commandrine And Other Poems Book in PDF and EPUB Free Download. You can read online The Commandrine And Other Poems and write the review.

The brilliance of Joyelle McSweeney's poems is a given; what remains delightfully open to negotiation are its methodologies and its mien. Is she an earnest relator, using wit and gesture to tell the story faster? Or does she take the piss of her subjects, using perfected skills of mimicry and divination to exploit, spot on, their errant humanities? In her second book McSweeney finds her subjects in the long form; "The Commandrine" is a verse-play that in nine scenes tells the story of sailors Zest, Coast, Ivory, and Irish, and their watery run-in with the Devil. "The Cockatoos Morose" stirs Eliotic grandeur with Stevensian absurdity for a cocktail of delirious observation and rigorous leaps of the sort McSweeney is certain to become famous for. "Crusade-dream flips like a standard. The standard / narrows to a point. And points. / Then it dips like a fern."
Rat-a-tat prosody and scattershot, hallucinatory cultural critique, replete with grotesqueries, spit baroquely from the necropastoral ground of McSweeney's third collection.
Fiction. "One would not make love to a Salamandrine during a sandstorm," wrote Aleister Crowley, anticipating by some sixty years the note of caution that Tarpaulin Sky must attach to the Black Book whose image now burns before you: Dear Reader, banish all received notions of narrative, of language itself. Masquerading as a collection of short stories, SALAMANDRINE is a channeled text, moonchild, unholy offspring of poetry and Loser Occult. Refracting the dread and isolation of contemporary life through a series of formal/generic lenses, producing a distorted, attenuated, spasmatic experience of time, as accompanies motherhood, Salamandrine renders impossible any thinking in terms of conventional temporalities or even causalities, let alone their narrative effects. SALAMANDRINE is the high magick of art so low it crawls. Like a toddler at a poetry reading. With a taste for achilles heels. Hell-bent on bringing literature itself to its knees. "If you would recover the empire over the Salamanders, purify and exalt the Natural Fire that is within you." Abbe de Villars "He who shrinks from the flames will never command Salamanders." Arthur Edward Waite"
An exploration of poetry as an expression of biology
With the persistent, dappled vision of an ecstatic pragmatist, Joyelle McSweeney sees things as they are through "the modern knothole": "Up on the hill,/ a white tent had just got unsteadily to its feet/ like a foal or a just-foaled cathedral." Eventuality, as it is delicately shaded by the fine and fearless intelligence of these kinesthetic arrangements, coincides with imaginative possibility; the resulting poems are as much mind as place; much galaxy as time-inevitable and correct as only true whimsy can be. "Outside, the web of tenthousandthings;/ inside here, only three: filmstrip of a helicopter's shadow;/ against an Antarctic wall; silkscreen/ of the grand central ceiling. The idealized landscape-/ I want a room in it."
Fiction. "If Vladimir Nabokov wanted to seduce Nancy Drew, he'd read her NYLUND, THE SARCOGRAPHER one dark afternoon over teacups of whiskey. Welcome to fiction's new femme fatale, Joyelle McSweeney."--Kate Bernheimer. "You thought you knew your own language. This book hands it back to you on a platter and includes the instructional manual for its further use."--Michael Martone. NYLUND, THE SARCOGRAPHER is a baroque noir. Its eponymous protagonist is a loner who tries to comprehend everything from the outside, like a sarcophagus, and with analogously ornate results. The method by which the book was written, and by which Nylund experiences the world, is thus called sarcography. Sarcography is like negative capability on steroids; this ultra-susceptibility entangles Nylund in both a murder plot and a plot regarding his missing sister, Daisy. As the murder plot places Nylund in increasing danger, his sensuous memories become more present than the present itself.
'The power of McSweeney's work cannot be separated from its association with forms of oracle and soothsaying, and so it is uncanny that it should arrive in the middle of a global pandemic... Frightening and brilliant' Dan Chiasson, New Yorker How does the body gestate grief? How does toxicity birth catastrophe? In the months leading up to her daughter Arachne's birth, US poet Joyelle McSweeney set out to write a quiver of poems like a quiver of poison arrows: formally and sonically virtuosic, laced with the poet's obsessive concerns with contamination, decay and the sublime, featuring a crown of 'toxic sonnets' for the tuberculosis bacterium that killed Keats. But when Arachne was born with an unexpected birth defect, lived briefly and died, the poet was visited by a second welter of poems, odes of love, grief, perplexity and rage. These two books, Toxicon & Arachne, form a double collection of poems weighing love, grief, art and survival in increasingly toxic days. Toxicon & Arachne is the culmination of eight years of engagement with lyric under a regime of global and personal catastrophes.
Now in paperback, this first oral history of the most nihilistic of all pop movements brings the sound of the punk generation chillingly to life with 50 new pages of depraved testimony. "Please Kill Me" reads like a fast-paced novel, but the tragedies it contains are all too human and all too real. photos.
2021 NATIONAL BOOK AWARD FINALIST FOR POETRY Eschewing series and performative typography, Douglas Kearney’s Sho aims to hit crooked licks with straight-seeming sticks. Navigating the complex penetrability of language, these poems are sonic in their espousal of Black vernacular traditions, while examining histories, pop culture, myth, and folklore. Both dazzling and devastating, Sho is a genius work of literary precision, wordplay, farce, and critical irony. In his “stove-like imagination,” Kearney has concocted poems that destabilize the spectacle, leaving looky-loos with an important uncertainty about the intersection between violence and entertainment.
This is the first of four early journals, written in 1970 (THE FAST); in 1971, (Country Girl); in 1972, (Pictures and Early Words); in 1973, (Big Words). These journals depict the development of the clairvoyance from feeling and seeing auras, to seeing pictures, and finally the slow development of seeing words which first appeared singly, then later in short phrases. The culmination of this seeing of words resulted in the Clairvoyant Journal, written in 1974, and published by Angel Hair Books, now known as United Artists Books, in 1978, and in many books that followed. Literary Nonfiction.